Archive for November, 2009

Rick Stone

Saturday, November 28th, 2009
Art by John Paul Leon

Art by John Paul Leon

Rick Stone is one of Virgil Hawkins’ (Static) close friends. We see him throughout the series, usually briefly in his role as a supporting cast member. In other issues which will be highlighted here, he figures more prominently. In issue one, he’s on the receiving end of a gay taunt from a “friend” about his performance at a school assembly the day before. He replies with: “I don’t have to listen to your limp dick gags.” Another student tells Rick to lighten up; it was just a joke.

Skip ahead to issue #5 when Rick, Virgil, and friends Chuck, and Felix are playing an intense superhero roleplaying game. Virgil gets a lucky role and an exasperated Rick says, “I wish I could get rolls like that with Airburst.” Chuck jumps in an exclaims Airburst is “so gay.” The tension escalates a little before Rick diffuses it by throwing an empty plastic soda bottle at Chuck.

Another gay taunt happens at school (issue #11). Chuck has insulted Rick by calling his shirt “fruit-flavored.” Once again, Chuck excuses himself by labeling his rude comment as a joke. Rick’s patience is reaching a limit though, and Virgil and best friend Frieda have to keep the two boys separate.

The boys are hanging out at one of their houses, talking about action movie heroes (issue #15). Virgil brings up “Captain Thunder.” Chuck proclaims, “He’s so gay, man!” Virgil questions Chuck because Thunder is strong enough to punch through mountains, and tries to enlist Rick in his argument. Instead of getting involved, this time Rick states, “he is kind of a Boy Scout” and walks away. Rick apologizes to Virgil for not sticking up with him the next day at school.

Yet again the boys are together when for no apparent reason Chuck calls Rick “Richard the Pink, Knight of the Tutu.” Again, Rick blows up, but his point is completely diffused when Chuck makes another joke, and he, Felix, Larry, and Virgil laugh. Virgil has remained silent and non-supportive of Rick. Later, Static is on patrol when he comes across some skinheads attacking others on the street. They start to run off with Static in pursuit when one of the figures calls out for help.

It’s Rick, who’s kneeling next to an unconscious boy. Static is shocked that the boy who shouted out is Rick (he’s unaware that Static is his friend Virgil). Static asks what prompted the attack and Rick confesses it was a gay bashing (issue #16). Static flies the boys to a hospital. In transit Rick says he’s gone to a gay teen support group, and implies that he was attracted to the other boy. The skinheads attacked them when they left the meeting. Meanwhile, Static is secretly freaking out over the news is friend really is gay. The two boys are admitted, and Static flies away. Virgil is shocked to learn that

Frieda is aware of Rick’s sexuality when he brings the incident up to her. Virgil decides to act as if nothing has changed (for now). At the end of the chapter, Rick, face bruised and bandaged returns to school. When questioned by his friends, Rick confesses he was gay bashed, and for the first time, puts Chuck in his place. Rick talks about a plan to organize a teen group for the school and asks his friends for support. (Issue #17)

The scene continues with the next issue with Rick angrily walking away from Chuck who’s still trying to turn it all into a joke. Later, Rick is sorely disappointed with Virgil when he protests that everyone is looking at the two of them, and telling Rick he should’ve kept the secret to himself. Virgil finds out that Frieda is angry at him for this when he calls her and a recorded answering machine greeting instructs him to see his “phony, homophobic buddies.” (Issue #18)

