Archive for November, 2009

Jennifer Kale

Wednesday, November 18th, 2009
Art by Mike Deodato

Art by Mike Deodato

Contributed by Ronald Byrd

The teenage Jennifer studied sorcery under the 20,000-year-old mage Dakimh and played a role in repelling a variety of mystic menaces to Earth before attending college and becoming an amateur consultant in mystic matters; originally active only alongside the Man-Thing and its allies, she later joined several other mystic scholars in the Legion of Night and has aided Doctor Strange, the Ghost Rider, and X-Force. She has yet to have any significant solo adventure recorded.

In Ghost Rider #92, Jennifer’s cousin Dan Ketch (host body for the Ghost Rider), in a mystic state, has a dream in which he and his family, including Jennifer, live normal lives untouched by supernatural threats; in this scenario, Jennifer has a female lover, Marie, with whom she has been for three years. Although this is only a vision, presumably this development was not a spontaneous work of Dan’s subconscious. However, Jennifer had a boyfriend in “Legion of Night”, presumably indicating that she has only recently realized that she is either a lesbian or bisexual.

Jennifer Kale is a sorceress, capable of using mystic energy for a variety of effects.

Jennifer first appears in Fear #11 and is shown with a girlfriend in Ghost Rider #92, vol 2.

© and ® Marvel Comics. Used without permission.

Flatman

Wednesday, November 18th, 2009
Art by John Byrne

Art by John Byrne

Contributed by Ronald Byrd

Flatman first came to attention as a member of the Great Lakes Avengers, a super-team operating out of the upper US; his origin, along with those of his teammates (Mister Immortal, Big Bertha, Dinah Soar, Doorman), is unknown. The team was led by genuine Avenger Hawkeye for a while; when he moved on to other projects, the Great Lakes Avengers renamed themselves the Lightning Rods and continued their crimefighting activities, appearing in “Deadpool” and “Thunderbolts.” Their effectiveness as super-heroes tends to depend upon the whim of the writer in question.

The question of Flatman’s sexual orientation arose during his appearance in a “Deadpool” storyline, when his uncanny ability to recognize a woman’s shoe sent forward in time (although he gives every appearance of understanding various aspects of the space-time continuum, perhaps his doctorate is in podiatry?) is viewed as somewhat odd by his teammates. He attributes this to having “studied fashion in college.” When he colloquially refers to a man he is rescuing as “sailor,” however, we are perhaps led, despite his denials, to wonder if more is (ahem) afoot here than it seems. These rather stereotypical traits are probably more indicative of the Deadpool creative staff’s tendency toward the offbeat and a disinterest in treating the Lightning Rods seriously than anything else, but they should still be kept in mind.

Flatman exists in a somewhat two-dimensional humanoid form, in which condition he can stretch his limbs and body to great lengths. This ability is somewhat similar to that of the Thin Man, member of the Liberty Legion in the 1940s, but no specific connection between the two has been established. It is possible that Flatman is in fact unable to return to normal human form, but this, too, has not been definitively established.

Flatman first appears in West Coast Avengers #46. Deadpool #11 (vol 1 likely) is the issue in which his possible homosexuality is construed by the writer.

© and ® Marvel Comics. Used without permission.

Madam Fatal

Wednesday, November 18th, 2009

Contributed by Ronald Byrd

In 1940, the daughter of retired actor Richard Stanton is kidnapped. In order to track down the criminals without attracting attention and endangering his daughter, Stanton dresses up as a “simple old lady” and successfully rescues her. Inspired by his victory, Stanton, who lives alone (presumably in New York City) save for the company of his parrot Hamlet, elects to retain the old woman identity as Madame Fatal, one of the many heroes of that era who fought crime with no more than “her” native wits and skill. “She” appeared in the first twenty-two issues of Crack Comics.

As one of Quality Comics’s stable of characters, Madame Fatal came into DC Comics’s possession along with Blackhawk, Plastic Man, and other heroes, notable and not, many of whom have been depicted fighting crime alongside DC’s own more famous golden age super-heroes. Madame Fatal does not seem to have appeared in any modern DC story, but “she” is known to be dead and largely forgotten by modern times; in JSA #1, at the Sandman’s funeral, it is noted that “they buried Madame Fatal here and no one turned up for the funeral but the touring cast of La Cage Aux Folles.” The significance of these funeral attendees is open to debate.

