Archive for January, 2010

Danny The Street

Thursday, January 28th, 2010

Contributed by Tom Peyer

Danny is a phenomenon unto himself. Neither man nor machine, fish nor fowl, flora nor fauna, he is in fact a sentient transvestite street – a short, two-lane avenue flanked by dozens of strange and eccentric shops and storefronts. Thanks to his mystical space-warping properties, Danny is quite the world traveler, having visited cities all over the globe – usually at night, when no one is looking, when he can surreptitiously shuffle city streets and make room for himself and become anything from a back road in Bangkok to an alleyway in Denver. Though no one knows precisely how Danny came to be, those poor and downtrodden souls to whom he has given shelter over the years love him dearly and trust him with their lives.

Through a series of unrevealed circumstances, Danny somehow ran afoul of Darren Jones, a self-proclaimed “normalcy agent” who sent a platoon of Men from N.O.W.H.E.R.E. to eradicate Danny. Jones knew Danny’s habits; he also knew that, in between his continental jaunts, Danny invariably returned to the estate grounds of his only real friend, writer Sara Furness. It was there that the Men from N.O.W.H.E.R.E. launched a surprise attack on Danny and his many inhabitants, among them the odd performers of the Danny the Street Perpetual Cabaret. Panicked, Danny took the battle to New York City; when the disturbance began to attract attention, the Doom Patrol came to investigate and found themselves defending Sara and the others from the N.O.W.H.E.R.E. Men.

Art by Richard CaseThe ensuing struggle was fast and furious, but the Men from N.O.W.H.E.R.E. made a fatal mistake when they tried to kill Sara. Enraged, Danny took himself and the Doom Patrol straight to Darren Jone’s house, where the performers of the Perpetual Cabaret exacted a strange and terrible vengeance on the man.

Since then, Danny has freely associated with the Doom Patrol and (over the protestations of Sara, who doesn’t much care for leader Niles Caulder) has volunteered to serve as the team’s mobile headquarters. With his powers at their disposal, they can travel anywhere on Earth – and beyond, for Danny knows many places that aren’t on any map.

Danny is kind, compassionate, and in his own way quite the poet. Though he has no voice, he communicates by forming his words out of anything from ambient manhole vapors to the letters of street signs. Morrison took inspiration for Danny the Street’s name from performer Danny La Rue.

Danny first appeared in Doom Patrol #35, volume 2. Danny recently resurfaced as a single brick in Doom Patrol #8 (current 2009 volume) and after being rescued by the team from “enforcers” from its home dimension, recreated itself as Danny the Bungalow (issue #9).

© and ® DC Comics. Used without permission.

Kay Watson

Thursday, January 28th, 2010

Art by Sonny LiewKay has been life-long best friend and confidante to Frankie, the titular character of this Vertigo mini-series. As Frankie’s best friend, Kay has indulged Frankie’s comments about her having a personal god named Jeriven though she doesn’t share her friend’s belief. That changes one day as the pair visit East Coast University and run into Dean Baxter, a mutual childhood friend.

Jeriven saved Frankie and Kay from a drowning accident, but he wasn’t able to rescue Dean. Out of guilt and despair, Frankie insisted Jeriven bring they boy back from the dead. He did, but the strange circumstances forced the three of them apart, till this one fateful day.

Frankie is the attractive extrovert who’s discovered guys though she’s not at all experiencing good luck with them, thanks to a secretively jealous Jeriven. Kay is steadfast, supportive, and the quiet, much more bookish introvert of the pair. She seemingly has no interest in guys, and feels left out when Frankie and Dean hit it off.

Unknown to either of them, Dean is secretly a pawn of a demon god with a vendetta against Jeriven. Dean charms Frankie with his personality and uses his good looks to seduce Frankie, all in a scheme calculated to make Frankie doubt and lose her belief in Jeriven.

Dean is able to trick Jeriven into manifesting into a human male form, trapping him as Dean persuades Frankie to disavow her faith. Kay happens upon the scene as Dean gloats over the now human Jeriven, and decides to help him.

Confused by new feelings, Jeriven kisses Kay, and immediately expresses regret by saying, “Kay, that was my first kiss, and I’ll never forget it, but Frankie is the only girl for me.” Kay simply replies, “Yeah. For me, too.”

