Archive for March, 2009

Northstar

Tuesday, March 24th, 2009
Art by John Byrne

Art by John Byrne

Northstar is most likely the most famous gay superhero known to the public, since his comic book “outing” became a much-publicized, controversial event. Jean-Paul Beaubier and his twin sister Jeanne-Marie were separated in infancy after their parents were killed in mysterious circumstances – not knowing of each other’s existence. When Jean-Paul hit puberty, his mutant powers began to emerge – and he used them to his advantage in order to become a world champion skier, winning a gold metal in the Olympics while still only in his late teens.

Jean-Paul was later recruited by James McDonald Hudson (Guardian) to become a superhuman agent for the Canadian government’s Department H program (Alpha Flight). He came across Jeanne-Marie here, who was also a recent recruit, and was overjoyed to learn that she was his long-lost sister. The two siblings toon on the names Northstar and Aurora, and learned that when in physical contact with each other, the two could produce a brilliant blinding white light.

Northstar was always quite distant to the other members of Alpha Flight, but was very close and overprotective of his sister, however – and tension often developed between him and fellow member Walter Langowski, partly because Walter was seeing Aurora and partly because Northstar was also attracted to him.

Hints to his true sexuality were implied throughout the run of ALPHA FLIGHT during John Byrne’s initial run, perhaps as early as UXM #121 in which Northstar gives Cyclops a telling look, and even after though a later storyline which revealed Northstar to be an actual other dimensional “fairy” proved embarrassing and is pretty much ignored. Finally, in Alpha Flight #106, he “came out” as a gay man to the public after finding an abandoned child with AIDS. It should be mentioned that the following is noted under Northstar’s listing in the OFFICIAL HANDBOOK OF THE MARVEL UNIVERSE #9: “After the Beaubier siblings had a particularly intense quarrel over Jean-Paul’s sexual attitudes, however, Northstar ceased to work with the team on a regular basis.”

Not much was made of Northstar’s sexuality in comics in his own 4-issue mini-series – and he almost seemed to have disappeared into limbo. He did make a brief appearance in the last ALPHA FLIGHT series, where his sexuality was acknowledged again, and also in a four part crossover story in NEW X-MEN and UNCANNY. In UXM #414 Professor X offered membership to Northstar as well as asking him to instruct young mutants. Writer Chuck Austen has acknowledged Jean-Paul’s sexuality by giving him an unrequited love interest in fellow X-Men, Bobby Drake.

Northstar left active team duty and at the request of Professor X became mentor to his own squad of mutant trainees, the Alpha Squad. He and gay mutant Anole had a mentor-student relationship.

A relevant development with the character happened in the pages of Wolverine, in the Enemy of the State storyline written by Mark Millar. The terrorist group Hydra formed an alliance with The Hand and Dawn of the White Light. One of the goals of this combined effort was to create a shock force of murdered, resurrected, and brainwashed superheroes (only in comics, folks!).

One hero who succumbed to this fate was Wolverine. To test their control of Wolverine, he was sent out on several killing operations, and was then tasked to kill the X-Men (Wolverine #25). Kitty Pryde phased her body into an immaterial state to avoid being impaled by the onrushing Wolverine’s claws; he passed through her, and instead pierced Jean-Paul through the heart.

SHIELD took possession of Northstar’s corpse. A few X-Men, including Bobby Drake whom Jean-Paul crushed on during Austen’s time on Uncanny, have gathered inside a lab at NYU Medical Center. At SHIELD’s order, Northstar’s head is to be removed from his body; this being the only method to ensure a body doesn’t arise to do Hydra’s bidding. This idea did not sit well with the attendant X-Men. Surprisingly, a resurrected and brainwashed Elektra (the events concerning her demise are irrelevant here) appears with a small contingent of zombie ninjas. They escape with Northstar’s body, thus allowing its scientists to resurrect him. Issue #26 closes with a scene of Elektra and Northstar leading an army of controlled corpses in an attack against SHIELD heli-carrier Blackhawk. The attack put Nick Fury in critical condition. The chaos and destruction of the attack released a de-programmed Wolverine. The imminent crash of the heli-carrier in Arkansas prevented Wolverine from attacking Northstar.

Realizing he was partially, if not fully, responsible for Northstar’s fate, Wolverine decided to bring him in. He tracks down Jean-Paul to some dingy, nameless bar where the pair talk. Jean-Paul wants nothing to do with being de-programmed. The two square off, and in the next moment, Wolverine is shocked to find himself out-numbered by Hydra zombies. Northstar reveals Hydra has returned and upgraded his ability to generate light, something he could only do before in close contact with his sister. These amped up powers help Jean-Paul recapture Logan. Later, Logan regains consciousness and learns from a gloating Northstar that he’s being held in an outpost in Alaska. Elektra detects a mutant cloaking device inserted in Wolverine’s neck right before three Sentinels unleash their fury upon the mutants in the station, as had been secretly planned. The two Canadians knock it up. Logan, who calls SHIELD to extract Jean-Paul, punches out Northstar.

The only other relevant development with Northstar comes after he’s safely returned to SHIELD custody. Northstar is treated with the same battery of deprogramming simulations, but it proves unsuccessful in this situation (issue #30). Nick Fury deceives Kitty Pryde and the other X-Men into believing Jean-Paul’s body was never recovered (issue #31).

The character rested in off-panel limbo until writer Mike Carey decided to use him and his sister Aurora in X-Men #189 and #190. The Children of the Light, a previously unknown group, infiltrated the SHIELD facility where Northstar was held. The siblings become pawns of the mysterious Children and their nefarious plans. They’re sent in to fight the X-Men. Early in the fight, there is a scene between Northstar and Anole that touches on their former teacher-student relationship. At first, the clash seems to go in their favor, but in the end, Northstar is subdued.