Rick discovers some students don’t think he’s a pariah when Frieda, Daisy (a girl that is dating Virgil) , and a new boy have lunch with him the next day (issue #19). They make plans to go to a gay rally after school that afternoon. Daisy confesses her mother is a lesbian and will go with the kids. The tension at the rally is already high between gay activists and homophobes when the kids arrive. Violence erupts when members of the Sons of Odin, apparently led by a mutant named Hotstreak, initiates intimidating actions against the gay protesters. Static appears just as things get out of control. The requisite fight involving Static and Hotstreak follows. The police take care of the other Sons of Odin and Static stops Hotstreak. With the mutant handcuffed in a police wagon, Static leaves the scene, assuming everything will be fine. However, a Son of Odin member has infiltrated the police force and creates an accident scenario that frees Hotstreak. The mutant grabs Frieda out of the crowd, and from atop a light pole threatens to harm her unless Static returns. He has unintentionally made himself a good target. It isn’t the police who shoot him though; it’s Rick from the sidelines. It isn’t elaborated where the gun comes from, but the implication is it came from Ducky, the new student. (Issue #20)

Rick is feeling guilt and remorse over the shooting as he and the rest of the gang take a subway trip to see a movie playing at a theater on the somewhat seedy Paris Island. (Issue #21) The feelings worsen after he’s realized someone will figure out he’s responsible for the shooting, and as these things work out, two police officers visit his home as he returns from walking the dog. One officer instructs the other to help kindly Mrs. Stone bring some more cookies from kitchen as a diversion to speak with Rick alone. He has a talk with Rick, and reveals that he’s figured out Rick shot Hotstreak. But he’s a compassionate, if not completely by the book, officer because he’s devised a story that will satisfy the investigation and end any attention to Rick, who quietly agrees to comply. Later in the story, Virgil comes to visit Rick. The two boys go for a walk, and Virgil awkwardly apologizes for his homophobic behavior, ending by saying: “Good. Then we could, like, be like it never happened, right? Still friends?” Rick doesn’t want to let him off so easily and replies, “As long as you remember that it did happen, sure…why not?” (Issue #22)

It’s interesting to note that Rick’s gay-bashing and coming out story happened eight years before Terry Berg’s gay bashing story written by Judd Winick in Green Lantern. Winick’s story caused a media controversy whereas as far as I know, this earlier story caused barely a ripple outside of its readership as noted by letter writers. In 1994 Bill Clinton has been in the White House since January of 1993 and with the later story, Bush has been in office for approximately the same length of time. In those eight years the Internet became pervasive and conservative and evangelical elements in this country came to the forefront.

The last development of any kind with Rick happens in issue #27 when he gets a part time job working a hot dog cart. Rick and Virgil remain friends through the series (it ended with #44) and has a cameo appearance in #1 of the Static Shock mini series of 2001.

Rick first appeared in Static #1 and is confirmed gay in Static #16. The character transitioned to the Static Shock animated series. Thanks to Xrstoryteller for the reminder about this character. Both Dwayne McDuffie and Robert L. Washington III wrote Static and each presumably had a hand in crafting Rick.

© and ® Milestone Media. Used without permission.

Ghita

Saturday, November 28th, 2009

ghita1Contributed by Ronald Byrd

Ten thousand years before the birth of Christ, Ghita is a bisexual woman of the streets who becomes the favorite of first King Runthar of Urd and later King Khalia, although she prefers the company of her childhood friend Thenef, a fradulent court wizard and fellow pickpocket. When the Troll Hordes of Nergal attack Alizarr, sacred city of Tammuz, Khalia is slain and Ghita, armed with the great sword of Khan-Dagon, takes to adventuring alongside Thenef and the half-troll Dahib.

Eventually the trio liberate Alizarr from the Trolls and rule as a triumvirate, but like many another warrior, Ghita tires of the quiet life and sets out upon another adventure, slaying the sorcerer Rahmuz, who had deposed her first patron, King
Runthar.

Ghita had no superhuman powers but was a formidable warrior and swordswoman, as well as a skilled pickpocket and seductress. She carried the sword of the legendary warrior Khan-Dagon, which she called “the Great Penis of Annihilation.”

This profile is based on an entry in Jeff Rovin’s “Adventure Heroes.” Ghita’s first appearance is 1984 #7.

© Frank Thorne. Used without permission.