Jeriven falls into the clutches of the demon god, and Kay and Frankie team up to rescue him. In one scene, Dean taunts Kay about being a lesbian, but Kay surprises him with her determination to protect Frankie, and takes him down. Jeriven destroys the demon god by trickery. As the trio walks away, Kay confesses that she and Jeriven are in love with Frankie, admitting that she’ll never make a pass at her friend. Frankie shocks Kay by kissing her and suggesting that the three of them start a relationship. The story closes by showing them happily settled into their new lives in California.

Kay first appears in My Faith in Frankie #1 and her crush on Frankie is revealed in #3.

© Mike Carey and Sonny Liew. Published by Vertigo. Used without permission.

Captain Power

Thursday, January 28th, 2010

Contributed by Ronald Byrd

Years ago at a demonstration of radiation manipulation at Techtonics Research Laboratories, scientist Christina Carr suffered severe disfigurement in the same explosion that transformed her co-worker Dr. Otto Octavius into the super-powered Doctor Octopus (and which, according to the continuity of Spider-Man: Chapter One, was also a factor in Peter Parker’s transformation into Spider-Man). Carr blamed Octavius for the accident and attempted to sue, but once he became a super-villain this was a futile effort. Driven mad by the radiation that mutated her, Carr eventually learned that it had also given her the power to transform herself into a being of great power, a being which was, incidentally, male; the implications of this gender change as a part of Carr’s transformation are unclear.

As Captain Power, Carr insanely sought “vengeance” against those who had survived the accident, killing several of them under mysterious circumstances, eventually targeting Doctor Octopus himself. Held prisoner, Octopus leads Power to attack former Techtonics supervisor Dr. Ted Twaki, now head of the Tricorp Foundation (temporary workplace of Peter Parker).

Spider-Man arrives at the scene and manages to immobilize Power with an electrical shock which shorts out “his” mutagenic shape-changing power, reverting “him” to the disfigured form of Christina Carr. Taken into custody, Carr no doubt has plans to seek revenge on both Spider-Man and Doctor Octopus, but she has not been seen since.

The same radiation which is slowly killing her gave Christina Carr the ability to transform into Captain Power, in which form she possesses super-powers that she evidently cannot use in her normal form. Captain Power has super-strength, a limited level of invulnerability, the ability to shoot intense flame from “his” eyes, and the power of flight.

Dr. Carr’s first appearance is in Spider-Man: Chapter One #1; as Power in Amazing Spider-Man #9, vol 2. Her character is confirmed lesbian in Amazing Spider-Man #10, vol 2.

© and ® Marvel Comics. Used without permission.

Thank You!

Sunday, January 24th, 2010

Many thanks to three individuals who’ve made contributions here. Candise made looking up LGBT characters much easier. Just click the Characters page link in the sidebar (or here) to view the list. Hope wrote up more than a few much needed profiles for Marvel characters. The talented Alex Wright rescued the site from its ho hum aesthetic (could something so drab really be gay?) with a beautiful new banner. By the way, Alex accepts commissions. I’ll be happy to put you in touch with him! Leave a note in the comments section or send an email to glajoe at gayleague dot com.

New Stuck Rubber Baby

Wednesday, January 20th, 2010

DC has released info for its April solicitations which I’ve just come across at CBR. Amid all the usual publisher hyperbole is confirmation of the new edition of Howard Cruse’s masterpiece, Stuck Rubber Baby, published by Vertigo. With an appropriate release date of early June in time for Gay Pride!

“A remarkable achievement, a story so richly drawn – in both senses of the word – that it will pull you, headlong, into a bottomless world of hopes, fears, dreams and the all-too-real prejudice witnessed by its author.” — THE NEW YORK TIMES

“Cruse’s visceral, visual account of America’s recent past contributes with grace and force to what we can only continue to hope is history’s bend toward justice.” — ALISON BECHDEL, from her introduction

Advance-solicited • on sale June 2, 224 pg, B&W 6.875” x 9”, $24.99 US • MATURE READERS
Written by HOWARD CRUSE
Art and new cover by HOWARD CRUSE
The groundbreaking, award-winning semi autobiographical graphic novel returns in a new 15th anniversary edition featuring an introduction by Alison Bechdel, award-winning author of Fun Home.

