Archive for March, 2009

Considering Costumes: Detours to Day-Dreams

Saturday, March 14th, 2009

By Andrew J. Adams

I recently reviewed my favorite comic book character costumes, which I broke down into 12 categories.  While compiling it, I recalled several examples that didn’t fit, but have a soft spot in my heart for an aspect beyond design elements: costumes I found slightly erotic. Below are four such detours down memory lane.

Reed Crandal art from Hit Comics #16

Reed Crandal art from Hit Comics #16

Detour #1: For me, eroticism depends on the character. Sub-Mariner is practically nude, but he’s such an arrogant tool, he does nothing for me. Besides that, sometimes leaving a little for the imagination is much more attractive than letting it all hang out. I always found Ka-Zar sexier in his furry shorts and boots that when Marvel had him traipsing about in only a loincloth. For another example, consider these three Golden Ages Heroes: Samson from Fox’s “Fantastic Comics” #1-#23, Hercules from Quality’s “Hit Comics” #1-#21, and Red Rube from MLJ’s “Zip Comics” #40-#47. Samson, as you would guess, has shoulder-length, blond hair. But in terms of a costume, he wears naught but a pair of blue trunks and strapy Grecian sandals. By issue #10 he gained a similarly clad boy side-kick, David. That was all good and well, but the copious flesh got a bit dull from over-exposure. Moving on, we have Hercules. He also has shoulder-length blond hair and wears blue trunks, but also sports blue pirate-styled boots, and a blue cape. Getting there, but not quite. Finally, we have Red Rube. This Capt. Marvel clone (in terms of origin) wears blue military boots, red pants w/ blue piping up the outer legs, blue belt, red cape… and no shirt. Now we’re talking! (If only he had on gloves, though…) I almost created a 13th category called “Best Undressed” just to award it to him.

Art by Jim Starlin

Art by Jim Starlin

Detour #2: But those characters I discovered as an adult. As a teen, I remember reading whispers about a Marvel character called Adam Warlock, whose series was supposed to be pseudo-intellectual, tragic sci-fi. Except by ‘84 (when I got into super-hero comics) he was obscure, if not forgotten. But I still encountered the occasional reference and my curiosity was piqued. I envisioned him as a pale, black-clad wizard. (This was pre-internet so a fan’s only visuals were in the comics themselves.) Finally I tracked down the “Official Marvel Handbook” #14 (Book of the Dead part 2) and Good Lord! Quite an unearthly tan he’s sporting! He’s adorned in scarlet and eastern-influenced gold jewelry (with bare legs and arms) like a regal prince, but has a skull-shaped clasp at his throat and black shadows around his eyes like a Goth. And, of course, he had the prettiest pretty-boy blond hair waving in the imagined breeze. For some reason, I found him very erotic.

Art by Will Eisner

Art by Will Eisner

Detour #3: Going further back, I had a program from a “Doctor Who” convention in Chicago. (I didn’t attend, but it was given to me by my brother who knew I was a fan.) The program was digest-sized and had a one page, black and white illustration of a man with quite a physique. He had dark hair, a mysterious mask, shredded shirt, and dark pants. The drawing stopped just below the waist. And he had the most cocky grin you’ve ever seen, as if to say, “Yeah, I’m standing here with my shirt shredded. So what?” As a teen, I would look at that picture and wonder who was he? A random drawing? A pre-existing character? By my late teens I discovered it was a drawing by Will Eisner of none other than The Spirit! Since then, I’ve found the Spirit could be erotic at times, especially when Eisner worked the gloves and mask. Nothing hotter than a buff, shirtless man wearing gloves. (And a domino mask.)

Art by Lou FIne from Hit Comics #5

Art by Lou Fine from Hit Comics #5

Detour #4: But the sexiest image I ever saw was a reproduction of the cover of “Hit Comics” #5. It starred the Red Bee, who was featured in “Hit Comics” #1-#24. His costume changed every issue. But for the cover of #5, he was in all reds and pinks. The cover had a black background depicting murky depths. Red Bee was shackled underwater, wrestling a swordfish (while maintaining good posture, may I add). He wore a cute, red domino mask, a translucent pink, billowy blouse of a shirt, tight red pants and brown boots. What makes the overall picture magic is the detail in showing they are underwater: the way his shirt sleeves are swaying, the way his hair is gently dancing over his head. Plus, there are a series of air bubbles coming for his mouth, which is set in a determined grimace. Lou Fine drew one mighty fine cover here. And Red Bee looks magnificent! I stared at and traced that cover so often, it’s one of the few things I can now draw well free-hand. Based on nothing but that cover, I have a warm place in my cold heart for Red Bee.

My Top 12 Favorite Super-Hero Costumes

Saturday, March 14th, 2009

By Andrew J. Adams

I enjoy reading comic fans’ lists of their favorite characters or favorite comic book covers.  Such features have inspired me to write my own compilation: a list of favorite comic book character costumes. For this list, my opinion is based exclusively on the character’s look, not necessarily he or she being a favorite character. Also, I organized them in theme-based groups, because comparing a complex, dazzling design to an understated yet elegant design is like comparing apples to oranges. With these criteria, we have a nice fruit salad of apples, oranges, grapes, and a few pineapple bits for variety. Below are my top twelve,  with runners-up and an over-all winner cited in each category.

spiderman72#12 – “Something Extra” winner – Spider-Man

Not only does his costume look sharp – traditional or black – but in the hands of the right artist, the interpretation can be quite versatile. Take the cover of Amazing Spider-Man #28, where the red & blue is reversed to black and the webbing is drawn in red. Or one of the many covers where he doesn’t appear, but his image does. #72, with the Shocker blasting his spider-spotlight, is my favorite example. (The cover of #188 combines both reverse-costume and spider spotlight.) And let’s hear it for his cool-costumed villains: Electro, Mysterio, Shocker, Prowler, and the Beetle (2nd costume) are my favorites.

adventure40#11 – “Sharp Dressed Men” winner – Sandman (original version)

These are the heroes who look dapper in tuxedos, such as National’s Zatara; or suits, such as Centaur’s The Clock; or even evening gowns, such as Timely’s Blonde Phantom. Nothing says cool in a James Bondinan way than the ability to kick-ass in evening wear and walk away looking immaculate, save for a crooked tie. However, my first runner-up would be The Spirit, due to the very opposite – he often gets mussed up and his suit battered and shredded. The realism adds a “street cred” type of cool (and makes the character even hotter). But first place would have to go to the bizarre combination of a suit, trench coat, and WWI-era gasmask as worn by the original Sandman. Suave yet creepy!

militarycomics13#10 – “Love a Man in a Uniform” winner – The Blackhawks

Military fatigues are worn by real-life heroes, so why shouldn’t comic-book heroes wear them as well? From privates to generals – with Sgts. Rock and Fury somewhere inbetween – military uniforms blur the line between the war and super hero genres. I have a soft spot for aviation uniforms, notably DC’s fastidious Enemy Ace, Fawcett’s ragamuffin Phantom Eagle, and Hillman’s colorful Airboy and Sky Wolf. Despite that, my first runner-up has a distinctly army-issued look: DC’s Duchess from the late-‘80s Suicide Squad. She had long black hair and wore a black headband, olive drab t-shirt, camouflage pants, black boots, and a snarl – and she rocked the look! But gaze towards the skies for my favorite: the Blackhawk’s original, delicious black leather gear. It combined the functionality of a military uniform with the slickness of a super hero outfit.

