Archive for April, 2010

Cluracan

Thursday, April 29th, 2010

By Melony Mazur

Cluracan is a member of the world of Faerie, as it is portrayed by Neil Gaiman in his series, “SANDMAN.” He first appears with his sister Nuala in “Seasons of Mist,” issues # 21-28. He also makes appearances in “World’s End,” “The Kindly Ones” and “The Wake.”

Cluracan is a member of high society in Faerie, as he is the representative of the land under the Faerie Queen Titania. Cluracan is portrayed as a somewhat vain, pompous and drunken popinjay with a constant, playful smirk. Though his outward appearance is that of a beautiful blonde man, we learn that he, like other Faerie Folk, is able to change the outward appearance of things (which he does to his sister Nuala on several occasions), making the reader suspicious of what his true looks might be. Though he cares for his sister, the orders of his queen come before anything else.

Art by Michael Zulli from Sandman #71 (The Wake)

Appearing before Morpheus in “Seasons of Mists,” Cluracan hopes to talk the Dream Lord into leaving Lucifer’s Hell empty after it had been abandoned, but to no avail. We discover in this arc that he is also homosexual, as he is seen in his sister’s chambers with an Egyptian priest with whom he spent the night (we are also clued in to the fact that many of his lovers appear to leave him). He later gives over his sister Nuala to Morpheus as a gift from his regent, saying that his Queen would take it as an insult if he did not accept her.

His next appearance is in “World’s End,” a tale about an inn beyond worlds where displaced travelers from all time periods and places come to rest themselves. As the members of the inn tell tales, Cluracan also recites a story about himself. In the tale, he is sent as an envoy from Faerie to a corpulent leader named Aurelian, who has him thrown in jail for his insulting prophesies. He is rescued by Morpheus as a favor to Nuala for her loyal service. Using his powers of disguise, Cluracan incites hatred in Aurelian’s people, resulting in his overthrowing.

In “The Kindly Ones,” Cluracan returns to Morpheus’ castle to see his sister and bring her back home upon orders from Titania. There, he strays from the path leading to her and ends up creating his own nemesis, who first appears as a buck, and later as a twin of Cluracan in “The Wake.” Though non-chalant about it at first, Cluracan is clearly disturbed by the fact that his greatest adversary looks and acts exactly like himself.

Cluracan and his adversary next meet in a bar at the border worlds between Faerie and Llinor in The Dreaming #16. A winter snow storm rages outside while Cluracan has spent the day inside drinking and sleeping it off when Cluracan’s “brother” enters the bar with a peaceful greeting. Nonetheless, Cluracan is alarmed and takes a defensive posture that elicits further reassurances. They sit down to drink wine, and in the talking make a truce and come to an understanding. Cluracan reveals that he has inadvertently offended Queen Titania, who has made him envoy to the court of Llinor, whose custom it is for ambassadors to wed a lady of its court. The choice is either to go against his nature or to be banished for not complying with Titania’s punishment; so Cluracan procrastinates by drinking in this bar. Upon hearing this news, the nemesis reveals there is another difference between the pair: he prefers women. And so he offers to go in Cluracan’s stead and wed a court lady while Cluracan remains at the bar till his return, and details may be confided as proof to Titania. [Edited by Joe]

A parallel story in which The Dreaming’s librarian Lucien travels to New York to confess his love for Nuala, Cluracan’s sister is also told in this issue. Alas, Lucien’s love remains unrequited.

The Cluracan was created by Neil Gaiman.

© and ® DC/ Vertigo Comics. Used without permission.

Corinthian

Tuesday, April 27th, 2010

By Melony Mazur

Art by Mike Dringenberg

The Corinthian is a nightmare character created by Morpheus, King of Dreams in Neil Gaiman’s “SANDMAN” series, his first appearence in story #10, “The Doll’s House.”