In the 1960s American South, a young gas-station attendant named Toland Polk is rejected from the Army draft for admitting “homosexual tendencies,” and falls in with a close-knit group of young locals yearning to break from the conformity of their hometown through civil rights activism, folk music and upstart communality of race-mixing, gay-friendly nightclubs. Toland’s story is both deeply personal and epic in scope, as his search for identity plays out against the brutal fight over segregation, an unplanned pregnancy and small-town bigotry, aided by an unforgettable supporting cast.

Dudley Jones – Crossdressing Villain

Saturday, January 16th, 2010

On the subject of stereotypes in comics Jet Heer recently wrote a column titled “Mickey Mouse, Homophobe“. Heer presents several examples of gay stereotypes used in comic strips, of which the most famous character is Mickey Mouse in a strip from 1931. In a second post, Heer presents earlier evidence with a copy of a Nisby the Newsboy strip featuring a street tough dressed up as a “real fairy” in a ballerina costume. Where Heer’s illustrations are disparaging, he points to Robert Boyd’s piece highlighting examples from the early 1930s in which E. C. Segar has Popeye cheerfully wearing women’s clothing.

Granted today it’s understood (at least by some) that crossdressing isn’t an automatic confirmation of non-heterosexuality.In some recent reading I came across “The Sandman Meets with Murder” from Adventure #46 (January 1940). The typically thin plot involves Wesley Dodds reconnecting with college buddy Dudley Jones. Dodds and Jones have a mutual college friend, Charley Hall who’s an advertising wunderkind. They try to pay a visit to Hall but discover Hall and his fiancée are out. Suspecting something amiss, Dodds returns as Sandman and finds Hall murdered. Packed into the story’s ten pages is a gun-toting blond and her dead twin, extortion, counterfeiting, and a conniving, crossdressing villain revealed as Wesley’s friend Dudley Jones. Jones crumples to the floor after accidentally, fatally shooting himself. His disguise revealed, Jones confesses his string of crimes motivated by hate.

Extortionist, counterfeiter, murderer. How else can the villain be made more vile? Turn him into a crossdresser because it’s such a logical choice for disguise. A big thank you to the uncredited writer for reveling in clichés.

Art by Bert Christman

GLAAD’s Comic Book Nominees for 2009

Wednesday, January 13th, 2010

The nominees for Outstanding Comic Book in 2009 are:

• Buffy the Vampire Slayer, by Jane Espenson, Steven S. DeKnight, Drew Z. Greenberg, Jim Krueger, Doug Petrie, Joss Whedon, Georges Jeanty and others (Dark Horse)
• Detective Comics, by Greg Rucka, J.H. Williams III and Cully Hamner (DC Comics)
• Madame Xanadu, by Matt Wagner, Amy Reeder Hadley and Richard Friend (DC Comics)
• Secret Six, by Gail Simone, Jim Calafiore, Doug Hazelwood, Nicola Scott and others (DC Comics)
• X-Factor, by Peter David, Bing Cansino, Valentine De Landro, Marco Santucci and others (Marvel)

Complete list of nominees for GLAAD’s 21st Media Awards and general nominee information.

Origination

Saturday, January 9th, 2010

For immediate release—Origination by R. E. Blakeslee

What happens when a superhero flies into Buffalo, New York one night in 2075? How can the largest solar sail corporation keep a secret hidden from a city of five million? Is a son’s love more powerful than hate?

Fantasy fiction author R.E. Blakeslee answers these questions and more in Origination—a tale of atonement, a shirtless winged hero, alien worlds, Buffalo city charm, and imagination!

Ginger Geoffery, of Channel Seven Eyewitness News WKBW-TV, says, “I missed the characters days after I read it [Origination].”

Origination covers a range of subjects from a monomythic superhero called Betylos to a sadomasochistic killer. With an alien religious conflict that mystifies the reader’s mind and a romance page after page for a changed millennium and beyond.