I hesitated to include these last two categories since these characters wear, essentially, regular clothes as a costumes. But regular clothing can often be a costume, as the great Bob Mackie himself pointed out. When asked by Vicki Lawrence (on her old talk show) about his creations for Carol Burnett’s program and for Cher to wear at the Academy Awards, he explained, “Those are costumes. Don’t confuse them with fashion.”

allamerican16#9 – “Shirting the Issue” winner – Green Lantern (original version)

Who can resist the allure of a voluminous pirate shirt? Not me! From DC’s Firestorm and Firebrand II to Quality’s Red Bee and Jester, they are to walk the plank for! First runner-up is Fascination, a member of the Special Executive and the Technet from Marvel’s Capt. Britain. With golden skin and long green hair, she wears a red headdress with black trim that matches her collar and her wrist-to-elbow length bracelets. Her chest and arms are draped in a luxurious, shimmering, puffy, white blouse, but her look is minimalist from her waist down: a red shadow-form that fades to white. Very surreal. But in this category the original Green Lantern cut the most striking figure – lush purple cape, billowy red tunic, always-cute mask, and oddball Grecian leg straps on his boots. I had a billowy shirt in my late-teens/early 20’s that I used to call my “Green Lantern shirt” just because it was slightly poofy like his. (It wasn’t even green – but it was the same purple as his cape!)

drstrange56#8 – “The Delight is in the Details” winner –Doctor Strange

I respect intricate costumes, especially when they are effective. Doc combined elements of a cape with really cool trim, weird gloves, a slightly puffy tunic, and some fierce bling. Plus, he is more mature and often shown with graying temples, which is nice for variety. Other favorites include DC’s Silver Swan (from Wonder Woman vol.2, #15-#16) and short-termed New Teen Titan Kole, but first runner-up goes to the Walter Simonson redesign of Manhunter (Detective Comics #437-#443). This combined his original red-and-blues with a pseudo-samurai look – including a white vest with exaggerated shoulders that Alexis Carrington would envy. The costume had a cute way of hiding weapons in plain site, like the black throwing stars on his vest and the brace-like things around his lower legs that held daggers.

oracle#7 – “Spoiled for Choice” winner – Marvel’s Oracle (Imperial Guard)

This category is the largest – almost anything created by Dave Cockrum. From the Legion of Super-Heroes to the X-Men, and especially the Shi’ar Imperial Guard members, most are cool. His designs are fluid and organic, yet still look perfect in hi-tech sci-fi settings. They are also vividly colorful, ranging from the whimsical look of Phantom Girl’s white to the regal look of Storm’s gold-trimmed black, and the rainbow array found between. First runner-up would be Polaris’s second costume, which boasts a lattice-work design incorporated in a brooding plum and black color scheme. But I chose Oracle as favorite because of her distinctive pastel colors, the cut of her gloves and boots, and her delightful sash.

guardian109cover#6 – “Compare and Contrast” winner –Guardian

The rounder edges of the human body usually don’t take to a design with pointy corners. That is, until John Byrne designed Alpha Flight. The angles of the maple leaf on Guardian, the starburst on Aurora and Northstar, the headdress and cape fringe of Snowbird, and the pattern over Shaman’s chest and Talisman’s chest and hips… all as breathtaking as an arctic breeze.

 

 

hawkeye11#5 – “I Love Purple” winner – Hawkeye

It may seem frivolous to select a color as a category, but it’s not often you find a hero in purple, so I take special note when I see one. And purple is my favorite color. Hawkeye’s costume borrows elements from Captain America’s – I especially love the fold-over boots – and combines them in a style all his own. Especially pre-’83 when his arms were more exposed. I name DC’s Huntress’s original costume 1st runner-up, followed by Daredevil villain Mr. Fear’s ‘80s costume, and Nightside of the Imperial Guard.

moonknight1b#4 – “Keep it Simple” winner – Moon Knight.

So little detail, yet it says so much… especially when he has the right artist to include all the shadings of blue and shadow over the shininess of white and silver. Moon Knight’s costume takes top position, followed by DC’s Wildcat and the traditional costumes of Marvel’s Black Panther as second runner-up and Daredevil as third runner-uo.

(Plus, all you need is a bed sheet over your shoulders to pretend you are Moon Knight. Just be sure you have your window shade down, as my brother informed me. I was only 14 – I didn’t think of it! Of course, I made the same mistake five years later while home alone dancing to “You Gotta Have a Gimmick” and I realize my 80-year-old neighbor’s chair was exactly level to our living room window… and in it he sat, in tee-shirt and shorts, watching his t.v. At least, I hope that was all he was watching!)

msmarvel20#3 – “Something Pretty for the Waist” winner – Ms. Marvel (2nd costume)

1st runner-up is Phoenix and the winner Ms. Marvel. Those sashes are so shimmery and drapey… exquisite! I just want to touch it! Though she wears no sash, I’ll mention the Monica Rambeau version of Capt. Marvel here because whatever her costume is made of, the top resembles a full-body version of the above mentioned sashes. Runner-ups include Quality’s Kid Eternity and Marvel’s Iron Fist.

 

marionette#2 – “Psychedelia” winner –Marionette (Micronauts)

Those groovy stripes! The wild eye shadow! What’s not to love? Also in this category are Black Orchid, Halo’s 1st costume, Looker’s so-horrible-it’s-wonderful concoction, and Elektra’s mish-mosh of red strips and exposed flesh. But 1st runner-up must be Slipper Booty’s ghost disguise from the Brenda Starr comic strip circa 1980.