Damon Matthews

Saturday, November 28th, 2009
Art by Jesus Saiz

Art by Jesus Saiz

Damon Mathews is federal prosecutor Kate Spencer’s assistant. We first see Damon during Spencer’s closing argument in the trial to prosecute Copperhead. In a brief scene he tires to cheer up Kate while the jury deliberates. Unfortunately, the
jury acquits Copperhead.

Damon is next seen in issue #5 when JLA members arrive at the Los Angeles Federal Building. They’ve come to talk with Spencer about the murder of Firestorm (Ronny Raymond) by the Shadow Thief. Damon does his best to make an impression on the Leaguers, especially Hawkman, with whom he flirts and tries to ask out for sushi. Issues #6, 7, and 9 have brief appearances related to work matters with Kate.

Some friendly banter between the pair in issue #11 reveals that Damon is going out on a date with a man. Cameron Chase of the DEO becomes a recurring character with the next issue. She compliments Damon on his “super-heroic physique” as he dashes off to the gym, but not before lamenting that Hawkman wasn’t impressed. He and Kate have a brief conversation in the Federal Building in which she tells him to take charge in a case, but he’s also left wondering how straight men date women because of her secretiveness (issue #16).

A big development comes in a scene in issue #18. Todd Rice (AKA Obsidian) arrives at the front desk asking to speak with Damon, which is quite a surprise for Damon. Todd had hoped to persuade Damon to play hooky with him for the afternoon. Damon begs off though because of heavy caseload and then asks if their date for that night at a sushi place is still on. It seems Damon really does like sushi. They kiss goodbye at the elevator while the on-looking secretary smiles.

obsidian02

Issue #19 has a two-page scene. It opens in Todd’s apartment with Damon and Todd snuggling under the sheets after sex as they try to make plans for the rest of the night. Todd decides to take a shower that is cut short when Damon calls out he has a visitor. Damon is shocked to see projected image of Green Lantern (Alan Scott), and even more surprised when Todd calls him “Dad.”

It’s “One Year Later” in issue #20, and we learn through an “on the super-hero job” conversation between Kate (Manhunter) and Todd (Obsidian) that he and Damon are still dating. In fact, Todd’s returned to surprise Damon for his birthday. Check back for details to be added!

Damon first appears in Manhunter #1 (vol 4) and is outed in Manhunter #5. See the bio for Obsidian and Ramsey Robinson.

© and ® DC Comics. Used without permission.

Sanjak

Tuesday, November 24th, 2009

In an article titled “Coming Out in the Comic Strips“, David Applegate outlines two characters created for TERRY AND THE PIRATES by Milt Caniff. One of these two characters is named Sanjak, and she is a French Naval officer. In her first appearance in the Sunday comics of February 12, 1939, Sanjak is disguised as “Madame Sud.” In the following day’s strip,  she removes her matronly dress and wig while April Kane, another character, looks out the window. Sanjak, now looking more male and wearing a coat, tie, and skirt, revealed herself to a shocked April. Sanjak comments, “M’m'selle ees surprise! . . . But not half so surprise as she weell be soon!”

Applegate recounts a comment from Caniff published in Comics Journal #108: “…in those days the word ‘lesbian’ simply wouldn’t have been understood by half your audience, and the other half would have resented it.” According to the article, Caniff further coded the character’s sexuality by naming her “Sanjak” which has an association (though still unclear to me) with the island of Lesbos, from which, thanks to the ancient Greek poet Sappho, the word lesbian is derived. In the strip that ran on March 24, 1939, Caniff reveals that Sanjak lived on a rocky island described as “an ideal hideaway.” Applegate’s article doesn’t discuss other appearances of the character, and I’ve been unsuccessful in finding other articles on Sanjak. Please contact me if you are familiar with this character.