The reader may note that, perhaps not accidentally, Stanton has some traits that can be linked to stereotypical images of gay men during the 1940s; he lives alone, has a history in the theater, and is a cross-dresser. He is probably the closest to an openly gay character that one can find among the super-heroes of the 1940s. [I do not think there was ever a mention of Stanton's daughter's mother, whether she and Richard were married, and why she was not around or if she had died. Gay men of this and previous generations often chose to marry and raise families in order to avoid suspicion while living on the down low. - Joe Palmer]

Madame Fatal surprisingly appeared in The Shade #4 (vol 2, cover date 3/2012) in a story by James Robinson, Darwyn Cooke and J Bone. Madam Fatal’s talents are required by the Shade to watch World War II industrialist Darnell Caldecott who has become a recent target for assassination by Nazis. Stanton does aa very admirable job when the need arises to protect Caldecott, shocked to see his newly hired assistant jumping into action. In return for his aid, Stanton learns the whereabouts of his kidnapped daughter thanks to information obtained by Shade. [JP]

Art by D Cooke & J Bone

Madame Fatal had no superhuman powers but was a highly skilled actor, a master of disguise, and an effective fighter. “She” carried a walking stick that could be used as an offensive weapon.

Madame Fatal first appears in Crack Comics #1. This character profile was compiled from information from The Encyclopedia of Super-Heroes, by Jeff Rovin.

© and ® DC Comics. Used without permission.

Lord Fanny

Wednesday, November 18th, 2009
Art by Phil Jimenez

Art by Phil Jimenez

Adelinda Morales and her husband Eugenio, and her mother, Dona Isola de Rios had moved to Rio de Janeiro from their native Mexico. Isola was the most feared bruja (witch) in the slums of Rio. Her power had been passed down to her from her mother just as she had passed hers on to Adelinda.

Isola was shocked when Adelinda gave birth to a boy, and demanded she become pregnant again in the hopes of having a girl to initiate as a bruja. The second pregnancy abruptly ended with a miscarriage, and forcing Isola to improvise. She’s convinced the answer is to raise Hilde as a girl. Adelinda seems agreeable but Eugenio voices his objection: “You can’t turn my boy into a sissy!” Isola shuts him up with a threat. Of course the first part of her plan is contingent on Hilde’s willingness to be raised as a girl. She tempts him with a frilly dress, and he accepts.

A drunk during Mardi Gras stabbed Adelina to death. Hilde was only seven and Isola and Aunt Marta (a woman who had slept with Hilde’s father) raised her. They taught Hilde magical plants and sorcerous arts, and told her stories of the gods and spirits that ruled the land in Pre-Columbian times.

Isola decided it was time to return to Mexico and the City of the Gods, Teotihuacan, when Hilde reached puberty and started to show an interest in boys. The time has come to initiate Hilde into brujeria. Hilde drinks hallucinogenic tea to start her vision quest, and to find her totem. Isola cuts Hilde’s thigh to simulate menstruation in order to attract the spirits. Reality becomes meaningless to Hilde in her altered state. A large butterfly alights on her forehead, becoming her totem.

The next step is an encounter with Tezcatlipoca, the Smoking Mirror, father of all witches. He comes to her in the form of a gaunt, headless figure with two wooden doors for his chest within which he keeps his heart. Hilde’s test is to snatch his heart in order to be granted a wish. Hilde succeeds and asks for both safe passage and return to Mictlan, the Dead Lands, to learn the secrets of magic from the Skeleton God.

In Mictlan Hilde earns the knowledge of magic. The Lord of the Dead insists she stay with him. Hilde objects, saying that Tezcatlipoca had promised her safe passage. Hilde offers to tell a joke in exchange for her freedom. She leaves the God’s throne room and enters the Garden of Life and Death. By gashing her tongue with sacred thorns Hilde learns the secret language of shamans. Finally, the goddess Izpapalotl commands her to leave or be killed. Hilde returns to her body and finds her grandmother and Aunt Marta waiting for her. As they’re driving away from the temple, Isola says she has a special gift for Hilde. It’s her first lipstick.