Since that character is obscure, I’ll provide a mini-bio from memory: Debuting in the strip circa 1978, Slipper Booty was the stage name of a troubled young transvestite who hated Brenda. (I believe he was her stepson.) In his act, he was a Donna Summers-like disco queen. He somehow tried to hurt her and was sent to prison or institutionalized. However, a few years later, Brenda and family moved to a new house where they were menaced by a female ghost who looked like an afro-ed, candy cane-colored version of Marionette. (The exact design was a red heart surrounded by a larger white heart surrounded by a larger red heart and so forth over the entire body.) The ghost was Slipper Booty in disguise, which I guessed months before the big reveal.

And while on the topic of psychedelia, a shout-out to my favorite non-comic book cartoon costumes/designs – the people and monsters from the animated movie “The Yellow Submarine,” created by Heinz Edelmann. Genius!

aquamanblue#1 – “Body as Canvass” winner – Aquaman (camouflage blue)

Beautiful! This breaks the rule that a costume must be a combo of shirt, pants, boots, gloves, etc. And ever since I saw Ann-Margret’s “The Swinger” on tv (at the age of, like, five) I was amused by the idea of body painting. I didn’t understand the film, but it looked fun to roll around on a canvass while people threw buckets of paint at you. My favorite costumes are not ones that look painted on, but rather ones where the human body is the canvas and the artist respects and incorporates that form in the costume design. Runners-up include DC’s Firehawk (2nd costume), followed by Marvel villain Eel (2nd costume), and First’s Badger’s camouflage costume.

Apollo and Midnighter

Wednesday, March 11th, 2009

Art by Bryan Hitch

Apollo and Midnighter were originally with Stormwatch, The Authority’s predecessor. Henry Bendix, Stormwatch’s director, recruited a number of superhumans to a covert strike team. Apollo was a field officer and Midnighter a field agent. Apollo and Midnighter were among volunteers for a black ops mission. The mission was secretive that all records of it and the team were destroyed.
The covert team was teleported into the facility to carry out its orders, a smash and grab. What they were completely unprepared to find was that this facility was guarded by Daemonites. Unknown to the team, Bendix had altered the teleporter to allow them to return only if they were in possession of the item.With nowhere to go, they fought hard against the Daemonites. Only two survived the onslaught. Apollo and Midnighter escaped due to their powers. Both Apollo and Midnighter rebelled against Bendix. For the next five years they lived on the fringes, fighting crime on the street until rescued by a new Stormwatch under the guidance of Jackson King. They were given new identities, and it seemed were ready to leave this world behind until Jenny Sparks came into play with a new team.

These two members were often speculated by gay readers to be gay. Warren Ellis wrote clues into his stories but the characters’ sexual orientation wasn’t confirmed at first. The confirmation started in earnest in a scene from issue #7. It shows Apollo collapsing in a battle with the forces of Sliding Albion, an alternate Earth which has fused its technology, culture and politics with an alien race. Midnighter cradles Apollo close to his chest as if it might be their last moment together. Ellis at first addressed their sexuality with a nonchalant “so what?” until a deluge of positive mail was sent by readers.

Mark Millar has taken over as writer after Ellis’ departure. Millar has confirmed that Apollo’s and Midnighter’s relationship will be still be seen in his stories. In issue #13, we see the cover to the tabloid HELLO? Magazine featuring Apollo and Midnighter in an article called “Apollo and Midnighter: A Look Around the Carrier With the World’s Finest Couple.”

apollomidnighter0The Authority attempt to recover the reincarnated soul of Jenny Sparks from a Singapore hospital ward. Their attempt fails when Dr. Krigstein, head of an ultra secret U.S. military command sends a band of super powered thugs to steal the baby. Storm-God and Tank Man brutally attack Apollo, and there are strong visual clues that lead readers to interpret that Apollo is raped by Commander. Millar has stated that he wrote the scene to be ambiguous, but confirms the outcome and any repercussions will be told in future issues.

In issue #28 Midnighter is attacked and from appearances murdered by Seth, a super human soldier who’s part of a team created by world government leaders to replace The Authority. The Engineer saves Midnighter’s life in issue #29. By the end of the story the real Authority are back. Apollo and Midnighter celebrate their love in a commitment ceremony.

Apollo possesses super strength, flight, near invulnerability, laser/ thermal vision. He draws energy from the sun and is able to store it within his body.

Midnighter is the ultimate fighting machine. He relies on both enhanced senses and mind to proccess all information and analyze all possible scenarios before a fight has even begun. Once he’s analyzed the best combination of moves, his super human agility, speed and strength allow him to follow through. It’s also been shown that because of his cybernetically enhanced senses, he can detect enhancements and brain wave activity in others.

In the DCnU, writer Paul Cornell decided to show their relationship unfold over time.   Instead of being on the run together, Midnighter has been observing Apollo for about a year when Stormwatch contacts Apollo to recruit him. Midnighter uses the situation to his advantage and is also drafted. Hints are dropped. A pre-teen Jenny Quantum is astute enough to pick up on Midnighter’s attraction and encourages him to follow up. This entry will be updated with future developments.

Apollo and Midnighter first appeared in Stormwatch #4, volmume two and were confirmed gay in The Authority #7.

© and ® DC Comics. All rights reserved.

Allison Mann

Wednesday, March 11th, 2009

 

Art by Goran Sudzuka (Y The Last Man #47) and Pia Guerra (Y The Last Man #46)
Art by Goran Sudzuka (Y The Last Man #47) and Pia Guerra (Y The Last Man #46)
Dr. Allison Mann is a geneticist. When first seen in issue #1 she is in a hospital and on the verge of delivering a baby. Resident Michael Gilman, one of Mann’s former students, is on call when Mann comes in. She confides with her former student that she is pregnant with a child cloned from her own cells. After brief concerns about the legality of cloning, Gilman agrees to deliver the child, but he notices something isn’t right just before a plague strikes that wipes out all the males (with a very few mysterious exceptions). The presumption is Mann’s baby has died from the plague.

Yorick Brown, presumably the last human male, made his way from New York to Washington DC in search of his mother, a US Representative. She and other women in Congress and the President believe Dr. Mann may be able to help humanity with her cloning experience. The President agrees to let Yorick find Dr. Mann but only by putting a woman referred to only as Agent 355 in charge of protecting him. Yorick and Agent 355 find Mann’s Boston lab (issue #5). Mann tries to attack 355, thinking she’s being robbed. 355 explains her reasons but Mann at first declines to participate in more cloning, spilling her story about the cloned baby. Meeting Yorick, and Ampersand, the male capuchin helper monkey, changes her mind. Unfortunately, her lab is destroyed while they’re briefly away, setting them on a cross-country journey to reach her contingency site lab in California.