© and ® presumably the Estate of Milt Caniff. Used without permission.
sanjak2

The scan of this strip was posted by Jeet Heer in an entry documenting some early examples of gay and lesbian character portrayals in comic strips on his sanseverything blog.

sanjak3B

Cloud

Tuesday, November 24th, 2009

cloudContributed by Ronald Byrd

A sentient nebula, destined to evolve into a star within the next thousand millennia, Cloud came to Earth as a condensed human-sized nucleus to seek superhuman aid when the stars in its region of space began to mysteriously disappear. Arriving upon Earth, Cloud attempted to rescue two teenage lovers, Carol Faber and Danny Milligan, from an automobile accident, but a telepathic link was inadvertently forged between the two humans and Cloud, who became an amnesiac teenage girl identical to Faber. Brainwashed by the Secret Empire, Cloud clashed with the super-team known as the Defenders, eventually rebelling against her masters and joining the team.

When she fell in love with the female Moondragon, Cloud was tormented by these “inappropriate” feelings until her subconscious enabled her to change into male form (identical to Milligan); however, her/his love was not enough to prevent Moondragon from falling prey to the evil influence of the Dragon of the Moon, and Cloud, still troubled by this new ability and unsure of what it meant regarding her/his true nature, later turned her/his attention to another fellow Defender, Iceman. Eventually regaining her/his memories and, with the help of the Defenders, returning to the vanished stars, Cloud returned to her/his original state as a nebula; appearing briefly in Solo Avengers to help the recovering Moondragon, Cloud evidently prefers her female manifestation, since she uses it to interact with humans on this occasion. Presumably Cloud continues to exist somewhere in the further regions of space, doing whatever it is that nebulas do.

In addition to being able to assume both male and female identities, while in mortal form Cloud could change into a gaseous cloud-like state, in which condition she could engulf opponents, discharge lightning, communicate telepathically, and fly. As a nebula and future star, Cloud possesses vast cosmic power whose limits are unclear.

© and ® Marvel Comics. Used without permission.

Victoria Montesi

Tuesday, November 24th, 2009
Art by Rurick Tyler

Art by Rurick Tyler

Contributed by Ronald Byrd

Victoria Montesi is the only child of Monsignor Vittorio Montesi; the Montesi line was long ago designated as the guardians of the Darkhold, a tome of ancient black magic which has the potential to summon the Elder God Chthon to wreak havoc upon the Earth, but Victoria, half-American, disbelieves her father’s claims and takes up hospital work in Rome, where she lives with her lover, karate instructor Natasha “Nash” Salvato. However, when pages from the Darkhold are distributed to unsuspecting mortals by a demonic Dwarf and Nash is rendered quadriplegic and comatose following an explosion intended to kill Victoria, Victoria joins with occult expert Louise Hastings and Interpol agent Sam Buchanan to recover the pages as the Darkhold Redeemers. After some months of such adventures, Victoria’s life takes an even worse turn when it is revealed that she is in fact Chthon’s daughter, created when the sterile Vittorio used magic to guarantee himself an heir, and she is mystically impregnated with Chthon himself; Sorcerer Supreme Doctor Strange kept Victoria in mystic stasis for a time to delay Chthon’s rebirth into the Earth dimension, and he was ultimately able to prevent it. When last seen, Victoria was being spirited away by the Midwife, a creation of Chthon’s who nevertheless rebelled against her master’s rebirth and sought to help Victoria recover from her ordeal; what has become of her since then, as well as whether or not Nash ever recovered, is unknown.

Except for a period when she briefly possessed demonic abilities obtained from a Darkhold page, Victoria Montesi had no superhuman physical powers, although as the daughter of Chthon, she no doubt had the potential to manifest such powers; her half-demon nature granted her visions directing her to the missing Darkhold pages. She also possessed a reasonable level of fighting skill, much of it learned from Nash.