In X-Men annual #1 (2007) writer Mike Carey returns to the brainwashed and comatose Beaubier twins, Jean-Paul and Jeanne-Marie. Emma Frost and Cable devised an idea to make the twins mentally relive their entire lives in a short span of time. Rogue (as leader), Mystique, and Cable arrive aboard a SHIELD helicarrier. They’ve requested the use of the agency’s advanced mind control equipment and facilities and have gotten clearance from Nick Fury. The twins are strapped down and hooked in to the virtual reality program. Unknown to the X-Men, Exodus and three other mutants attack the helicarrier while their test is being done. One of the villainous mutants hacks into SHIELD’s failsafe programs and unknowingly overloads the VR program. The twins wake up, but it’s as if they’re sharing one mind, finishing each other’s sentences and then racing off in tandem. Naturally, a fight between the X-Men and Exodus and his associates ensues. The twins have some kind of psychic healing/ epiphany that happens between them and suddenly restores their rightful minds. The two sides fight to a stand off, the villains retreat, and Northstar is welcomed back by Rogue.

Northstar has super speed including super-fast reflexes. He also has the power of flight. He can no longer generate intense white light while in contact with his sister, due to a genetic experiment that Langowski performed on her. In Wolverine #28, we learn that Hydra scientists have successfully re-engineered and upgraded Northstar’s ability to generate light. Several other upgrades are alluded to, but neither listed nor demonstrated in the course of the story.

© by ® Marvel Comics. Used without permission.

Brainiac 5

Tuesday, March 24th, 2009
Art by Chris Batista

Art by Chris Batista

Please note that this entry is focused on scenes and events in specific issues written by Dan Abnett and Andy Lanning involving this one particular rebooted version of Brainiac 5. The following comments whether speculative or based upon story content do not invalidate or supercede other versions of the character, especially the original which debuted in Action #276. It remains to be seem what the outcomes of Legion of Three Worlds will have for this version of Brainiac 5.

Writers Abnett and Lanning, often referred to as “DnA”, put the Legion through some serious events with their opening “Legion of the Damned” and “Widening Rift” stories that sent a group of Legionnaires into an unknown territory of the Legion Lost 12 part series. Brainiac 5 was one of the lost members. The missing members return to Earth after their yearlong ordeal (Legion #1, Oct. 2002) and are formally reunited with the team on Legion World headquarters in issue 3. It’s a joyous event for everyone, including Brainiac 5 and Invisible Kid, both grinning, who are interacting. Brainy remarks, “This is certainly a convivial reunion, Invisible Kid. You’re well, I take it?” Lyle replies, “Same old Brainy. We missed you.” Their renewed friendship continues to develop with subsequent appearances.

Sharn Nux, a Coluan special theorist, is sent as a technical advisor to the Legion in the advent of a threat from a new threat referred to as Robotica. Invisible Kid greets her in Brainiac 5’s absence, and is coolly greeted. Her jabs at Brainiac do not make a good impression with Lyle who likewise tries his best to disparage her with comments. The situation all around deteriorates and Earth becomes assimilated by Robotica. A bound Brainiac 5 learns that his captor’s true self is really his own creation Computo, and is the driving force behind Robotica in his driving quest to achieve hypertaxis (accelerated evolution) for artificial intelligence.

Sharn Nux and Invisible Kid are part of the team to rescue Brainy, who has devised a plan to deal with Computo. He persuades Lyle with his idea to let Computo evolve as their only recourse. Nux is dead set against the idea, and surprises the Legion members when she rushes toward Computo hoping to stop it with a craftily disguised weapons implant. It’s Lyle who attempts to stop her though she manages to wound Brainy and is engulfed in an explosion when she attacks Computo. Brainy is last seen in #14 recuperating in sick bay.

The next story arc of relevance is “Foundations” (part 2, #26). A new threat has arisen, and its nature becomes apparent with a trio of villains escape a fight with Legionnaires by teleporting with a Boom Tube. Brainy and Lyle conduct an experiment at the Time Institute hoping to learn why there were time anomalies associated with the attack when they in turn are assaulted (issue #27) by similarly appearing villains. The pair fights to the best of their abilities, but Brainy is caught off guard and thrown despite his force shield, causing Lyle to shout in concern. Lyle becomes invisible hoping to gain an advantage against his Thanagarian assailant. He then reappears right before a Boom Tube materializes. Lyle brashly jumps into it to track them, reassuring a concerned Brainy that he trusts his friend will find him again.

Back on Legion World, Brainy is dismayed to learn that space is shrinking rather than expanding. While he and others contemplate the ramifications a very weak communication signal from Invisible Kid is picked up. He and the other beings were teleported to a disused Stargate where he is watching unseen and using the Stargate’s communication system to alert his teammates. Unfortunately, Lyle is discovered and attacked. However, he’s given sufficient info for a rescue team, including Brainy, transported by Shikari and her navigational powers to come to his aid. The villains resort to escape by yet another Boom Tube when pressed by the Legion. With the imminent threat gone, Brainy rushes to Lyle’s side, throwing his arms around his neck and kissing a surprised Lyle on the cheek. Brainy just as quickly becomes embarrassed and awkwardly regains his composure. While they appear in the rest of the story arc, which ends with #30, their interaction is minimal at most.