The Corinthian is a mirror, meant to show the ills of mankind and the darkness that they will not face in the waking world. He is characterized by his stark-white hair and sunglasses, which hide two mouths in his eye sockets. He uses all of these mouths to talk, yet his eye mouths are mainly used to ingest eyeballs of his choosing. Though he has no trouble seeing despite his lack of eyes, when he eats the eyeballs of his victims he is granted the ability to see their memories. His other ability is to possess the bodies of mortals, turning their hair white and replacing their eyes with teeth.

There are actually two Corinthians: the first was uncreated by Morpheus when the Dream King deemed him unworthy of existence due to his excessive violence in the human realm. Morpheus then re-created Corinthian from a separate skull in issue #57, “The Kindly Ones,” and charged him with finding Daniel, the child who would be his successor. Despite being a re-creation, the second Corinthian admits that it is in his nature to be a killer, and that the memories of the old Corinthian are “all he has.”

In “The Sandman Companion,” and on Neil Gaiman’s blog, Gaiman has stated that the Corinthian is gay, because even though he is not shown having sexual relations with anyone, he only takes the eyeballs of boys.

In Caitlin R. Kiernan’s “The Dreaming,” the Corinthian appears with an apparent boyfriend. The Corinthian also received a 3-issue spinoff series, “Corinthian: Death in Venice,” which sheds light on how Corinthian I became a killer. He also makes an appearance in “The Dreaming,” where Corinthian II is made human for a brief time, and he finally begins to understand human compassion and fear, traits he had always seemed to lack.

The Corinthian was created by Neil Gaiman and Mike Dringenberg.

© and ® DC/ Vertigo Comics. Used without permission.

Maggie & Hopey

Tuesday, April 27th, 2010

By Candise Branum

In Love & Rockets, Jaime Hernandez chronicles the lives of Margarita Luisa “Maggie” Chascarillo and Esperanza Leticia “Hopey” Glass from their years as underage punks living in Hoppers, a fictional primarily Latino barrio in California,  through their early 40s. The Locas stories (which focused on Maggie, Hopey and their friends) had running storylines, most notably “The Death of Speedy Ortiz” and “Maggie,” but also contained some single page, “slice-of-life” stories. Though mostly realistic, early stories (especially the Mechanics storyline) contained science fiction elements such as dinosaurs and hovercrafts, while other periods focused on the often comical Mexican Wrestling circuit.

When we first meet Maggie she is crushed out on Race Rand, a mechanic that she occasionally works with, and her relationship with Hopey is undefined, and remains so throughout the entire series. The two have sex and live together, but Maggie constantly pursues relationships with men, while Hopey is always hooking up with women, often living with them but never settling down. In later years, Hopey lives with a steady girlfriend, but her infidelity and her inability to take life seriously causes her relationship to fall apart. The end of “The Education of Hopey Glass” shows a post-breakup Hopey beginning to finally mature by taking her work as a teacher’s assistant more seriously.

There is no “coming out” moment for Hernandez’s Locas girls; when we meet Hopey, she is already established as only dating women, while Maggie is assumed straight except for her relationship with Hopey. In later years though, Maggie pursues a relationship with a voluptuous female stripper named Vivian, showing that her desire for women is not just limited to Hopey. A large majority of Hopey and Maggie’s friends are lesbians or bisexual women, and even though both girls seem to shun labels, Hopey does not shy away from the fact that she only sleeps with women (one exception notwithstanding). The “gay community” that they encounter is very middle-class and white-centric, which Maggie feels very uncomfortable with. After overhearing two “art fags” making fun of her for being Mexican, Maggie becomes angry at Hopey for trivializing the event, saying “Shit, just ‘cause you can turn off your “ethnic” half whenever it’s goddamn convenient!” Maggie leaves Hopey and the white, queer world to return to her Latino community, where she does not feel threatened by racism but where her sexual identity is once again undefined. Even though Maggie, who feels the pressures from her family and community to live a traditional married life, shuns both her love of being a mechanic (a traditionally male occupation) and a queer label, she also does not want to be an invisible housewife and struggles to hold on to her punk identity. Many of their female friends from Hoppers also sleep with women, but the idea of a queer identity is seemingly a white, middle-class aesthetic that Maggie cannot truly inhabit.