On the first leg of the trip Mann talks a little about herself and we learn her parents met at a conference in Taiwan. Mann’s ethnicity is Chinese and Japanese and she changed her family name to “Mann” as an insult to her father. 355 sustains a concussions during a surprise ambush and is nursed back to health by Mann in a hospital in the small town of Marrisville, Ohio, now populated with convicts from a nearby prison. Mann is at 355’s bedside when she starts talking deliriously, saying “I want you…” Mann’s reply (“I’m not sure what to say. I mean, obviously you’re a very—” is the first clue that Mann is a lesbian. Too bad for Mann that Yorick is really who 355 wants. (Issue #8)

On a short break after continuing their trek, Dr. Mann tries to bring up 355’s comment about Yorick with her, but 355 shoots the idea down, sayin she’s only trying to keep him out of trouble. Later the three of them are talking. Dr. Mann mentions the tests she’ll want to run on Yorick when they reach her alternate lab, and she refers to her “daughter’s embryonic cells.” Something isn’t quite right, as Yorick replies, “I thought the clone you gave birth to was a male.” Mann glosses over the slip, and it’s forgotten as an emergency arises.

That emergency involves a Russian agent, Natalya, who, once matters settle, reveals that a Soyuz escape pod will leave the Space Station to return to Earth, bringing with it one woman and two men. Her goal is to find the level four bio-hazard hot suite hidden in Kansas, where she intends to take the men. The normal Russian landing facilities are no longer available as a consequence of a nuclear accident. Yorick makes an off hand comment to Mann about possibly making a love connection with one of the male astronauts, to which Mann replies, “I find that highly unlikely.” (Issue #13) Tragedy strikes when the two men are killed in an accident upon landing.

Mann and Yorick have a conversation in which Mann says one of 355’s fellow agents reminds her of an ex. Yorick is confused by the comparison he makes with the female agent and Mann’s presumed ex-boyfriend, but Mann corrects his misunderstanding. (Issue #18).

In issue #21 Mann again talks about her cloned daughter. Yorick and 355 fail to get her to talk more about the gender confusion of the baby though Mann reveals the truth to 355 in issue #22. Dr. Mann was pregnant with a clone of herself, which died because of complications unrelated to the plague. In the following issue, Mann also confesses to 355 that she has a crush on the agent.

The trio finally arrives at Mann’s alternate lab in San Francisco (issue #27) and Yorick mysteriously falls sick shortly after his ring is stolen in a fight with members of the Setauket Ring. Mann convinces 355 to find the ring while she watches over Yorick and continues her research on him. A delirious Yorick gets Mann to tell him her family name is Matsumori (issue #28). Mann discovers the reason for Yorick’s illness is a sever case of food poisoning and serendipitously discovers the reason for Yorick’s survival is connected with antigens produced by his monkey Ampersand (issues #30 and 31).

A sword-bearing woman clad in black that works for someone referred to only as “Dr. M” steals ampersand. With the key to survival lying with Ampersand, the trio learn by happenstance that the thief and Ampersand are likely on a ship bound for Yokogata, a small port city in Japan where Allison’s mother lives. They secure passage on another ship bound across the Pacific. Mann and 355 are alone in a cabin and the situation quickly turns intimate between them, especially when 355 asks Mann if she can wear her glasses (issue #32). It leads to kissing, making out, and when the scene picks up again in the next issue, Yorick thoughtlessly walks in to the cabin to find Mann and 355 having sex. The incident becomes complicated by 355 wanting to forget about it, Yorick being upset over it with clues pointing to more 355 than to Mann, and finally by the appearance of Rose Copen, a spy for the Australian Navy who’s stabbed by a crew member and to whom Mann offers medical help.

After a horrible fight at sea, Mann, Yorick, 355, and Rose end up on the Australian submarine that stationed Rose. With her crewmates shunning her, Rose tries to have a conversation with Mann while she tends to the wounded, and confesses that she too is a lesbian (issue #35). Their nascent friendship continues in issue #37 during some rare free time after the submarine puts in at Sydney. Allison misinterprets “mate” when Rose says she has a “Japanese girl for a mate.” Allison and Rose share a touchingly romantic time flying a kite at a beach at one in the morning (issue #38) which leads to the two having sex. Unfortunately for Allison, Yorick, and 355, Rose is still working as a spy for her Australian captain, and getting close to Allison was the quickest method of achieving her mission (issue #39).

The quartet arrives in Yokogata and the device tracking Ampersand begins to work again, indicating that the monkey is in Tokyo. The four split up with 355 and Yorick traveling to Tokyo while Mann and Rose making the short trip to her mother’s lab/ home in the countryside. Before splitting up, Yorick asks 355, “Is it just me, or are those two…?” and 355 replies, “Fucking? Yes.”

Near her childhood home Allison impetuously decides to kiss Rose. The chapter ends showing the lab in blazes (issue #43). They check the remnants of the building after the fire has burnt out, but find no trace of Mann’s mother. The pair returns to town in the hopes that Mann’s mother has gone to a secret location housing a greenhouse/ lab that Allison discovered as a teenager. Mistaking the voices for intruders, Mrs. Matsumori stabs Rose in the stomach with a sword (issue #44).

Mrs. Matsumori makes up for her mistake by operating on Rose, but she also mentions something about Yorick that understandably shocks Mann since she believes her mother doesn’t know anything about him. During the operation, her mother reveals her friendship with Margaret Valentine, the woman who became US President after the plague. Yorick came to Valentine’s attention when he traveled to Washington to meet his mother, a Representative, after the plague. Matsumori reveals that she strongly urged Valentine and Mrs. Brown to send Yorick and the monkey to her daughter’s lab in Boston. Rose regains enough consciousness to mumble a “death bed” confession about being a spy for her naval captain (issue #45).

If that isn’t distressing enough, Toyota, the ninja who stole Ampersand, arrives at the lab with sword in hand threatening Mann’s life if her mother doesn’t help her find Ampersand, who escaped his cage. While Toyota is momentarily distracted, Mann grabs the sword her mother stabbed Rose with and in a change from her normally passive behavior, decides to fight her. Mann inadvertently comes out to her mother when Toyota taunts her with “Have you ever seen a sword fight before, Doc?” and Mann replies, “I’m an Ivy League lesbian, bitch! You honestly think I’ve never fenced before?” Even so, Mann gets stabbed in the arm, and Toyota kidnaps her mother, heading for her employer in Hong Kong, a woman both mother and daughter detest for being Mr. Matsumori’s mistress.