One scene in issue #31 is significant. It’s a comedic farce stand-alone story in contrast to the Darkseid story. Chuck Taine (Bouncing Boy) and Gear have had enough feeling like they’re the janitorial crew that has to clean up all of the messes on Legion World. They sneak into Brainy’s lab to program a nanite tech experiment of Brainy’s. Chuck finds Brainy’s secret stash of holo-vids while rummaging, and decides to use it as “insurance” if needed. Two of the three pics are clearly of Andromeda, while it’s unclear who is in the third one. Hijinks and hilarity ensue when the nanite tech gets out of their control. They resolve the matter by the skin of their teeth. Later, Brainy returns to his lab and discovers the nanobots are missing. He then looks around to find Chuck’s blackmail note which reads: “Dear Brainy, YOU don’t say anything about the missing nanites, and WE don’t say anything about your private holo-collection featuring Dreamer, Spark, Andromeda, In—“ Brainy shouts an agonizing “nooo!” in the story’s last panel.

Art by Keith Giffen

Art by Keith Giffen

Brainy and Lyle continue to appear though separately or in group shots throughout the rest of the series until its conclusion with #38. There are no other scenes in which dialog or action can be construed to show a romantic interest on Brainy’s part for Lyle. The following rebooted version created by Mark Waid did not build on this for personal dynamics for the pair. It should be noted that a romantic relationship between Lyle and Condo Arlik (who was Chemical King in the pre-Crisis Legion) was hinted at, most conspicuously with a note. Arlik was documented as gay in the DCU Encyclopedia.

Art by Feiste and Harris

Art by Feister and Harris

Brainiac 5’s primary skill is his twelfth-level intellect that he uses in his capacity as scientist and inventor to create technology for the Legion. His scientific genius is most associated with the Legion’s flight rings though Invisible Kid is also credited with this development in some Legion versions, and also his personal force shield belt. Other notable inventions include the super computer Computo and various space and time travel technologies.

© by ® DC Comics. Used without permission.

Angel

Tuesday, March 24th, 2009

Art by Andy Kubert

Art by Andy Kubert

Please note: This bio deals only with the version of the character as written by Neil Gaiman for his limited series 1602 and is not related to either the original or Ultimate versions of Angel. This version of Angel was confirmed gay in 1602 #6.

Angel first appears in issue #1 and is  seen suspended in the air with his arms and legs shackled. He is being held as a prisoner in the High Tower in the Palace of the Inquistion in Spain. He contemplates his fate, thinking back to the day before when the Inquisition burned a Jew for his faith and of a heretic dying while being tortured. His sin against God is being a Witchbreed (a mutant). His wings clearly mark him as such to the religious fanatics. We soon learn that the Grand Inquisitor (Magneto) will align himself with King James of Scotland, who has his eye on the English throne after Queen Elizabeth’s impending death. To seal the alliance, the Inquisitor proposes a scheme against the Witchbreed, led by Carlos Javier (Charles Xavier). The plot begins with burning the winged boy the next morning so he cannot join Javier’s band.

The next morning, guards bind Angel to a stake in the castle courtyard. As the fire is lit, two Witchbreed (counterparts to Cyclops and Iceman) break their disguises as monks to liberate the winged boy. Scotius (Cyclops) instructs him to fly to their ship waiting in the bay. The first issue ends with the Witchbreed ship sailing for English waters. Angel learns a little about his rescuers and is introduced to the red headed John Grey (Jean Grey) who serves as pilot (issue #1).

While Angel is seen among the Witchbreed at Javier’s estate, the next relevant scene takes place in issue #3. Early one morning John Grey is walking on the estate and finds Angel standing amongst the branches of a tree, admiring the early morning. He’s surprised and pleased when Grey levitates into the air so they can speak, finding a bit of a kindred spirit in the act. They share their hopes for the future in an intimate conversation until Scotius interrupts the pair to remind them of morning prayers.

In issue #5 the Witchbreed have become caught up in political intrigue, thanks to Sir Nicholas Fury, an agent of the Queen. They willingly surrender to Fury and leave Javier’s estate to be held in the Tower of London.  Scotius becomes angry again when Angel and Grey talk privately for a second time. They nearly come to blows, but are broken up by fellow Witchbreed McCoy (Beast). Javier proposes a plan to help Fury that at the same time will win freedom for him and his students. Javier offers to rescue the Fantasticks who are held captive by Otto Von Doom in Latveria in exchange for a safe haven for the Witchbreed. They all board a ship bound for Latveria that John Grey speeds along thanks to mental powers. (issue #5)

Angel enjoys momentary freedom soaring above the flying ship while also contemplating his situation and the nearing battle. Once back aboard the ship he finds Scotius is once again short-tempered with him. Puzzled, he asks Fury why Scotius hates him. Fury’s reply is that “[Scotius] is scared, and he’s jealous. He thinks she likes you, and that troubles him.” Angel is confused: “She? Who is she?” By saying so, he reveals that he had no idea John Grey was indeed a disguise girl named Jean. Fury is shocked at the implication of homosexual attraction.  At end of the issue (#6) the ship is within sight of Doom’s castle, and everyone prepares for battle.

During the battle Jean suffered greatly from the extreme stress and strain of her efforts to keep the ship aloft. Angel is concerned for her well being though he still does not realize that “John” is a disguise. He asks Scotius about “her” state. The strain of the matter is too much for Scotius and unequivocally shatters Angel’s illusion by declaring “Master Grey” to be “a joke that is no longer funny.” And then he confides, “Mistress Grey in unconscious. She is bleeding inside. Master Javier is attending her. He does not believe she will last the night.” Scotius is as nonplussed as Fury to learn of Angel’s belief in the disguise (issue #7).