When Lord Fanny turned 18 she joined The Invisibles, a group of radical anarchists whose goals were to save humanity from being enslaved to the extra dimensional Archons and snap the world out of its mass hallucination commonly referred to as
reality.

Lord Fanny created by Grant Morrison. Fanny is an example of the shamanic traditions that were valid and accepted expressions of some Native peoples throughout the Americas which were seen as evil and satanic by European and white American conquerors. Native men and women who had same sex attractions were seen as powerful and special. They often assumed clothing and gender roles of their opposite sex, and were often highly sought after as spouses. While Fanny may have been raised as a female, I believe the character is a little too complicated to label simply as transgendered and could also be considered gay, though no contemporary label will be totally accurate since modern notions of accepted sexual identities are too constrictive.

Lord Fanny first appears and is outed in The Invisibles #2, vol 1.

© and ® DC/ Vertigo Comics. Used without permission.

New Characters Page

Thursday, November 12th, 2009

Since the shift to the WordPress, Gay League has been a little difficult to navigate. I am working on creating a character page, so it will be easier to navigate and actually find specific characters, comics, etc. It is still a work in progress (I’m doing this in my spare time as a volunteer), but feel free to post any suggestions or corrections. In the meantime, you can check out the new character page here:

http://www.gayleague.com/wordpress/characters/

-candise

Catira Katirus

Thursday, November 12th, 2009
Art by Terry Pallot

Art by Terry Pallot

Catira and Katirus are actually the same being, with the ability to shift between a male and female form. Catira is the female identity and Katirus is the male. They survive by absorbing the life energy of unsuspecting prey, whom they seduce with their powerful pheromones. They also lure victims to feed their “ancestor”, a cloud-like, space-dwelling lifeform that feeds off of the energy from a starship and its crew.

The Orsorians sent out a false distress signal, claiming that their engines were damaged, attracting the attention of the starship Voyager. Catira responded to the Voyager’s hail, assuming that a man would be in command. All of the men on the bridge were stunned, both by Catira’s beauty and by the fact that she was practically nude. Both Catira and Katirus wear no actual clothing, and simply have a glittering, translucent veil that barely covers their private parts. Once she discovered that Captain Janeway is a woman, she said that she had to defer to her “brother”. She slipped off-screen, and moments later Katirus appeared. Janeway was just as impressed by Katirus’ appearance, although Commander Chakotay was suspicious as well as a bit jealous of him. Janeway agreed to send Chief Engineer B’Elanna Torres to repair their engines, and invited the Orsorians to Voyager. Katirus accepted the invitation, but said that Catira would be unable to attend, although she would be with him “in spirit”.

At the reception about Voyager, all of the women were strongly drawn to and charmed by Katirus, except for former Borg, Seven of Nine. She seemed immune to his charms. Katirus continued his seduction of Janeway, and asked her to give him a private tour of Voyager. At some point during this tour, he managed to ambush Seven of Nine and put her into a coma with an energy discharge, without Janeway’s knowledge. When Chakotay tried to alert Janeway to this Seven’s assualt, she did not respond. Chakotay and an armed security team burst into Janeway’s quarters to find her and Katirus making out in her bedroom. Chakotay instructed Katirus to leave Voyager, since there was now an emergency that required the Captain’s attention. Once Katirus left, Chakotay observed that the Captain seemed very disoriented and lightheaded, and she wasn’t acting like herself.

Katirus returned to his ship, and went down to the engine room where B’Elanna was working. In order to prevent her from discovering that there was no real damage to the engines, he pulled her into a passionate kiss, infecting her with his pheromones, and leaving his confused and open to suggestion as well. He tricked her into returning to Voyager without her tricorder and its data.

This also left B’Elanna with a headache, so she went to sickbay for treatment. When the doctor examined her, he found the same energy residue in her that he found in Seven of Nine. The doctor alerts Janeway to this, suggesting that B’Elanna and Seven may have been attacked by the same person. However, B’Elanna reports that she was not attacked and was not “bothered” by anyone on the Orsorian ship. Janeway decides to beam over to give this news to Katirus in person. Chakotay tries to stop her, but is unable to.