Vaughn concentrates on telling Mann’s personal story in issue #47. It begins with her early childhood and the incident in which she accidentally witnesses something amiss between her father and his assistant, Dr, Ming, who is really her father’s mistress. After learning about her husband’s mistress, Mrs. Matsumori decides to leave Yokogata. Ayuko (Allison’s birth name is Ayuko Matsumori) assumes they’ll move to live with her grandmother. Instead, the mother and daughter move to Los Angeles. Flash forward a number of years and Allison is college age. She’s rebelled against parental values and adopted a punkish look and attitude though she hasn’t abandoned her interest and knack for science because she tutors chemistry.

When Allison is first seen as a young adult in this story she’s standing outside of Mann’s Chinese Theater and a friend runs into her on the street. Karla’s roommate, a woman named Mercedes, is with her, and Mercedes takes an interest in Allison, inviting her to see Dangerous Liasons. The next scene is of Allison and Mercedes having sex in Allison’s cheap Yugo, parked on a hill overlooking the city lit up at night.

Allison has an angry encounter with her father in his lab, and comes out as a lesbian to him, partly out of spite. A comment from Allison implies that her parents have reconciled, but that her father is looking for an excuse to start his affair with Dr. Ming again. Her father tries to offer some cautionary advice about relationships, but she interprets it to mean she’s being disowned, and rather than explain himself, he returns to his project.

His words come true, as all first relationships don’t stand the test of time. Three weeks before graduation Mercedes is in Allison’s room, breaking up with her. Flash forward again. Allison’s traded her punkish dress and demeanor for more standard clothing. She’s also teaching biotechnology at Harvard when a young man named Sunil comes to talk about cloning with her. She tries to keep her distance from the student until he mentions rumors about Dr. Matsumori, not realizing he’s talking about her father (she’s known as Allison Mann now). The story skips ahead again and shows Sunil giving an ultrasound test to a very pregnant Allison. This scene would take place not long before we’re first introduced to Mann in the series’ first issue. This issue closes by showing Mann hemorrhaging, blood soaking her legs, and Mann talking to herself about her “miscarriage” possibly having long term complications.

She tries to keep this incident a secret from the others, but knows she’ll need help. That help will have to come from Dr. Ming, her father’s mistress, and being at the Bioethics Institute in Hong Kong also makes her the closest bio-geneticist. It’s also where her mother was taken to when Toyota ended their fight in Yokogata. They’ve arrived at a safe house in China by issue #49. Mann and 355 are out shopping for food when 355 brings up questions about events in Yokogata and Mann reveals that Rose admitted to being a spy while delirious during her operation. 355 rushes back to the safe house to check on Yorick, angry that Mann didn’t mention that Rose is a spy. Unseen by 355, Mann has a minor complication on the street, and returns on her own. Later that night Rose, believing she’s alone, contacts her Australian commander, and informally resigns from her mission and post. But Mann has been standing in the doorway and overheard everything. It leads to a heart to heart talk that is cut short by another episode of Allison hemorrhaging. Before passing out, she implores Rose to take her to Ming at the Bioethics Institute. (Issue #49)

Rose has to persuade 355 that she hasn’t hurt Mann in order to get her help from Ming. After stealing an ambulance and wild ride through Hong Kong streets, the four arrive at the Institute and are ambushed by Toyota. Allison awakes some time later to be greeted by her mother. Mrs. Matsumori tries to clear up her daughter’s confusion, informing her that she performed a hysterectomy in order to save her life. As if the surgery isn’t enough of a shock for Mann, Mrs. Matsumori reveals that Dr. Ming had also suffered the same complications (a fibroid-like tumor) from giving birth to a genetic clone. Unfortunately, Ming’s age (50) had additional adverse effects and she died afterwards. Even more of a shock for Mann and Yorick is the seemingly inexplicable presence of her father, the doctor whom Toyota the ninja referred to as “Dr. M.” The two Drs. M worked together to clone a child, but the biggest surprise is that the genetic material for the child was taken from Mann herself years ago by her father, and that there is not one young Ayuko, but seven.

Dr. M reveals his secret and complicated attempts fueled by a perverse sense of pride to prevent Mann’s successful cloning, including injecting a capuchin monkey with a chemical compound he discovered that adversely affected the genomes of clones. Instead of arriving at Mann’s lab, the capuchin ended up in Yorick’s hands to be trained as a helper for a disabled person, ironically keeping him alive. Dr. M also relates his theory of a morphogenetic field connecting all life on earth as the conductor for the “plague,” which in his opinion was really an evolutionary response to his successful human cloning. (Issue #51)

After a lifetime of disappointment resulting in bitterness, Dr. M decides there is no place in the world for he and Yorick. He plans to inject Yorick first with a poison and then himself. For the second time Mann comes to defend a compatriot, and in the resulting scuffle her father is accidentally injected with the poison. Jump ahead a little in time after her father’s death. Mann and 355 are having a heart to heart talk. Mann tries to get 355 to admit she’s in love with Yorick. Instead she says “I love you” in pig Latin to Allison and hugs her. The final scene reveals that the unlikely quartet, actually now a quintet, is splitting up. Allison and her mother are staying in Hong Kong and will go to work trying to clone Yorick. Rose will be the surrogate mother. Before Yorick and 355 leave to continue the search for Yorick’s girlfriend, Mann and Yorick share a touching scene in which he tries to get Mann to smile after all their years and adventures together. Instead, she starts to cry, offers him cautionary advice about not getting his heart broken, and hugs him closely.

Allison’s story ends here in issue #52 pending any developments in the final issue of the series.

Created by Brian k. Vaughn. © and ® DC/ Vertigo. Used without permission.

Jim McCann and New Avengers: The Reunion

Tuesday, March 10th, 2009
Jo Chen's cover art to #1

Jo Chen's cover art to #1

Interviewing New Avengers: The Reunion scribe Jim McCann was suggested by longtime Mockingbird and Hawkeye Mike McDermott, who contributes questions as well. Thanks, Mike!

Mike: Jim, for people who aren’t familiar with your name, can you tell us how you got started at Marvel and how you came to write the NEW AVENGERS: THE REUNION mini series starring one of Marvel’s married couples, the newly reunited Hawkeye/ Ronin and Mockingbird?