Marla Wick, Ph.D. – University of Buffalo says of Blakeslee’s mix of mystery, love, redemption, and vision: “Origination is a fantasy epic full of wry good humor that combines a poignant story of love and loss with nuanced social critique. R.E. Blakeslee has created a world that is both seductively magical and resonantly familiar. This is a story about what we have been, what we are, and what we could be.”

R. E. Blakeslee works as a ‘Follicular Consultant’ in the architecturally energetic city of Buffalo. He consults with multiple editors from Atlanta to New York; giving life to a hero the world can take pride in and maybe aspire to be. He is currently marketing this first novel and diligently writing the sequel.

To arrange a book signing or interview, contact R.E. Blakeslee. E-mail: reblakeslee@reblakeslee.com | URL: www.reblakeslee.com

Origination by R.E. Blakeslee: Fiction/Fantasy/Contemporary/LGBTQ. Available through 30,000 online resellers, including Amazon | Amazon UK | Barnes & Noble | 460 pp. | $ 18.95 | ISBN 978-1-61584-583-5

Bob Carter, The Lumberjack’s Boy Toy

Saturday, January 9th, 2010

“The Mystery Supergirl” by Otto Binder and Jim Mooney (Action #268 1960) is a good example of the kinds of adventures the Maid of Might had during the 1960s. The big angle at the time was Superman had ordered his younger cousin to keep her super powers a secret in case he needed rescuing from some big baddies. You can imagine the writers and Mooney resorted to all sorts of ways for Linda to use her powers and still remain unknown.

So, one summer Midvale Orphange’s headmistress announces to the children that the older kids will be allowed to have  temporary jobs to learn a trade and make some money. Linda somehow manages to become a cub reporter for the Daily Planet where Perry White gives her the assignment to write an essay on Superman’s five greatest feats. She gets up to all sorts of shenanigans when a Coast Guard officer comes in with photographic proof of a super powered woman wearing exactly the same costume.

supergirllumberjack01

While Linda begins to doubt her sanity in trying to solve this mystery, fresh faced, blond fellow orphan Bob Carter is having the time of his life hanging around manly men in a lumber camp. Once Bob turned 18 he got the hell out of Midvale and headed right back to the lumber camp where he was really popular.

supergirllumberjack02

Later on Bob moved to San Francisco and eventually met and fell in love with Ian, who is GGG to indulge Bob with his lumberjack fantasies. The couple had an intimate June wedding before Prop 8 became law.

Dedalus

Thursday, January 7th, 2010
Art by Davide Gianfelice

Art by Davide Gianfelice

Tall and raven-haired, Dedalus is a London detective who is drawn into strange and surreal events evoking themes of ancient Greek tragedies when called in to investigate the grisly murder of a woman whose savaged body was left on riverbank. When first seen Dedalus is having a phone conversation reassuring his lover John. It’s clear that Dedalus is closeted on the job when he replies “the usual” to a fellow detective’s query of “Woman trouble?” regarding the phone call.

As acts of violence and intimidation, more deaths, a trio of mysterious women (embodying the Furies) appear seemingly at random, and sheets of parchment with ancient Greek writing appear in unlikely places they become an obsession for Dedalus. How deeply the events affect Dedalus, especially when colleague Danny is killed, becomes clear in a scene between Dedalus and John, who tries to reassure Dedalus that the murderer will be caught. Dialog between the couple hints that Dedalus’ decision to be closeted is a source of recurring strain.

Dedalus gains a new partner with Rashid who is rather knowledgable of Greek tragedies.

In issue #10 we learn that one of the Furey brothers is threatening to reveal Dedalus’ secret and ruin his reputation if he doesn’t deliver or murder a  hospitalized suspect with ties to the Furey gang. Dedalus makes an attempt to smother the young man with a pillow and relents before Rashid walks in to the room. Having failed or realized that it’s better to be forced out of the closet than to become a murderer, Dedalus decides to take away the Fureys’ second option of blackmail. He and John drive to his precinct and embrace curbside in front of the station. Word of the incident travels quickly; Rashid is nonchalantly dealing with hearing it as Dedalus walks into their office.

Dedalus is first seen and confirmed as gay in Greek Street #1. John is first seen in #5.

© Peter Milligan and Davide Gianfelice. Published by Vertigo. Used without permission.