Chakotay tries to contact Janeway, but she isn’t answering her commbadge, and the Orsorian ship is not answering hails. Certain that the captain is in danger, Chakotay sends security chief Tuvok over to the Orsorian ship to investigate. Once he arrives, he is ambushed by Catira, who uses her super-pheromones to seduce him as well. She has her robot guards take him to her quarters, where she continues to seduce him. Tuvok’s Vulcan discipline helps him to resist, but Catira overwhelms him, and literally rips his clothes off. As she forces herself on him, she begins to drain his energy through their intimate contact. Once Catira is done with Tuvok, Katirus re-emerges and goes back to his own quarters to seduce and drain Janeway. Then Katirus summons the Ancestor, to come and feed off the Voyager and its crew! Voyager manages to to delay the energy drain by firing phasers into the cloud, but are unable to escape, especially while Janeway and Tuvok are still prisoner. However, Ensign Kim detects an ID signal being sent from the Orsorian ship to the Ancestor, that he can duplicate. Once the Doctor reports that Seven of Nine has regained consciousness, Chakotay devises a plan to defeat the Orsorians, using the two crewmembers who are immune to their pheromones: Seven of Nine, and the holographic Doctor!

Seven and the Doctor beam over to the Orsorian ship to rescue Tuvok and the Captain. Katirus’ biochemical attack is no longer able to affect Seven, since her body has now adapted to it. Then the Doctor injects Catira with antigens from Seven of Nine’s body, which attack their pheromones. The injection has a shocking effect, and the bodies of Katirus and Catira merge and distort into a disgusting, twisted lump of flesh.

With the away team back on board, Kim activates the ID signal, confusing the Ancestor into releasing Voyager. Voyager takes off as fast as they can, and the Ancestor begins loosing energy. It goes after the nearest available energy source: the Orsorian ship. However, the Orsorian ship does not have enough energy on its own to sustain the Ancestor, and the Ancestor collapses in on itself, taking the Orsorians with it.

In his analysis, the Doctor suspects that the “ancestor” probably spawned an entire race of Orsorians, but considers it highly unlikely that any of them are still alive. He believes that Catira/Katirus killed off all the others in order to secure their position in the food chain with the Ancestor.

Catira/Katirus is seen in Star Trek Voyager #14 and 15.

© and ® Paramount Pictures. Used without permission.

Skein

Thursday, November 12th, 2009

skeinfrommarvelContributed by Ronald Byrd

Born in Romania and raised by Romany (Gypsies), teenage mutant Sybil Dvorak is seduced by American actor Jason Reed, who brings her back to Hollywood with him as his mistress. Kept isolated in Reed’s home while her citizenship papers are stalled, she rebels and takes to robbing society parties under the identity of Gypsy Moth, leading her to clash with the heroine Spider-Woman. Eventually she gains her citizenship and inclusion in Reed’s will; he dies soon after of a burst blood vessel (implicitly caused by Gypsy Moth), leaving her a wealthy socialite who uses his money to start a drug cult of worshippers. Later, she is among the many superhumans kidnapped and imprisoned by the insane Locksmith, and after she escapes with the help of Spider-Woman and others, she joins the Night Shift, an apparent criminal organization which the vigilante called the Shroud is secretly using to fight crime. The Night Shift eventually separate from the Shroud and gain augmented from the demon Satannish, only to be defeated by the West Coast Avengers. Next seen among the Femizons of the would-be conqueror Superia, Gypsy Moth eventually drops out of crime and becomes the manager of a string of sex clubs.

However, the lure of criminal activity proves too much for Gypsy Moth, who joins the Crimson Cowl’s Masters of Evil “just for kicks” and clashes with the reformed villains called the Thunderbolts. Later, when most of the Thunderbolts are temporarily away from Earth, the remaining members, Hawkeye and Songbird, recruit her and several other former Masters to defeat the Cowl; as a member of this informal second group of Thunderbolts, she uses the new name of Skein. After the Cowl is defeated, the Thunderbolts return to Earth and the former Masters are offered a place on the team, but they decline. Skein suggests that Songbird accompany her to Casablanca; she flirtatiously strokes Songbird’s hair as she does so, suggesting that, although she has demonstrated overt sexual interest in men, she is also attracted to women. Songbird refuses the offer, and Skein leaves for parts unknown.