Despite the death of Jean, the ship continues to its final destination: the colony of Roanoke in America, where the Witchbreed, Fury, and others may start life anew. There is a final, relevant conversation between Angel and Scotius after arriving in Roanoke. Scotius comes to apologize and make amends for his jealousy: “I thought you were in love with her. I was jealous of you and jealous of her…And all that time, you thought her a man. So I was a fool. A jealous, witless fool.” Angel replies from the heart; “I was truly deceived, and thought Jean Grey was a man. But I do believe I was in love with that young man.” With that revelation, Angel flies away to leave behind a truly dumbfounded Scotius.

1602 is a mini series that was written by Neil Gaiman and drawn by Andy Kubert. It ran for eight issues and was published in 2003 and 2004. Gaiman used some of Marvel’s original characters such as the X-Men, Fantastic Four, Spider-Man, and Dr. Strange and placed them in the England at the end of the Elizabethan Age and the beginning of it English exploration of America. It bears repeating: Angel as outlined here has no connection with the contemporary Marvel Angel of the 616 universe.

Please read the Wikipedia entry for greater information about 1602.

© by ® Marvel Comics. Used without permission.

Andy Jones

Tuesday, March 24th, 2009

By Elizabeth Kopec

Andy Jones is a lesbian stand up comedian created by Peter David for Supergirl’s supporting cast. Andy’s alter ego is the human-equine hybrid Comet. PAD decided to tease both Supergirl and the readers by having Andy Jones in both her human guise and as Comet flirt with Supergirl. It was revealed in one issue that Andy and Cutter were formerly married.

Supergirl/Linda and Andy/Comet are two of three earth born angels, composite characters, both created when a hero selflessly merged with a another person to save them, and the two became one. So, Supergirl and Linda merged to become one person. Same with Comet. Comet, a male, merged with Andy to save her life, so she’s lesbian with a male superhero identity.

Even before they find out each other’s full identities, Andy has expressed her attraction to Linda, and Comet and Supergirl have shared one amazing kiss… then the fun starts…

Two particular issues of note are #26 (Oct. ’98) and #39 (Dec. ’99). With the endong of # 25 and continuing into #26, they find out each other’s full identity. Andy thinks it’s a hoot, since she’s had the hots for both Linda and Supergirl. Linda/Supergirl doesn’t find Andy romantically attractive. Then, Andy transforms into Comet (complete with a shy/handsome grin, broad shoulders & long, yummy silver hair) and suggests they go somewhere more “intimate” to continue the conversation, and Linda/Supergirl thinks to herself, “He’s making my tingly. Stop it!” Linda and Andy were already friends, and Linda’s comfort with Andy isn’t an issue. She gets a little squirmy when Andy flirts with her, but Linda/Supergirl is caught much more off-guard by the fact the guy she’s into isn’t always a guy. Also not judgemental, just caught off-guard and a little confused by it.

In issue #39 : A horrible, train wreck of emotional devastation, and you want to turn away, but you can’t stop reading. Comet/Andy has been captured, and in trying to break Andy, her tormentor is making her re-live coming out to her parents, which is a heartbreak and a horror. Her tormentor then taunts Andy with images of Supergirl on the TV, and seeing Andy reaching out to touch Supergirl’s face on the screen is just utter heartbreak.

Things don’t get much better for Andy from there. Andy/Comet was recently captured by Blithe, the third earth born angel who is in the service of The Carnivore. Blithe beats her badly, and The Carnivore brainwashes her to turn against Supergirl. Supergirl attempts to rescue Andy from The Carnivore, but fails. Blithe is hurt badly and hospitalized, Andy remains in his control, and Supergirl is on the brink of falling spiritually into his trap. Just exactly what The Carnivore will do with all three earth born angels in his control and the fate of Andy (and her relationship with Supergirl) remains to be seen.

Andy Jones was confirmed as to be a lesbian in Supergirl #26.  © by ® DC Comics. Used without permission.

andyjones11

Art by Leonard Kirk from Supergirl #39

Fox Bunny Funny

Tuesday, March 24th, 2009

foxbunnyfunny1Fox Bunny Funny
Andy Hartzell
Top Shelf
2007
$10

Andy Hartzell’s story, FOX BUNNY FUNNY, is a fable about secrets and wanting to belong in an anthropomorphic world filled with foxes and bunnies that mirrors our own world and experiences. Here the foxes rule the world; their simple and wholesome culture glossing over the cruelty of their nature. Life is filled with grim possibilities for bunnies, but it’s just the natural order of the world, right? No one in their right mind would want to be any thing other than a fox.

We’re first introduced to our hero as an adolescent fox cub riding his bike home from an adventure, a bag slung over a shoulder. His little escapade ended for now, he stops at the Foxville market and picks up some fresh bunnies for the family dinner. All seems normal until a nosy cashier manages a quick peek inside the curious bag before he snatches it away from her prying eyes. Hmm.

He joins a group of older cubs for a little mischievous bike riding fun. There’s definitely something odd in that bag. Curiosity about the bag gets the better of them, but he scampers away in the nick of time. He’s wily enough to hide the bag behind a bush and sneak it into the house later when everyone is busy.

It’s a good old-fashioned family: a doting mother with a penchant for gossip, a reserved, authoritarian father, and a younger brother with whom tension exists. Despite acting like a typical family, Hartzell gives us a couple of clues that our fox doesn’t fit in with his family before revealing on the chapter’s last page the contents of the closely guarded bag. It’s as shocking as if your mother caught you watching gay porn as a teenager!

The revelation earns the young fox an extended trip to a Cub Scout type camp on steroids. At the camp he’s placed with a couple of older, red neck acting cubs and forced to participate in activities designed to reinforce “appropriate” male behavior such as bunny target practice. Despite reluctance, he makes a perfect score and earns praise from his peers. Hurrah! He fits in.