[Gay writer Chris Cooper penned all 16 issues of the short lived Darkhold: Pages From the Book of Sin series. Cooper also founded the Queer Nation website, one of the first, if not the original, webcomic to feature LGBT superheroes. - J. Palmer]

© and ® Marvel Comics. Used without permission.

Tsultrine

Tuesday, November 24th, 2009

tsultrineFormer assassin Mysta (Laser Eraser) Mystralis and her cyborg lover, Axel Pressbutton are rogue adventurers in space. In issue #3 of Laser Eraser and Pressbutton, they’re unexpectedly caught off guard in a warp storm while in hyper drive. Shifting down into normal space leads them into another adventure when they land on a nearby uncharted planet. Mysta is lured (with Axel in tow) to a long abandoned underground chamber. Inside Mysta is drawn to a slumbering woman enclosed in some kind of stasis chamber. Opening the capsule, Mysta is drawn into an illusionary world created by the woman within. The capsule quickly seals itself. We’re visually cued by Tsultrine’s pointed teeth, pale skin, long dark hair, and dark eyes that she’s a villain, but the enthralled Mysta believes they’re lovers, and let’s herself be psychically seduced.

Distracted by his attempt to open the capsule and free his lover, Axel finds himself surrounded by a number of monkey-like beings. Naturally Axel misinterprets their actions to put Mysta in danger until an elder being telepathically relates to Axel the history of its and Tsultrine’s race. Creating weapons was something never done in their history. Instead, its people developed and trained their mental abilities, using sex as a way to take over the bodies of the beautiful, but weak-minded. The physically undesirable individuals eventually devolved into the monkey-like beings. Axel learns that Tsultrine is the last of her kind and her plan is to take over Mysta’s body so she can leave the planet and feed on new people.

At the same time Axel is learning this, Mysta begins to see through Tsultrine’s spell that in turn weakens it. Before her seduction of Mysta is realized, Axel pulls himself together and smashed through the capsule, pulling Mysta out of the vampire’s arms. The horde of monkey-beings beat Tsultrine’s withered body. Axel and Mysta immediately leave the planet and the experience behind them.

One might assume Tsultrin to be a lesbian or bisexual. The story’s single flashback scene leaves it unclear what her sexual orientation may be. Had Pressbutton not been a cyborg, she theoretically may have tried to possess him rather than Mysta.

This story from Laser Eraser and Pressbutton #3 was written by Pedro Henry with art by Jerry Paris and Garry Leach.

© presumably Pedro Henry and Jerry Paris. Used without permission.

Lance Gardner

Monday, November 23rd, 2009

lancegardnerWriter Gerry Conway had given Diana Prince an apartment in the Greenwich Village neighborhood of New York City. After rescuing an airliner and sky divers, Wonder Woman returns to the rooftop of her apartment building, and with her magic lasso transforms into Prince. Diana almost makes into her apartment when she’s stopped by her neighbor Lance. Lance and his roommate Tod are throwing a party to which he invites Diana. Lance promises there will be interesting and creative people from the building (3 artists, 2 actors, a musician, and a professor) at his party. He follows Diana into her apartment, complimenting her on the decor, and mentioning that he’s a dancer, and he “almost had a part in ‘A Chorus Line’ Bob Fosse promised he’d use me in his new musical, after ‘Dancin’–”

In #260 Lance stops Diana in the hallway again, pestering her with some photos from his modeling portfolio. He refers to his roommate as Tom now, probably a simple lettering error. Either Conway wasn’t paying attention or was trying to make a comment. Diana is still suffering from a Berserker’s rage brought on her in some plot. Not in a humorous mood, she picks him up and tosses him away from her door. The big party takes place on the roof top in issue #262. Lance is drawn somewhat nerdishly with an overbite. This may be due to a change in artists from Jose Delbo and Vince Colletta to Ric Estrada & Jose Delbo. Lance appears in only a few panels and is consigned to supporting character limbo.