JIM: I’ve been working at Marvel for almost 5 years now. I’d been in the ABC Writer Development Program where I learned a lot about crafting serialized fiction and was able to write for the soap opera ONE LIFE TO LIVE. I moved to New York in the hopes of landing a job either with ABC Daytime or Marvel Comics, the latter being my dream job from the time I was 10 or so. I was incredibly fortunate to be hired in the Operations Department at Marvel a month after I moved here. From there I went into the Marketing & PR side of Publishing, where I’ve been ever since.
My writing background (I majored in TV/Film, Minored in Theater and English at Xavier University, where I’d won their BEST WRITER award) led me to penning a few back-ups, including a crossover between the New Avengers & the soap opera Guiding Light, which was a surreal but incredibly fun experience. About 5 months ago, I made the leap from full time staff to consultant, allowing me time to pursue more writing opportunities while staying with Marvel, which has become an amazing home to me.
I had pitched for NEW AVENGERS: THE REUNION as soon as I knew we were looking to bring Mockingbird back from the dead. They were and are my favorite couple in all of comics and I had a very clear idea of what their new status quo would be, what it would be like to be reunited after all this time, and what Bobbi’s been through all this time people thought she was dead.

Mike: How did you get started reading comics?

Jim: I remember reading comics in the infirmary at summer camp when I was in second & third grade. I would always either get hurt or fake being sick because the infirmary cabin was WAY nicer than the cabins we had to sleep in as campers. AND they had comics! Then, a friend gave me Uncanny X-Men #165 and GI Joe #1. Those are the first I remember owning. They were a few months old, but I started collecting with those two comics in 1983 and never stopped.

Mike: What is it about these two that fascinates you? What was special about them to you back in the day and how do you recapture that and move them forward?

Jim: What I love about Clint & Bobbi is that they are such a REAL couple. I read the original Hawkeye mini when it came out and I LOVED the rapport they had and the chemistry, even if I didn’t know what that was exactly at the time. I knew Hawkeye was funny and I loved archery and Mockingbird was a touch spy chick turned hero. I fell in love with them as fast as they did with each other.
As I grew up and West Coast Avengers came out, the couple grew and had honest issues, the kind you didn’t see in comics at that time. They fought, they made up, they separated, and they had honest trust issues. But they kept being drawn to each other, and I kept being fascinated by them.
As I look back at their relationship and look at moving them forward (in whatever capacity that may be “together” as well as individually), I found that they brought out the best & worst in each other. They are both impetuous, passionate, strong-willed, witty, and flawed. They are each others’ mirror-selves. They bring out the best & the worst in each other. When they are in sync, they are incredible as a pair, but if one of them tips the balance, it leads to serious drama and friction. What writer WOULDN’T love that interaction?!

Mike: You’ve made comparisons with Clint and Bobbie to Mr. and Mrs. Smith as well as Nick and Nora Charles from the Thin Man movies. Do you have an appreciation for old Hollywood films and have any influenced your ideas?

Jim: I can honestly say that almost half of my DVD collection is pre-1960. I love the films from the Studio System age of Hollywood. I love the films of William Powell & Myrna Loy; Spencer Tracy & Katharine Hepburn, Cary Grant, and anything directed by Billy Wilder, George Cukor, and Hitchcock. Film Noir fascinates me, as well, but I am drawn to the romantic comedies and suspense films of the 30s-50s. I also LOVE the Emma Peel years of the British TV series The Avengers. I would say that those directly influence all of my writing, but this series in particular. In fact, all 4 issues (plus the prologue) are named after a classic film.
I also studied a number of great espionage and caper films from the classics to today in order to really prepare for the spy-nature of the story.

Mike: Who would you cast in a movie starring the couple? What kind of movie would it be?

Jim: I would have said Harrison Ford when I first started reading for Clint. He has that scoundrel and adventurous nature as well as a bewildered look when he realizes he just got himself over his head. Current actor though would probably be Josh Holloway, Sawyer from LOST. They have very similar attributes. And I think David Lopez’s Clint looks a little like Sawyer. For Bobbi, hands down Katee Sackhoff, Starbuck from BATTLESTAR GALACTICA. I’ve had the pleasure to meet Katee and she is as beautiful as she is tough. She embodies Mockingbird, especially the Bobbi Morse of today.
I’d love to make a caper film, high on action and mystery, but with the banter and quips of The Thin Man or Tracy/Hepburn’s pairings. I think they spend as much time fighting each other as they do a common foe, and need each other to get them out of the fire the other got them in.
Mike: Bobbie and Clint have complicated histories, both alone and together so it seems fair to ask how accessible will “The Reunion” be to new readers or someone with limited exposure to the Avengers mythos? How does their story in DARK REIGN: NEW NATION relate to the larger one in your mini?
Jim: Since Bobbi was gone for 15 years of reader time, I had to really approach this as though she was a new character while also respecting and building on her history. It’s a balancing act, but my editor, Jeanine Schaefer, really helps with that. She is relatively new to the characters, so if I put something in a script or outline that relies on assuming someone knowing as much about the pair as I do, she flags it and I find myself going “Oh yeah! Ok, how do I introduce this in an organic manner and not just try and get away with adding an editor’s note”…which is NOT an option, by the way. It’s challenging but ultimately serves the story best. This is its own story and over the course of the 4 issues recaps their history as well as catches you up on what’s happened to each of them individually (especially what happened to Bobbi while she was held captive by the Skrulls). The prologue set up some of the story and dropped a few clues into the tapestry but if you weren’t able to get that issue, you shouldn’t be too lost. The main things from that are that Bobbi & Clint are “keeping up appearances” when they are around the other New Avengers, but Bobbi is holding Clint at arms length romantically and they are arguing a lot behind closed doors. She’s shutting him out. She also brought SOMETHING back with her from the Skrull world, something that is vital to her mission here and now, and that she is going out on her own, no Avengers and no Clint. Or so she thinks…

Mike: In real life traumatic events like the death of a spouse and kidnapping and torture have significant repercussions. Thinking about all the villains and subsequent results sometimes I wonder if the fictional people populating either DC’s Gotham City or Marvel’s New York are living with mental disorders. And then there are heroes who’ve first hand experiences. Clint moved on with his life, died, returned, and picked up things again while Bobbi’s been captive during this same period. Reunions can be a mixed bag of emotions. How do you build on those circumstances and balance them out with action?

Jim: Bobbi is certainly living with circumstances that have changed her. Something happened to her while she was gone. She is dealing with Post Traumatic Stress Disorder, the root causes you will see play out in the series. You catch glipmses as she has flashbacks that set in during times of stress. PTSD also affects your relationships to other, especially your loved ones. It’s affecting her relationship with Clint the most, for MANY reasons. All of this is what the story is built on. Without the circumstances, the series would not be nearly as interesting.
The great thing about this couple is that their psychological & emotional issues (be it morality & ethics, dealing with sexual assault, self-esteem problems, etc) have always been at the core of their greatest stories. They lend themselves to that emotional grab bag.