Hartzell reveals a fully realized, placid Bunny culture when the foxes and their troop leader deliberately seek out Bunnyburg to terrorize its residents. The other foxes run rampant while our cub reacts to their cruelty with caution and sadness. Separated from the pack, he has a vision that leads to an epiphany when he encounters a small group of timid bunnies first hand. It’s all too short lived when the pack confronts him and he affects a startling transformation with grisly consequences.

Years later the rewards for his change that fateful day is a solitary life filled with dejection. His dull routine is interrupted one night by the mysterious appearance of a strange bunny like creature that taunts him into following him on an unexpected journey through unfamiliar places.  The trek ends when the fox reaches the surprising city of Funniopolis where foxes and bunnies, (and something in between and very remarkable) of all persuasions readily mingle on bustling streets. All the freedom and subversion of norms overwhelms the fox’s narrow mindset. He blacks out and with the help of some well-meaning and insistent bunnies undergoes a radical conversion of inversion. He finally embraces his inborn bunny nature to become a funny!

In my readings of this book I’ve been pleasantly surprised at the topics it touches on. There are the obvious themes of conformity. It also works on other scales as metaphors for freedom of individual expression, alienation, assimilation, separatism, bigotry, religion and faith, the nature of the outsider, cultural roles of the victor and victim. That’s quite an accomplishment for a story that doesn’t contain a single word. Oh, I hadn’t mentioned that. Yes, Hartzell made the choice to let his drawings convey the plot and emotion. I believe the idea behind this was to allow readers to easily interject their own experiences and feelings in to the narrative.

The art is clean and crisp. His panels are nicely composed and story flows easily with a six-panel layout. Hartzell reserves exceptions to this for the end of the story where other compositions are required to emphasize the radical differences. An interview I read here after writing the majority of this review confirms my suspicion that Hartzell is a cartoon fan. Hartzell also confirmed there that “Funny” in the title is a combination of fox and bunny and is symbolic. The book is perfect bound with French flaps (the two covers fold back inside about three inches) and become part of the end papers that are printed with an interlocking design of fox and bunny heads—and a lone funny head.

Please note that in writing about the story I tried not to spoil it by including an overly detailed synopsis. After finishing this review I did read another that seemed to give away too much of the story in my humble opinion. Plug in the book title if you feel you must know more before considering this book.

I’d recommend this book to anyone who knows of a person (young adult or older) who may have trouble coming out and accepting themselves as different, sexually or otherwise. This book should have the most appeal to readers of indy and small press books (Owly comes to mind though FBF is definitely not for children) or perhaps the Vertigo book Fables.

Visit Andy Hartzell’s website. Top Shelf has a six paged art preview.

Purchase Fox Bunny Funny from Amazon and a portion of your purchase will help support this site.

Wanda Mann

Monday, March 23rd, 2009
Art by Shawn McManus

Art by Shawn McManus

By Ronald Byrd

Birth name: Alvin Robert Caleb Mann
Base of operations: New York City
First Appearance: Sandman #32
Outed: Sandman #32

Born in Kansas, Alvin Mann recognizes his sexuality [as an adult she shares with her friend Barbie a dream about making out with Weirdzo Lila] and transgendered identity as a teenager. Fleeing the wrath of a fundamentalist family, Alvin moves to New York and re-creates himself as Wanda; frightened of surgery Wanda never undergoes a sex-change operation, but she does grow her hair long, undergoes electrolysis, and take hormones. Wanda’s appearance and dress are so convincing that some believe her to have been born a woman.

When her best friend, a woman named Barbie, is drawn into the mystic dream world of her childhood by an entity called the Cuckoo, others in the apartment building they share, including Wanda, are victimized by nightmares of their own (see bracketed comments below). Seeking vengeance, one of the tenants, the centuries-old sorceress Thessaly, conducts a lunar ritual that allows her and two other tenants, the lesbian couple Hazel and Foxglove, to enter Barbie’s dream and rescue her. Because of the nature of the spell,  Wanda, who still retains a penis, cannot accompany them (as the disembodied face of the Cuckoo’s agent, George, explains to her: “It’s chromosomes as much as uh anything”), and she remains behind to guard Barbie’s physical body.

Art by Bryan Talbot

Art by Bryan Talbot

Barbie and the others return to the real world safely, but not before Wanda and a derelict named Maisie Hill are killed when a mystic storm, created as a side-effect of Thessaly’s spell, destroys the apartment building. When Wanda’s body is returnedto Kansas, her family has her buried in a suit, with hair cut like a man’s, under a tombstone with her birth name, effectively erasing the new identity she created for herself; after the funeral, however, Barbie leaves a Hyperman comic book featuring the Weirdzos (i.e. Bizarros from “Superman”) with whom Wanda identified on her coffin and writes the name “Wanda” in lipstick [in Wanda's favorite shade] on the tombstone to commemorate the name and identity that her friend wanted. Later, in a dream, Barbie sees a beautiful, more feminine Wanda happy in the company of the entity Death.

Earlier events of Wanda’s life are recounted in two stories—”Escape Artist” by Caitlin R. Kiernan and “An Extra Smidgen of Eternity” by Robert Rodi—in the prose anthology “The Sandman:  Book of Dreams,” edited by Neil Gaiman and Ed Kramer.