Tod also shows up at the party and he makes a play for Diana. They share a quiet conversation and a kiss. Diana backs off though. Alas, Diana is still mourning Steve Trevor’s second death. The last we see of Tod is in #269. Tod charms his way into Diana’s apartment by offering to cook her a romantic candle-lit dinner. Tod then proceeds to profess, “I think I could love you, Diana” and kisses her. Of course, Diana is still devastated over Trevor’s death and she tells Tod to leave.

Neither Lance nor Tod were officially outed; this story was printed in 1979, eight years before the Comics Code would be revised to openly allow identifying characters as LGBT. The subtext from his appearances in #259 and #260, as well as the necklace, bracelet, and ring in his introductory panel make it clear the character is intended to be gay. Perhaps there was some backpedaling on Conway’s part regarding roommate Tod making a play for Diana.  Or maybe Tod was completely seduced by the idea of Diana.

Thanks to Norman Tipton for bringing the character to my attention and his help.

© and ® DC Comics. Used without permission.

Destiny & Mystique

Monday, November 23rd, 2009

mystiquedestiny04Contributed by Ronald Byrd

Mystique’s modern career began as an opponent of the first Ms. Marvel, but she later formed the second Brotherhood of Evil Mutants, which she led with the counsel of Destiny (Irene Adler). Eventually Mystique (Raven Darkholme) arranged a pardon for the Brotherhood, which was redefined as the government super-team Freedom Force; the group clashed with the X-Men and the Avengers in both incarnations. Following Destiny’s death at the hands of the cyborg Reavers, Mystique’s activities became more erratic, leading her to both lead Freedom Force back into crime and to ally herself with the X-Men and X-Factor, but she is at present active in the field of mutant terrorism once more.

Despite an unseemly amount of sidestepping around the matter, there is virtually no doubt that Mystique and Destiny were lovers; the two are seen dancing romantically in Marvel Fanfare #40 (with Mystique, suggestively, in the form of a man of about the same physical age as Destiny), and on one occasion the ancient power known as the Shadow King refers to Destiny as Mystique’s “leman,” an archaic term for “lover” (The word’s antiquity is probably what enabled writer Chris Claremont to slip it in). Mystique’s mourning for Destiny bears far more similarity to that for the loss of a mate than that of even the closest friend, and both women raised Rogue, formerly of the Brotherhood of Evil Mutants and now a veteran X-Man, from childhood as loving parents (The fact that Rogue is thus eligible to join COLAGE, Children of Lesbians and Gays Everywhere) has, needless to add, not been addressed.). The two were spouses; that is how Chris Claremont created them; don’t let anyone tell you otherwise.

It is known that Mystique and Destiny first met while the former was posing as a private detective; Destiny appears to be significantly older than Mystique, but given the latter’s shapechanging ability, that is hardly conclusive. As seen in the miniseries X-Men: True Friends, Mystique and Destiny’s relationship dates back to at least the 1930s, where Mystique exists in the masculine identity of “Mr. Raven” (see The Unofficial Wolverine Chronology for more details). Although one might assume that Mystique takes on male form in order to more freely show affection for Destiny in the presence of others, it is possible that, despite having given birth to at least two children (the X-Man Nightcrawler and the mutant-hating Graydon Creed), Mystique is in fact a man who simply assumes female form as the ultimate in transvestism; the notion of a man shapechanging into a woman to the extent that he is capable of bearing children is, after all, really no more outrageous than the notion of a woman shapechanging into a man in the first place. Either way, Mystique is clearly bisexual, although her liaisons with men were evidently only means to unspecified ends (She was apparently attempting to specifically conceive mutant children for some reason.) and lacked the emotional content of her relationship with Destiny.

Mystique also has a history with the sorceress Margali Szardos, who raised Nightcrawler from infancy, but there is no reason to believe their relationship was a romantic one; various minor details of Mystique’s activities over the decades (including service as a government operative many years prior to modern times) have been revealed over the last several years, but the full tale of her past, both with Destiny and alone, has yet to be told.