Mike: Every comics writer needs an artist. David Lopez who drew Catwoman is your partner in this. How did it feel to have Lopez bring your scripts to life?

Jim: David is an AMAZING collaborator. He brings the characters to life, and really pulls out the conflict they are feeling inside. His facial expressions are so perfect, and he gets the subtext, that they may be saying one thing, but felling & meaning something else. And his action sequences are fantastic. He draws combat scenes that are as amazing if it’s a crowd or just one-on-one. He adds details in that give me ideas to build on in the next issue every time. His redesign for Mockingbird was perfect, too. It’s a modernizing, yes, but it keeps elements of the classic design. It makes sense for her new mission and status quo.
Clint in a tux!

Clint in a tux!

Mike: Speaking of art, Jo Chen is your cover artist. I’ve seen the covers to the first and third issues. It’s rare that I dream about superheroes and kind of embarrassing to admit, but for whatever reason a few years ago I dreamt of Clint dressed in a tux for a night on the town. Whose idea was it to put Clint in a tux because I’d like to say “thank you.”

Jim: I cried a little when I head Jo was doing covers, not going to lie. For the tux cover, that was my idea because (brace yourself) Clint is in a tux for issue 3. And I think we both had very similar dreams years ago!

Mike: Thanks for that, Jim! Are there other characters you’d like to write? Pretend one of your proposals has just been given the green light: what would you do?

Jim: Runaways, Young Avengers, GI Joe, X-Men, so many come to mind. And who wouldn’t want to write Spider-Man?! But I have to be honest, my dream project would be to write these two characters (with some of their West Coast and East Coast Avenger pals) for the rest of my life!

Mike: The impression I’ve gotten from reading interviews and listening to podcasts is you’re very enthusiastic. What’s a day in the life of Jim McCann like and what is “hummingbird mode”?

Jim: That’s what I love- every day is different. I deal in our mainstream PR for publishing, so I talk to a lot of different press outlets, look over upcoming stories and help plan when and where to break them in the press. I write a lot of ad copy and scripts for our trailers as well. I am only in the office a few days a week, and on the days I am not in the office, I am writing or researching whatever project I’m working on at the time.

My philosophy for my job is to get people as excited about our comics as I am.

Hummingbird mode is what I kick into at cons. On Friday of New York Comic Con this past year, a friend in the industry texted me right after I hung up with him, after filling him in on the panel room situations and problems I saw that could arise. He said “Brrrzt! That’s the sound of Convention Jim turning on. Symptoms include running around, mania, and no-nonsense.” I tend to be very focused on making sure everything is perfect for the panels, the talent and the press and as soon as the panel starts I want to make sure that people know they are at a Marvel Panel, and have fun being there. Without the fans we are nothing, so I want to make sure that they have the best experience possible.

Mike: For the past several years Marvel and DC have been driven by events that are planned out well in advance at summits. Sales figures speak otherwise, but there seems to be a number of fans experiencing event fatigue and feeling the economic cash crunch. Care to comment from a marketing point of view? Will there be a break after Dark Reign’s conclusion before the next big event?

Jim: I can’t speak to our long-term plans as they involve a lot that haven’t been announced yet, but I think “event fatigue” is a easily thrown around buzz word that people talk about and apply to things that aren’t actually events. DARK REIGN isn’t an event, it’s a simple bannering that indicates what books deal strongest with the fall-out of Secret Invasion. Events sell well because people like shared universes and for the events in one comic are reflected in another. During Bill Jemas’ days, people were complaining that the Marvel U seemed too pocket or segmented. “Magneto destroys New York in New X-Men, so why doesn’t anybody talk about that?!” Now we have a shared universe and the people that liked pocket segmented books are the ones voicing their complaints.

Economics and the strain of the customers AND the retailers are very much on our minds, so we are making sure that every book is worth your money and not forcing people or tricking them into buying more books than needed in order to get a full story.

Mike: Your upcoming miniseries deals with the reunion between Ronin (the Avenger formerly known as Hawkeye) and his wife Mockingbird.

Mockingbird was long believed to be dead, but turned out to be a prisoner of the Skrulls and was freed during the recent Secret Invasion. For the benefit of newer readers who may not be familiar with her–who is Mockingbird? What was it about her that made you want to bring her back after all this time?

Jim: Mockingbird, aka Bobbi Morse, is a former spy with a PhD in Biology. She discovered corruption within SHIELD and so she went rogue to find the root of it. That led her to taking up a costumed identity. She met Hawkeye and the two hit it off (and each other) very quickly. The eloped 9 days after meeting. She always struggled with the restrictions that being an Avenger vs being a spy put on her usual means of dealing with threats. She had a different set of personal rules than what Clint did. This, combined with serious trust issues, led to the collapse of their marriage. The two separated and tried to live apart. They kept being brought together , and finally decided to try and make another go of their marriage. Just as they seemed they could recapture the happiness of their early days, she was killed. Or so it seemed. As we know now, at some point along the way, she was abducted and replaced with a Skrull. Where and when will be revealed, but it’s at a very crucial point in their history, and impacts where both of them are coming from in their dealings with the other.

I think she’s a fascinating character, a very strong female hero. A woman with no super powers, but is an expert marksman who relies on her wit and cunning as much as her aim. She brings something to the Marvel U that no one else does on the canvas right now. She also brings out a side of Clint that has long been missing in the character and makes them both far more fascinating for it.

Mike: Clint Barton has been through a lot of changes since Bobbi’s supposed death. He has also been killed and brought back from the dead. He’s given up the Hawkeye identity and become Ronin. And he’s started moving on to new romances–he had a serious relationship with semi-reformed supervillain Moonstone for a while, and had gotten intimate with fellow Avenger Echo just days before Mockingbird’s return. Where is Clint at mentally and emotionally now that his “dead” wife has now returned?

Jim: That is a great question and is something that is glimpsed at in issue 1 in his talk with Bucky. But issue 2 REALLY gets into Clint and Bobbi’s heads, where they both are emotionally. So you’ll have to read to find out!

Mike: What kind of “reunion” should readers expect here? The marriage between Clint and Bobbi was a complicated one–when times were good they could barely keep their hands off each other, but when times were bad they went through a very bitter separation. Given how much time has passed, and all the changes while Bobbi was gone, is it even possible for them to pick things up where they left off?