[There is a revealing dream involving Wanda in issue #33. Wanda dreams of being in a department store and a female salesclerk offering her all the dresses she would like. Google eyed boys from her high school class pop up and disappear, to be replaced by Weirdzo Lila #1 who addresses her as "Alvin." Wanda states, "My name isn't Alvin. It's Wanda. I'm a woman." Lila exclaims her approval and insists on telling Weirdzo #1. The dream becomes nightmarish when weirdzo #1 insists "Us must operate immediately to make you imperfect." Wanda is stripped of her identity, shown naked as a biological male, shouting her fear of surgery while being strapped to a gurney against her will as Weirdzo holds a jaggedy saw in his hands. The dream ends with Weirdzo saying, "So what you am? A man or woman? Whatever you am, we make it better."]

[Maisie shows Wanda compassion and understanding after rescuing her. She recounts her grandson Billy who "was a cute little thing. He'd sashay around sweet as anythin'. He was savin' up fer the operation" and "just because someone's different don't make 'em bad." Gaiman touches on violence toward to trans-people when Maisie says Billy was found in a motel with his head crushed in.]

Created by Neil Gaiman. © by ® DC/ Vertigo Comics. Used without permission.

Supergirl’s Little Fling

Friday, March 20th, 2009

supergirlvolarcoverA couple of times each week I look around Ebay for gay related items, mainly comics. Sometimes I’m just looking to fill in a gap in a Silver Age series. During one of those searches I came across a listing for Adventure #384 with an intriguing description that alluded to a lesbian element in the story. The comic has been in my collection since it was printed in 1969 and my curiosity was piqued, so I managed to pull the box with old Adventure with Supergirl comics out from the very bottom of the closet.

This gem of a Supergirl story is titled “The Heroine Haters” and was cover dated September 1969. Cary Bates was responsible for the story and Win Mortimer and Jack Abel for the art. I know many bloggers and fans have expressed their extreme distaste and disappointment in the handling and portrayal of the current incarnation of Supergirl. Honestly, I couldn’t read more than a couple of issues before giving up, and I couldn’t agree more with them about the character’s state. In reading this story, I wondered if Supergirl was ever treated well.

Avert your eyes now! I don’t think any spoiler warnings are necessary for a 38-year old comic, and what follows is a bit of a synopsis with commentary.

At this point in time and more importantly, continuity, Linda is a student at good ol’ Stanhope College. She’s completely jealous that two roommates/friends have been matched up with dates by a computer. That’s right, the idea of computer dating happened long before the Internet and Gay.com! Thanks to thought bubbles, a wonderful storytelling device, we can eavesdrop. “I envy Becky and Jan…They’re perfectly happy with guys the computer chose for them. But even with fellows I like, I still have the uncomfortable realization that I’m super and they’re not! No boy on Earth could meet my standards…” The caption reads: And then, inspiration strikes the Maid of Might… “Wait a sec! No one on Earth…but who’s to say there isn’t a super-guy somewhere in the universe, who’d be the perfect match for me?”

Hmm. What would Mera, Sue Dibny, Invisible Woman, and Wasp think about Supergirl’s attitude? Well, apparently Marvelwomen had it a little easier, not taking into account later changes that made Hank Pym a wife beater. Or maybe Linda had heard one too many stories about Wonder Woman taking time out of her busy super-heroing schedule to rescue Steve Trevor.

So off she flies to the Fortress to program her cousin’s wall-spanning computer to find her a super-beau. What a great use for a super computer, Kara! Not very much time passes before Superman shows up and wants to know what his little cousin is up to. The “Stanhope Sensation” (gotta love that!) explains her plan. Big Blue mildly rebuffs her just as the monitor announces finding a perfect choice for romance. Voila! It’s Volar, a super hunk with groovy sideburns from a planet far, far away. Will Supergirl be ready for a long distance relationship? Big Kal warns Kara that appearances are deceiving. Of course they are! Otherwise, there wouldn’t be half as many surprises in life. Kal tells himself: “I’ve visited Torma and I’m sure that’s the last place for Supergirl to find the perfect match! Our Supergirl’s in for a real heartbreak if she falls for Volar! But she’ll have to find out for herself!” “Hmm” indeed.

supergirlvolar1In short time, our Maid of Might has flown vast distances through space to Torma, the second planet of Star Sun 4478. She descends planet-side to a large, futuristic city where a somewhat phallic-shaped building is in danger of collapsing (or just getting soft) from an oh-so convenient super-heated cloud menace! Pause to recover from cringing in terror. A blast of her super-breath takes care of the cloud when a mysterious blue beam freezes the skyscraper in place, keeping it semi-aroused. And where did the blue beam of energy come from? Why, Volar, of course! Introductions are made and Volar, being a good host, invites Supergirl home to meet his parents. Meeting a potential boyfriend’s parents is a good thing, right? A thought bubble reveals that Supergirl thinks, “Volar is a real dream! Something about his face — almost seems to have an hypnotic effect on me!”

Oh, I’ve missed the days in comics when exclamation marks ended almost every sentence of dialog!

Supergirl gets her first clue that something is different on Torma. Following Volar, Supergirl wonders to herself why the locals are laughing and mocking them. Her second clue comes after meeting Volar’s father, Danon. He seems friendly enough till his wife Mara brings out a tray of lovely tray of Torman canapés she’s made. Danon is quite dismissive of her, ordering her back to the kitchen, which she mildly complies to do. Then he tells his son he has work to do in the lab, and urges Volar to fly off with Supergirl to show her the quaint sights Torma is known for.

supergirlvolar2The sight seeing tour turns into a history lesson as Volar enlightens Supergirl about “the Visitor” who came to their world “long ago” to spread his message of bitterness and ignorance after being jilted by a woman. He even projects her image onto the sky in a fancy PowerPoint presentation. She’s a gorgeous woman with fair skin and strawberry hair. He is a dweeb that sports a strange beard and who may have used too much “Just For Men” hair dye if the black splotch for his hair is any indication. And his clothes! That cloak comes from the clearance section of Geeks’R Us.