Though they have been on-and-off lovers for over 20 years, Maggie and Hopey’s relationship remains undefined. They both continue to date other people, while sleeping with and attempting to remain best friends with one another; even during her brief marriage, Maggie continues to have a sexual relationship with Hopey. In the “Maggie” story-arc, Maggie believes she heard Hopey tell her over the phone (which was supposed to be broken at the time) that she loved her, something that had been unsaid throughout all of their years together. This causes tension, as Maggie really does want Hopey to declare it but is not sure if she just imagined it. When Hopey says it again, Maggie is relieved and tells Hopey that she also loves her.

© and ® Gilbert & Jaime Hernandez. Used without permission.

Kevin Keller Comes To Rivergayle

Saturday, April 24th, 2010

News of Archie Comics debuting Kevin Keller, its first openly gay character, raced through the blogosphere, and rightly so. Like Marvel and DC, the company we know today as Archie Comics began publishing during the Golden Age, and is best known as the home of the perennially teenaged Archie, Betty, Veronica, Jughead, Reggie among its famous ensemble cast. While Rucka and Williams’ Batwoman and Peter David’s Rictor and Shatterstar relationship are certainly noteworthy, the impending introduction of Keller into the Riverdale cast is indeed exceptional due to Archie comics marketing to 8 – 14 year olds.

Putting aside all the Archie slash comments, the response seems overwhelmingly positive. There are concerns about the future awaiting Riverdale’s gay guy, and they’re best expressed in Ed Natcher’s new dialog for Archie artist Dan Parent’s artwork. Many thanks, Ed!

Characters/ artwork are © and ® Archie Comics.

Art by Dan Parent

Characters/ artwork are © and ® Archie Comics.

Private Island For Sale

Tuesday, April 20th, 2010

Spectacular views and exclusive beaches await you at this unique private island paradise, offering both seclusion and accessibility for occasional guests.

Current owner and tenants pride themselves on the incomparable Greek architecture, including a palace, temples, plazas, private residences in various buildings (perfect for condos or boutique hotel suites!), parks, athletic facilities, and medical and research buildings.

Art by Alex Ross

The island provides numerous opportunities for gentrification and modernization awaiting a visionary’s guidance. From a resort and tax haven for the wealthy to friendly refuge for political despots to a welcoming and accepting idyll for the Sapphicly inclined to a pulsating Dionysian bachanal sure to rival Ibiza!

Owner is extremely motivated to sell in order to relocate to new location. All tenants currently occupying island’s various buildings will accompany her. Property and various buildings sold as is. Sale includes all appliances and conveniences for daily life. Not included in sale are all and sundry medical, technological, and scientific devices.

For further information and to set up an appointment, contact Hippolyta via email at hippolyta@themyscira.org.

Batwoman Continues!

Wednesday, April 14th, 2010

Today at the DC Universe blog, Alex Segura breaks news of an ongoing Batwoman title in the wake of writer Greg Rucka’s departure. Segura talks about artist J H WIlliams roles as artist and co-writer with W. Haden Blackman, along with Amy Reeder Hadley, the talented artist of Madame Xanadu, coming onboard as artist for the second arc. Details may be read here.

J H Williams talks about the new title and his involvement with the character and his visual design with Comic Book Resources in this uncredited interview.

Great news to start my day!

My Greatest Adventure

Sunday, April 11th, 2010

On a recent trip for family business I returned to Quincy, IL, one of the two towns I consider home. Predominately settled by German immigrants, the western edge of town squarely sits on the Mississippi and many of its original buildings and mansions proudly stand today and are on the National Register of Historic Places. Quincy once gave refuge to Joseph Smith and his band of Mormons on their flight across the country, was a stop on the Underground Railroad to Chicago, and a few miles south across the river lies Hannibal, MO, home of Samuel Clemens (or Mark Twain).