Skein can telekinetically manipulate fabrics and organic tissues, enabling her to entrap people in their own clothing or hair and to induce muscle cramps, burst blood vessels, and other injuries. She can mentally control and reweave any form of cloth, with a power range of threading a needle to moving about 120 pounds worth of fabric. She is also able to fly via telekinesis and to levitate another person under 120 pounds; as Gypsy Moth she used her power to interweave non-functional silken wings from her own skin tissue, but the wings were purely ornamental.

Skein first appeared in Spider-Woman #10 and is revealed as lesbian in Thunderbolts #75. Skein has been included in promo art for issues of Avengers: Initiative.

© and ® Marvel Comics. All rights reserved.

Roger

Wednesday, November 11th, 2009

roger1Contributed by Ronald Byrd

Roger (last name unrevealed) is one of the Five Swell Guys, a quintet of adventurers or “science-heroes” who operate out of New York and clash with various menaces, most notably the “omnipath” known as the Painted Doll. The “muscle” of the team, Roger works alongside leader Bob, mechanic Stan, genius Marv, and psychic Kenneth. Nothing is known of the origin of the Five Swell Guys or how long they have been active, but in 1995 Roger was transformed into a woman as part of “that Suffragette City episode.” Although Roger’s persona and abilities were evidently unaffected by the change, the general public appears to believe that the female Roger is a different person than the “old Roger,” whom she is believed to have replaced. As suits her role as “muscle,” Roger appears to be the most hot-headed of the Five. Issues #7 and 8 are relevant to the character. The term “science-hero,” more or less a synonym for “super-hero,” is also used in Top Ten (home of Jack Phantom). Moore never explored Roger’s romantic attractions, so it remains unclear exactly how the character should be identified beyond transsexual.

Roger possess superhuman strength and is an effective fighter, even capable of holding her own in combat with a demon. She and the other Swell Guys travel on a flying platform.

Roger and the Five Swell Guys were created by Alan Moore and J.H. Williams III. © and ® of America’s Best Comics, LLC. Used without permission.

Marisol Del Rios

Wednesday, November 11th, 2009
Art by Michael Kaluta

Art by Michael Kaluta

Marisol is the red-haired woman that Madame Xanadu takes as her lover during the late 15th century in Spain just after the beginning of the dark days of the Spanish Inquisition. Her parents have died and seems to be without other relatives when Xanadu arrives in Spain. She was a quality seamstress, a trait she shared with her mother, and sewed vestments for the church. Please read the Xanadu entry for more information.

Madame Xanadu

Tuesday, November 10th, 2009

This bio narrowly focuses on developments in the five part “Exodus Noir” story in Madame Xanadu #11 – 15. The year is 1940 and Madame Xanadu has settled into her Greenwich Village abode strongly associated with the character’s ambience. Socialite Catherine Shepherd is distraught over the inability of police and private invesitgators to solve her father’s grisly death which has been attributed as a rare example of spontaneous human combustion. After hearing many rumors and vague account, she turns to Madame Xanadu for help. Xanadu empathizes with the woman’s anguish and agrees to help, starting with a visit to the man’s deluxe apartment suite where a faint odor recalls bittersweet and horrific memories of her experiences of life in Spain just after the start of the Inquisition.

Ferdinand and Isabella, the Spanish crown who financed Columbus’ journey to the New World, have conquered the final territories of Moors and reunited the land under Christendom. With Muslims expelled, the Vatican has decreed that all Jews remaining in Spain must convert to Christianity, leave Spain and forfeit their belongings and wealth, or stay and face the Inquisition’s wrath. The Inquisition, along with the lesser known Portuguese one, was also designed to cleanse the nation of sodomites and tribads (gay men and women) on threat of death by public immolation.

When we first see Xanadu in Spain it is with a redhaired woman named Marisol as they’re witnessing an auto de fé, the part of public procession of the condemned among the townspeople, partially intended to instil fear. Xanadu reacts with horror while Marisol has little reaction to it. They part to do errands, their hands lingering a moment longer. After Marisol has an unsettling encounter with Torquemada himself, she rushes back home where the two women kiss. Unknown by the pair, two boys witness the embrace while spying on them, ensuring they come under the Inquisition’s wary eye. On several occasions Marisol also refers to Xanadu as “novia”, Spanish for girlfriend.