So, yeah, this “Visitor” travels throughout the galaxy using his suppressor beam to hypnotize each planet’s women into thinking they’re inferior. And every straight male believes they’ve got it good now, and as on Torma, the men keep it that way by teaching little girls they’re good for servitude. And probably a wink and a nudge, too.

Intermission time. Stop by our snack bar for fresh, hot-buttered popcorn, and ice cold Pepsi’s for you and your gal or guy.

Settled in? Okay.

Supergirl must be spending the night or a long weekend (she’d already told cousin Kal she’d activated a “Linda” robot to take her place on campus). The pair is on patrol when she spots three capsules shooting through the air and uses her X-ray vision to peek inside them. She remarks that men holding bags of glowing pebbles are in each capsule.

Oh, no! Volar explains the pebbles are Torman money, and the men are thieves making a getaway after robbing the largest bank on Torma. Volar must have some sixth sense to know this. Or maybe it’s shoddy scripting?Volar shatters one getaway capsule with his Magna-strength. A second thief remarks, “A girl — flying? But no female can stop me!” Supergirl decides to teach him a lesson. “For starters, I’ll show you what a super-hard fingernail can do!” And he’s done for. Did Superman ever do this in the Silver Age? Not wanting to be a complete show off, she lets Volar capture the third robber.

Thanks to super-compressed storytelling it appears that Linda has decided to continue her visit with Volar while trying to destroy the planet-wide belief of female inferiority. “Time after time, the dauntless Maid of Might proves her super-worth to the watching public, but– ” old ways die hard, especially when they move a cheesy plot forward.

Still here? Good. There’re just another three pages of cheesiness to go.

On a mountaintop outside the city our pair have a little talk.

supergirlvolar3Volar (hands oh hips): “I know you’re having it rough on Torma! The men hate you because you’re obviously so superior to them! I know how you must feel!”

Supergirl (arms crossed, hair flowing in the breeze): “Do you? I wonder if anyone can really understand prejudice unless he feels it?”

Supergirl thinks: “There’s something strange about Volar –  I can’t quite put my finger on it! Something in his mannerisms – but I don’t know just what!

“Still, there’s one thing I am certain of — I could really go for Volar! But he’s not serious about me — at least not yet! He treats me like a buddy! He’s never tried to kiss me — or even hold my hand!”

Oh, you are in for such a surprise, Kara! Later that night, Kara is flying back to Volar’s home when her super-hearing eavesdrops on part of a conversation between Volar and Pops. She hears Volar pleading for more serum before the sun rises on X Day (not a Marvel Mutant reference).
Danon convinces him to get rid of Supergirl before she sees him the next morning. Volar tries, but Kara is defiant in her love (or rather her desperation) and stays the night again! And it’s never made clear just where she’s sleeping. Certainly not with Volar because the Comics Code wouldn’t have allowed it. Likely Torman social values wouldn’t have either.

And indeed, the next morning, Supergirl rushes to see Volar. The next panel is a close up of a shocked Supergirl’s face.

“No, that can’t be you, Volar!” she exclaims. Off-panel, Volar replies, “It is though, Supergirl! Now you know the secret I’ve kept for years!” The revelation is so traumatic for Supergirl (now teary-eyed!) that she’s streaking homeward and beating herself up over the matter mere seconds later.

Just what was the scandalous surprise? It’s all revealed in the next panel. Volar is really a woman who wore a “living mask” to become Torma’s superhero. Danon’s serum, made from those conveniently and clichéd rare chemicals, made the mask appear to be real flesh. Danon tries to persuade Volar to give it up, but it’s useless. Some of Supergirl’s attitude has worn off and Volar proclaims: “I’ll teach people that a girl can be as good as many man — and better than some!”

Props to Volar for learning this lesson, and having the conviction of her feelings to patrol her planet “au naturelle.” Obviously, Linda returned home quite disappointed and feeling unlucky in love. Alas, it needn’t have been so, except for social attitudes and the once all-pervasive Comics Code that governed material. It’d be many years later when Peter David introduced Andy Jones and the Comet matter before any overt lesbian plot or characters would be seen in Supergirl.

Manly

Friday, March 20th, 2009

manlyWriter: Dale Lazarov
Artists: Amy Colburn and Dominc Cordoba
Publisher: Bruno Gmünder
$25.99 less at Amazon

Note: this review was originally posted in December 2008.

German publisher Bruno Gmünder is well known for publishing erotic work from a wide range of creators. The likes of Patrick Fillion, Xavier Gicquel, and Joe Phillips are just three of the published names amongst its comics offerings. One of the publisher’s newest releases, MANLY, is a handsome hardcover compilation of a trio of gay erotic stories from collaborators Dale Lazarov and artist Amy Colburn. Readers may know Lazarov from his association with artist Steve MacIsaac on “Sticky” (also offered by Gmünder). Amy Colburn is an unfamiliar name, but this probably won’t be the case for long.