Mystique has the ability to change her form into that of any other person. Destiny had the mutant power to foresee the future, with the potential to perceive several alternate timelines; at last report she apparently existed on some level of the Astral Plane, where her capabilities are unknown. Both had access to various weapons and other paraphenalia as both terrorists and government agents.

The pair are arguably outed in Uncanny X-Men #265. Marvel’s Destiny entry notes that the pair are lovers.

© and ® Marvel Comics. Used without permission.

Kismet

Monday, November 23rd, 2009
Art by Jerry Bingham

Art by Jerry Bingham

Contributed by Ronald Byrd

The being now known as Kismet began life under quite a remarkable set of circumstances, the second attempt by the geneticists and would-be conquerors known as the Enclave to create an artificial life-form intended to be the prototype of an army of super-beings. However, like their first creation Adam Warlock (initially known as Him), the being who would become Kismet proved rebellious and dangerous; also like Warlock, Kismet was in this initial form male, an Arabian-looking man called Paragon. After destroying the Enclave’s Citadel and clashing with the heroes Doctor Strange and the Hulk, Paragon placed himself within a cocoon of suspended animation; learning via the Enclave’s computer systems about Adam Warlock, Paragon concluded that as unique beings it was their destiny to mate and produce the perfect race envisioned by their creators. He emerged from his chrysalis months later, having solved the inherent procreative incompatability via a transformation into the golden-skinned woman later to be called Kismet but known, originally and awkwardly, only as Her, one of comicdom’s earliest transsexual super-heroes and perhaps the only character, in comicdom or real life, to make the gender change for the express purpose of procreation. What this move implies about Paragon’s initial sexual outlook is, of course, left for the readers to deduce rather than to learn; for the 1970s this was radical enough.

Unfortunately for Her, Adam Warlock had apparently died in the interim, so she set out for space to find another mate. Evidently having no luck at this endeavor, her adventures later brought her back to Earth, where, as it happens, Adam Warlock had returned to life; however, the brusque Warlock disdained Her’s talk of destined offspring, leading her to seek out other mates among Earth’s super-heroes. These chosen few were implanted with pods of genetic material intended to combine Her’s genes with their own to produce super-children, but the male super-heroes, unwilling to serve as incubators, had the pods destroyed, and the heroic Quasar convinced Her that she was doing herself a disservice by her obsessive desire to procreate, noting that “biology is not destiny.” Her, now renamed Kismet, became attracted to Quasar and for a time accompanied him in his duties as Protector of the Universe before again setting off for adventures in space.

As a postscript, in one alternate future, Kismet became pregnant with Quasar’s child, presumably through the traditional method as opposed to the use of reproductive pods, but her efforts in protecting Earth against invading Martians during the War of the Worlds weakened her, and Quasar entrusted her to the care of the Sisters of Mercy, an intergalactic holy order on the planet Vesper. The child was wrested away from Kismet at birth by the cosmic malevolence Era, who, having already manipulated Quasar to his death, for his own purposes left the child, named Stakar, to be raised by the human-like inhabitants of Arcturu. In a truly bizarre variation of his mother’s early gender-bending life, and one which occurred years before the writers revealed that Kismet was his mother, as a young man Stakar and his foster sister Aleta were combined into the form of the cosmic-powered Starhawk; until late in his career with the Guardians of the Galaxy, Starhawk could either exist in his male form or allow Aleta to assume his place in existence, but the two could rarely exist at the same time. This gave the impression that Starhawk could assume a female form at will, but the two were in fact separate individuals, even having children during brief periods of co-existence. The situation was complicated but did not actually involve any genuine transsexuality. As for Kismet, she spent a millennium as a sister on Vesper before finally being reunited with
Starhawk.

© and ® Marvel Comics. Used without permission. Art from Marvel Two In One #61, 1980.