Art by Michael Kaluta

Art by Michael Kaluta

Xanadu acts as midwife to a neighbor woman in delivery, giving her some potion and untwisting the baby’s umbilical cord to ensure a healthy, live child. Her feat comes to the attention of a priest who’s also been called to pray over the woman, and he relates the incident in terms of witchcraft to Torquemada, naming Marisol as a witness.

Later When Marisol drops off finished work at the rectory a priest insists on taking her to Torquemada. The priest inquires about the dark haired woman “who seems familiar with the arts normally reserved for doctors”, doctors traditionally being men while midwives were becoming largely suspect of witchcraft. Marisol can only agree when he insists she be taken to receive the host and confess her sins or attract undue attention to them both and risk the nature of their relationship being discovered.

Xanadu returns with a basket of fish only to find Marisol distressed when she politely explains she can’t partake in the sacrement because she isn’t Catholic. Xanadu’s comment that “[their] love is as natural as a bird in flight, as the rains in the fields…” doesn’t calm her. She cavalierly dismisses Marisol’s concern over arousing Inquisition suspicion toward them and leaves her lover to forage rare ingredients to make tinctures, perhaps even the one which keeps her youthful. Alone, Marisol is accosted and taken into custody. A zealous Torguemada confronts Marisol, beaten and bloodied, demanding to know where her “sister in sin” is. She accuses Torquemada of secretly being Jewish, enraging the man, and in turn she is locked away in a dank prison to wait to be put to “The Question”, surely a euphemism for torture.

In the final chapter, Xanadu returns from her foraging. Seeing something is amiss and Marisol nowhere to be seen, she approaches another neighbor who tells her to stay away, calling her a “whore of Satan” and informing her that her “ruddy bed bitch” is getting “what she deserves!” A hasty consultation of her forsworn Tarot deck confirms danger and a horrific scene awaits Xanadu upon entering the town. Marisol is standing atop a pyre, held captive by black hooded executioners while a crowd of townspeople stand silently as witnesses. As she’s bound to the stake Marisol sees her lover and shouts out “Novia! Yo te amo, novia…” Xanadu is unable to save Marisol’s life; one executioner snaps her neck, calling it a gesture of pity. Xanadu recoils in shock, confessing her love which catches the attention of a priest standing nearby and calls out for guards to seize her. Thankfully Xanadu has enough wits about her to blind the priest with some enchantment so that she can escape in the confusion. Wagner ends the story of Marisol and Xanadu here by simply writing she flees Spain never to look back.

While Wagner tells a fictional story, the Inquisitions that he places the lovers in were a historical series of events in which contemporary gays and lesbians (or sodomites and tribads) were persecuted, tortured, publicaly humiliated, and murdered at the behest of the Catholic Church, whose hands were considered bloodless for having put the Spanish Crown in charge of meting punishments.

As revealed in the beginning of Matt Wagner’s initial story arcXanadu is first known long ago as Nimue Inwudum, a name she stopped going by after being deceived by Merlin. Readers have seen Xanadu in a romantic relationship with magician John Zatara, father of Zatanna, who very much wanted to marry her. His proposal was turned down because Xanadu had seen the future love of Zatara’s life in a vision.

After her short lived series ended, Xanadu became a supporting character during part of the second volume of The Spectre. It remains to be seen if or how Wagner will acknowledge or incorporate any elements of her appearances there in his stories or the more recent events that occurred in Days of Vengeance in which an out of control Spectre blinded Xanadu struck out against magic and its users.

Xanadu’s first appearance was in Doorway To Nightmare #1, her first short lived comic. Matt Wagner reveals Xanadu having loved Marison in Madame Xanadu #11. Read Madame Xanadu’s Wikipedia entry for more information.

The “Exodus Noir” trade is available for pre-order at Amazon.

Please read Nobody Expects the Spanish Inquisition.

© and ® Dc/ Vertigo Comics. Used without permission. Created by David Michelinie and Val Mayerik.