The first thing that caught my attention after the art, which is talked about below, is the fact that the three stories comprising MANLY are all wordless. Not to say this book is a series of pinups and illustrations. It’s far from that as there clearly are plots, protagonists, action, and resolutions just as even the most exposition heavy comic has. According to an interview with Patrick Fillion, Lazarov decided to do go wordless in order to appeal to as wide an audience as possible that includes non-English speakers. It makes sense on this level when taking into account that Gmünder is a German publisher who understandably wants its books to be accessible to as many markets as possible without printing translated versions. Unlike the wordiest comics (I’m thinking of most Claremont or Byrne stories) whose “I’m-getting-paid-by-the-word” scripts tend to shut me out, there are some advantages here. An absence of dialog the reader to place him — or herself — more into each of the stories. Got a boxer fantasy? Bam! You’re there! There also isn’t the possibility of the often patently ridiculous dirty talk in porn movies to throw you out of the stories.

Part of Lazarov’s dynamic that drives these stories is that each of the men in the three pairs is somewhat an unlikely match. A reserved policeman is paired with a mischievous redhead (“Busted”); an older and younger boxer intersect in and out of the ring in “Clinch”; and a bear is faced with the choice to move out of his personal comfort zone. As other reviews have likely noted, wordless comics place an even greater emphasis on the skills of the artist and just as importantly, the partnership between the writer and artist.

manly01Colburn has a really good understanding of anatomy. She may not be a gay man, but Colburn definitely knows how men’s bodies fit together and how to draw hot man on man action. Her men are shown experiencing real joy and sexual abandonment, often quite the opposite feelings found with seme-uke pairings in yaoi manga. A good change of pace, provided if your gay erotica fix usually comes from manga. And it isn’t just the artist’s ability to draw hot men having sex that makes her work a joy to look at, but her talent for conveying emotions (happiness, embarrassment, disappointment, surprise), character traits (shyness or aloofness) both through facial expressions and gestures. These factors make for a trio of very lusty, sensual, and more crucial to me, human stories. There are also some really dynamic composition and panel layouts. A bit of a manga influence perhaps?  Colburn’s choices in the case of “Clinch” really enhance the action. One last note about the wordlessness. It works in Colburn’s favor (and yours) since she didn’t have to be concerned about word balloon and text box placement and concentrated on drawing hot, nekkid men. 

Both Colburn and Dominc Cordoba are credited as inkers. There’s no indication or examples how they divided the responsibility, and the result is somewhat irrelevant from the readers’ point of view.. For those of you who’re tired of smooth skinned men, body hair is rendered like it’s a labor of love. You can see the forest and the trees, so to speak. For the most part Cordoba’s straightforward coloring meshes well with Colburn’s imagery There are a few spots where I wish his shading choices were different, but a colorist friend is staying with me and our numerous talks have led to me become more obsessed than normal. Your enjoyment won’t be diminished unless you share a similar color fixation.

Production wise, Gmünder’s hardcover books are typically well put together. Their books always have good binding, quality paper and color printing. MANLY should hold up well on your bookshelf after repeated readings for years to come.

Purchase Manly at Amazon.

Silhouette

Thursday, March 19th, 2009

By Ronald Byrd

silhouetteReal Name: Ursula Zandt
Occupation: Crimefighter
Group Affiliation: The Watchmen
Base of Operations: New York City
Outed in: Watchmen #2

The Silhouette was one of several costumed crimefighters who debuted in 1939 and organized as the Minutemen in the fall of that year. Nothing is known about her origin. She was expelled from the Minutemen in 1946 when it was learned that she was living with a lesbian lover, and both she and her lover were killed by one of her past adversaries six weeks after the scandal.

In a bonus feature in Watchmen #9,  “Probe Profile: Sally Jupiter” , the interviewer brings up the topic of costumes as a sexual fetish. Jupiter states: “Well, let me say this, for me, it was never a sex thing.” The interviewer brings up the Silhouette. Sally confesses that she didn’t like Ursula because she “was not an easy person to get along with” but felt the woman deserved better treatment after newspapers published accounts of her homosexuality.

Jupiter fleetingly refers to the Minute Men voting Silhouette out of the group to minimize PR damage and then says it was unfair since a couple of guys who are now dead were known to the other Minute Men to have been gay.

The Silhouette relied upon her athletic ability, fighting prowess, and wits.

The Watchmen created by Alan Moore and Dave Gibbons. Art by Dave Gibbons. © and ® DC Comics. Used without permission.

Captain Metropolis

Thursday, March 19th, 2009

captmetropolis1By Ronald Byrd

Real Name: Nelson Gardner
Occupation: Crimefighter, former Lieutenant in the US Marines
Group Affiliation: The Watchmen
Base of Operations: New York City
Outed in: Watchmen #9

Captain Metropolis was one of several costumed crimefighters who debuted in 1939, and it was he who organized the team known as the Minutemen in the fall of that year. Nothing is known about his origin save that he was once a lieutenant in the US Marines and applied his knowledge of military technique and strategy to eradicating organized crime in inner urban areas. Unknown to the general public, Captain Metropolis had a gay relationship with one of his teammates, Hooded Justice, a relationship that may cast some light on his unexplained departure from the Marines; how he dealt with Hooded Justice’s disappearance and presumed death in 1955 is unrecorded. The Minutemen disbanded in 1949, but Captain Metropolis continued his activities, even attempting unsuccessfully to form a second team, the Crimebusters, in 1966; his tendency toward making racist statements about African-Americans and Hispanic Americans may have contributed to the declining popularity of costumed heroes during this era. Captain Metropolis was allegedly decapitated in an automobile accident in 1974.

Captain Metropolis had no superhuman powers but was an excellent military strategist, a skill he adapted to crimefighting; presumably, he was also a formidable opponent in hand-to-hand combat.

hoodedjustice2

Speculation has it the two men seen holding hands here are Captain Metropolis and Hooded Justice in their civilian identities.

The Watchmen created by Alan Moore and Dave Gibbons. Art by Dave Gibbons. © and ® DC Comics. Used without permission.