I knew none of these facts as a child though. As it is now, family was my foremost connection during my life there throughout the 60′s. I remember as a five year old telling my mother I wasn’t going to eat any “damn succotash” that one aunt had brought over and getting a good ol’ soap mouth wash and not being allowed to watch the Mickey Mouse Club show as punishment. Several years later another aunt tried to persuade my mom to dress me up in a Nehru jacket and love beads, an idea I loved. Numerous visits with my grandmother, playing croquet, piddling in her garden, finding a stash of antique books in the attic stairway, a made from scratch German chocolate cake for my birthday, the gift of a spirograph for another one. Finding a military serviceman’s manual for Japanese that belonged to an uncle now deceased and trying to teach myself. It’s also where I first picked up a pencil to draw, became interested in mythology, and where my comics interest grew by begging my mom for a new comic every trip to the grocery store on Harrison street and where I stole a copy of Spectre #3 from Kresge (the predecessor of K-Mart) and faced my mother’s anger.

Those are good memories. If your family is like mine, then the relationships and memories are often complicated.

Comics were furthest from my mind on this trip and yet became a touching experience. With input from my brother Jeremy, my youngest cousin Russell presented me with a copy of My Greatest Adventure #80, the first appearance of the oddball Doom Patrol. It was quite a surprise, moreso because this copy is professionally graded VG 4.0 and slabbed. Sure, it isn’t a pristine copy, and it’s literally sealed so it can’t be opened and read, but that’s hardly the point. There was another surprise waiting for me after an early dinner. Russell retrieved and handed to me a copy of Captain Marvel Jr. #11. More accurately, it’s “Mighty Midget” Captain Marvel Jr. Fights for Victory #11, a mini comic (just under 4 X 5″) that sold 2 for a nickel back in the day. Before this I didn’t know these “Mighty Midget” comics existed and now one sits on my desk, prompting me to learn more about this piece of pop culture history.

I’ve an idea why my cousin surprised me. He was at a very personal and very important point and all I did was listen when he came to me. Nothing was ever expected from that day, except going forward and engaging life.

Thank you, Russell and Jeremy. I love you both.

Batwoman Week

Friday, April 9th, 2010

After the recent news of Greg Rucka’s departure from Batwoman, Project Rooftop decided to have a Batwoman Week. Go check the fab illustrations up here. After the next few days you may have to search a bit as each drawing has its own blog entry and permalink.

Rucka Departs Batwoman

Sunday, April 4th, 2010

Update Rucka has commented on his site that his motivation for departure is simply to concentrate on his other, creator-owned projects. Good enough for me. His writing on Batwoman will still be missed, but such is life. A writer can’t be happy if he or she feels a stronger compulsion to write another story while chaining themselves to something else.

Unless you’ve spent the last 48 hours completely immersed in the real world (in which case I admire you), you’ve read the good news about writer Greg Rucka focusing on a few projects like Stumptown and a Queen & Country novel and looking forward to a second series with an arc drawn by the talented Nicola Scott. It’s been a few years since Oni published the last issue of Queen and I’ve missed it. With only two issues to date the writing and art on Stumptown have completely drawn me into that world.

The bad news is Greg Rucka and DC have parted, and the future of the acclaimed Batwoman feature is unknown as it languishes now in publisher limbo. Rucka commented that it was agonizing to walk away from Batwoman but has yet and likely will not publicly comment on behind-the-scenes circumstances. Whatever precipitated the decision may never be known though I’ll guess it happened a few months ago, giving DC enough time to bring Marc Guggenheim on Action (assuming Rucka wasn’t stepping back already). Collaborator J. H. Wiliams alluded to a snafu at Emerald City Comic Con as well as some kind of disagreement between DC and Rucka on his blog.