Jim: You said it yourself- this will be a VERY complicated reunion. It’s impossible for them to pick up where they left off because Clint doesn’t know anymore where they left off since he doesn’t know when she was replaced. And what Bobbi went through while captured, in addition to where she was when she was taken, makes it impossible for her to pick up as well. They don’t need to figure out if they’re on the same page, they have to see if they’re even in the same book, so to speak!

Mike: Given how long she’s been gone, Mockingbird must have been one of the earliest victims of the Skrull infiltration. Why did they choose her to kidnap and replace?

Jim: That, my friend, is something you will see in issue 3. It’s going to be controversial, I know, but is a logical reason and what happened after will have people talking. A LOT.

Mike: Presumably Ronin and Mockingbird will be dealing with more than just their own emotional drama. What sort of external threats will the heroes be dealing with in this storyline?

Jim: Bobbi has info from the Skrull homeworld she took from their observations of us as they were planning their Infiltration. That, combined with what she went through while captured, has set up her new status quo. She wasn’t the only person abducted and left forever changed by the Skrulls. She has seen the worst in humanity thru the eyes of the Skrulls. And now she is determined to use their intel to deal with the threats we have here on Earth.

Wuvable Oaf

Tuesday, March 10th, 2009

Wuvable Oaf
Ed Luce
Goteblüd Comics
$3.95
My first exposure to Wuvable Oaf happened when I picked up the second volume of Boy Trouble from Obelisk while on a short trip to San Diego and Tijuana. Luce’s story was a short three pager, and it stood out as one of several of stories I enjoyed. The writing was funny and Oaf ‘s bearish appearance brought him to the forefront. Distractions reared after finishing Boy Trouble and I didn’t follow up on it until Dale Lazarov casually mentioned it. So I placed an order and then forgot about it till Mr. Mail Carrier dropped it in my mail one day.

Seeing the manila envelope in my mailbox made me excited, but I also wasn’t sure what to expect. Sure that one strip was funny, but writing comedy is difficult and not so successful jobs can be at the very least awkward and at worst painful to read. Could the humor be sustained rather than strained? My other concern stemmed from not being a part of the bear community: would I really be able to relate to Oaf? The answers to both questions are yes, thank you very much.

Through a series of short stories and one paged strips in the zero issue Luce introduces the usually amiable Oaf and his friends Lil’ Papa, Smusher, Bufu, and Dorissey. They’re all fun characters in their own rights.

Oaf has had a long streak of bad luck in the romance department just like a lot of other gay men. Well, okay, maybe just me. Never mind. Oaf’s misfortunes are humorous and relatable. In the zero issue’s opener Oaf joins muchomachomusclebrothers.com. Luce uses a nifty trick in one panel to give readers insight by showing Oafie’s “interests” and “about me” sections (kittens, dolls, The Smiths and 80s alt bands) of his profile. Sure, it violates the writer’s rule of “show, don’t tell” except Luce does show us many of Oaf’s traits. Several nude photo mishaps (several of Oafie’s cats get in the pics) and 42 messages from horny guys later Oaf gives up. It just isn’t in his character to have anonymous sex so instead he spends the night with Lil’ Papa watching Fairuza Balk in The Craft.

In another short, Oafie gets a late night call from Lil’ Papa to come help him while his cat Ms. Siouxsie gives birth and the newly born kittens see Oaf as a stand in mother. Tattooed Smusher shows some kids on the street his dance skills (Oops! There goes my shirt up over my head! Oh my! Oops! There goes my skirt dropping to the floor!). It had me laughing out loud just like the Project Runway spoof starring fashionista-in-his-own-right Bufu did.

Also introduced here is Eiffel, the relatively small and totally surly front man for a band named the Ejaculoids. He and band members Olaph, Udaho, and Izeed show up for a quick satire on artsy fartsy album design. While fun, the story initially seemed out of place until their importance, or rather Eiffel’s, becomes apparent after seeing them in the first issue. More on Eiffel in a bit.

The first issue (this is a little confusing because I keep mentally referring to it as the second one) has one long piece, “Oaf’s Story”, divided into three chapters with two one page installments of “Worst Date Ever”.

If only DC had printed something this funny and gay instead of those “Cap’s Hobby Hints” in some of their Silver Age comics my young self might’ve figured out sooner why I stared at Ultra Boy and Element Lad so much.

Oafie loves cats and cats love Oafie. You know how cats are. All they seem to do is climb, paw, stretch, sleep, snuggle, lick themselves, or throw up hairballs. Now toss a big and affable bear guy into the mix and it makes for a scene that’s funny, gross, and believably true to life. And that’s all I can say without giving it away. As Oaf goes on about his day we learn that he’s passionate about designing and hand sewing cute yet creepy furry dolls. Amusing encounters happen to Oaf at the gym. One steroid bunny learns you don’t diss Morrissey if you want anything from Oaf!

Remember Eiffel? While standing on the corner and grossing out a spoiled brat of little girl (Yay!) Oafie spies Eiffel and is immediately transfixed by the churlish looking guy. Eiffel disappears before Oafie has a chance to approach. Two more near close encounters by the end of the story has Oaf swearing “I will meet this Eiffel…and he will be mine!” Sparks will fly, but will it be love or the clash between Eiffel’s caustic personality and Oaf’s good-natured spirit? Or will they ever meet?

wuvableoaf11Before I forget, there’s a scene where three gay twinks verbally harass Oafie as they drive by him on the street. I can’t tell you how Oafie handles them, but it’s hysterical! Anyone who’s ever been humiliated like this should try it and turn the tables. And bonus points to Luce for working in a reference to Saint Jadwiga (or Hedwig), patron saint of queens!

So I’ve rambled on about the story and not mentioned anything about the art. Luce’s style, in keeping with the tone of his writing, is in a cartoon vein. It’s all about line and form. Gay readers who’ve complained about the lack of body hair in superhero comics should take not that there is a great abundance of it here. Let’s hope Luce doesn’t develop carpal tunnel from drawing so much of it.

Obviously I found Luce’s writing to be funny, but it was also refreshing to see the world from a different perspective. True, bears can be found in quality erotic comics from Steve MacIsaac, Dale Lazarov, and others. Luce’s approach is rooted in humor, a small dose of satire without bitchiness (is this a dying art?), and dare I say it, wuvableness. Kudos to Luce for embracing bear characteristics with Oafie and transcending them in style. I hope non-bear readers will be open to the idea of reading Wuvable Oaf.

Wuvable Oaf is available from wuvableoaf.com . A cute personal touch is the kitty face stickers instead of tape to seal the bags shut.