Meanwhile, Newsarama has posted the following comment from DC Senior Story Editor Ian Sattler and Geoff Johns (presumably speaking as Chief Creative Officer).

[DC Senior Story Editor Ian] Sattler: “We have plans for Batwoman.”
[DC Chief Creative Officer Geoff] Johns: “We want Greg (Rucka) to write it, but he’s focusing on his career right now.”
Sattler: “There’s no shelving.”

The question in my mind now becomes how strongly DC wants Rucka (and Williams) to continue on Batwoman? Do the quartet of Diane Nelson, Didio, Johns, and Jim Lee do whatever it takes to woo back Rucka. In my opinion the answer is an unqualified yes. As a publishing company, DC is the sum of its intellectual properties, the characters we love as fans. However, any publisher is foolish to discount the influence of writers and artists in bringing interest and excitement to its stable of characters. Case in point: a yellow and red clad Batwoman, a campy beard for Batman post Frederic Wertham who was transformed into a compelling (and lesbian) character in her own right in the capable hands of two talented people whose work received a GLAAD award. [Disclosure: Rucka and Williams unreservedly got my vote in the award.]

DC is tarnished until such a time that amends are made and Rucka and Williams return to work on Batwoman.

Comics Alliance first posted the news here

CBR and J. H. Williams

Visit Greg Rucka’s website

Clash of the Titans

Friday, April 2nd, 2010

Contributed by Sean McGrath

I saw Clash of the Titans tonight. For those who don’t have time to read a whole review, I’ll summarize for you: “Don’t bother.” But if you have a few minutes, let me tell you why.

The Tyranny of Slavish Devotion vs. Just Call it the Fuck Something Else

No one loves deconstructed stories more than I do. Being able to take a familiar story and inject it with new and surprising elements is a skill that few people have, but more people should practice. Greek myths are, what, closing in on being two
thousand five hundred years old now? Can we count how many times the stories have been told, re-told, embellished and spun? Doubtful. To tell the story of Perseus as one might find it in Edith Hamilton’s Mythology to a modern movie audience would invite sudden critical box-office death, which no one in the studio wants. Even to re-shoot the 1981 Clash of the Titans might cause audiences to wonder why a script with more 21st century sensibilities wasn’t used. In and of themselves, there is nothing wrong with these approaches to updating movies (whether one should update movies in the first place is another issue altogether), but every once in a while, something like 1995’s The Scarlet Letter rises from the brew.

Clash of the Titans is 2010’s The Scarlet Letter.

Again, one does not have to be tied down to the source material – Lord knows the original CotT wasn’t – but why mess with the relationships between the characters? Hades is out to rule Olympus? Danae is not Acrisius’ daughter, visited by Zeus in the form of a golden shower (ahem…), but his wife, visited by Zeus in Acrisius’ form a la Uther meets Igraine? Djinn? Perseus loves Io? Wasn’t she a cow? Should someone tell Perseus or will he discover her udders for herself (speaking of which, what an odd costume choice that was for Cassiopeia)? If that much re-arranging is going to be done, why even bother with the CotT name-recognition? Make up some mythical land with its own pantheon and released it under a different title altogether. Maybe Dungeon Siege is in need of a sequel.

“Getting to Know Nothing about You”

How is it possible that in the scope of a two-hour movie, almost nothing exciting happened? Wait. Let me qualify that: there was lots of destruction and things exploded and monsters were around every corner. But I could have cared less. I didn’t have the slightest interest in the problems of these characters because I didn’t know who they were. Thinking back, I can’t recall most of the names of the characters who I watched for most of the film. Frankly, I’m not even sure their names were said. I searched vainly on IMDB for a picture of the youngest member of Perseus’ party, first, cuz “woof!”, and second, because that was the only was I could hope to locate him: by his looks. I don’t have the slightest clue what his name was, though I’m guessing it ends with “-us”. Not that it matters because every character died in the Underworld anyway. Talk about Princess Parking.

The Schizophrenia of God

To look around these days, religion is getting kicked in the nads. Hard. Mostly through the fault of church leaders who, from all available reports, are in it for either a.) the tax-free donations, b.) the love of power, or c.) child-raping with impunity. The situation is exacerbated by the screaming devoted who on one had are a little too quick and a little to proud to make sure everyone knows they’re Christian, yet on the other are some of the biggest assholes around. Jesus loves you, but God will punish you. Do as I say, not as I do. Obama is a dark-skinned socialist, not at all like who Jesus was. God obviously needs a better PR machine than the one he has now because one doesn’t have to look any further than them to see why His stock is swirling the drain.

The Olympians are much like that. Zeus wants the love of the humans he created, but isn’t above terrorizing them to get it. He has a bastard son whom he’s willing to sacrifice because he’s not showing Dad any love, but then goes out of his way to help this son whose goal is to topple Olympus, and somehow doesn’t see that or doesn’t care. Because family is just that important. All of which makes it easy to believe than an entire country has gone anti-god, and that a rabid pro-god cult has sprung up to fill the vacuum. Maybe it’s me and how I view religion, but the underlying message of “religion bad” was more pointed than an honor student’s pencil collection the morning of the SAT.

I’m torn between to possibilities: this was just part-in-parcel with the rest of the slopping writing and editing in the film, or this was an on-the-nose condemnation of organized religion. I lean towards the latter because I’m a devoted anti-theist: I believe in a God of one nature or another, and I believe God’s true believers need to go find their own planet to live on. My proof, if one can call it that, is V for Vendetta. As soon as it was (relatively) safe to release an on-the-nose metaphor for the Bush Administration, they did. Better late than never, I suppose. Is CotT taking aim at the religious bedlam that has placed itself on the largest, yet most beleaguered (they say) soapbox in the public forum? No doubt Bill Donohue would be all over this cinematic lion, sending out poison e-missives to whomever still listens to him if he weren’t so busy making excuses for all the child-raping.

“Bitch” is the New Black

There is exactly one adult word in Clash of the Titans: “bitch”, as in speaking of Medusa, “Now let’s go kill this bitch!” After Perseus said this, I had a moment of déjà bolus. I had choked on this word before. Then I remembered from where: X3 with its now iconic “I’m the Juggernaut, BITCH!”

It was just as distasteful now as it was then.

Moments. Mere Moments.

Despite what I’ve said, not everything was terrible. Of course, there were Sam Worthington’s calves (sadly, he never took off his shirt. Not. Once. What the hell kind of sword-and-sandals movie is this?), but there was also a glimmer of a larger story. When Perseus and company arrived at the lair of the Stygian Witches, Io explained the ruins were the site of the battle between the Kraken and the Titans. Just like that, I wondered where the temples and personalities and nymphs and fauns and gods were. The one thing missing from this movie about Greek mythology was the mythology.

Another treat was the Bubo-shaped Easter egg that was in the movie for 15 seconds, though sadly as the butt of a derisive joke. Despite what could have been done with that moment, Clash of the Titans took time to mock its better.

“Re-make” ≠ “Better”

I saw Clash of the Titans at the Alamo Drafthouse South, where they showed classic “Dynarama” trailers spotlighting Ray Harryhausen’s stop-motion effects work on The 7th Voyage of Sinbad, and Jason and the Argonauts, and the original Clash of the Titans. Even with the clunky monsters and their sometimes awkward interactions with real people, I just added the gift set to my Amazon.com wish list (hint hint). I can say with no uncertainty that will not happen with 2010’s CotT.

The And

Of course, this is just me. I’m a firm believer in “Go and see”. Once you do, let me know and we’ll talk. I’m eager to hear what others think. A final dire thought: as everything else goes these days, is it impossible that a sequel is in the works already?

This review (originally appearing here ) appears here thanks to Sean’s kindness. Please visit his Orthocomics blog where Sean muses about comics, language, gay stuff, and politics among other topics.