Archive for October, 2010

Gina Kamentsky

Sunday, October 10th, 2010

This interview originally appeared in Prism Comics Guide to LGBT Comics 2003 edition.

Gina Kamentsky is the creative soul behind the comic strip T-Gina, which she describes as “the tale of a fabulous Transgendered gal and her search for validation and a decent cup of coffee.”

JOE: How did the idea for the T-Gina strip originate?

GINA: Growing up I was a big fan of serial comics like “Batman” and “Buck Rogers in the 25th Century,” and work by Windsor McCay and George Herriman. Later on became consumed by “Mad Magazine,” “Plastic Man,” “Captain Marvel,” and “Archie.” My parents were very encouraging regarding art making. Drawing and creating comics was a natural activity in our house.

After Art school (Philadelphia College of Art in the late ’70s) I became a big fan of Raw magazine. Attending a presentation by Art Speigelman and reading Scott McCloud’s books inspired me to start thinking about comics as something I might one day pursue.

Put comics on the back burner until 1995 when I came out as Transsexual. Around this time there had been a few comics produced in local Transgender newsletters and national publications such as “Tapestry,” mostly one panel gag cartoons and clip art. As a Trans-woman, the steps of transitioning — having a body of knowledge which is the result of growing up socially as male yet living as a woman — makes for some interesting stories. There is so much pain in the transgender/ transsexual community; I wanted to express something else…wonder and humor.

My first comic was around 1995. “I’m a Bin” was about a young man who is convinced that he is a Rubbermaid storage bin (really!)…running a parallel to the whole silly “woman/man trapped in a man’s/woman’s body thing.”

JOE: Artists create art for a number of reasons. How does creating stories for T-Gina satisfy you? Do you find a spiritual or healing aspect in your art?

GINA: I love the scale of comics, how something so compact can be used to produce a compelling narrative. I love connecting with an audience, finding that my own issues are not that different from other folks. I find it’s a great way to deal with my own fears and issues.

JOE: What are some of the themes that you talk about in your work?

GINA: Why do we have this need to be recognized for who we are/want to be…can we exist just as easily without recognition? Personally, this concerns identity as a woman, Transsexual, artist and Jew. The rules and expectations we impose regarding gender can be very silly, it’s fun to point this out. As transgender, we strugJoee to extract ourselves from various stereotypes yet often fall into new ones. Being a transsexual woman involves issues that are universal, everyone is transitioning in some way…Why this fixation on Matt Damon?

JOE: Have you ever surprised yourself while exploring gender identity in your strips?

GINA: In issue #1, Gina had a conversation with her penis about how it would be affected by Gender Reassignment Surgery. This was a good way to come to terms with a somewhat scary process. I like to use Gina to express the more gender transgressive part of me, in reality I’m more conservative and happy to blend in.

JOE: There’s a great sense of playfulness in your work. Would you like to discuss this playful quality, and its importance to you?

GINA: Besides producing T-Gina, I invent toys for kids, create kinetic sculpture, teach art, create animation, play upright bass. Playfulness infuses everything I do, even cooking!

JOE:
What understanding would you like for people to have after they’ve read about the adventures of T-Gina?

GINA: Be brave, have fun, throw out the stupid rulebooks, make love!

Visit the home of T-Gina.

NSFW – fckh8

Friday, October 8th, 2010

Go to fckh8.com.

Northwest Press Wants You!

Friday, October 8th, 2010

Art by the infernal Jon Macy

You may not have heard about a new LGBT comics publisher, Northwest Press, in business. An atypical name for a gay business, it may not have drawn your attention to it in the September Previews (November release books) for its debut, a smart, erotic, sensual, romantic, decadent adaptation of the first modern gay novel, Teleny and Camille, often attributed to Oscar Wilde.

Northwest Press wants your help. Just stick with me for a little background info to explain why.

Every month I go through the regular Previews catalog to complile a list of comics either by LGBT or gay friendly creators or featuring relevant characters or themes. Sometimes the pickings are slimmer, sometimes a number of yaoi manga fill it out, though yaoi is written mostly by women for women and some conventions or art styles may not be appealing to everyone. Finding an LGBT publisher in Previews is rare, and when one is listed, they are always a small press or indy minded operation, not mainstream DC or Marvel where LGBT characters are typically ensemble or supporting cast players.

A year or so back Diamond announced a minimum order policy for comics, trades, and graphic novels from all publishers to be listed in Previews. Simply stated, a book has to meet x number of orders from all comic shops for the publisher to continue to be featured in future Previews. You know as well as I do that money for buying comics is tighter than it has been in years. It’s the same for your shop. Only now the shop owner has 16 or so Batman related books, 4 Deadpool, and a slew of X-Men, Spidey, Avengers, Wolverine and now to capitalize on the impending movie, Thor comics to budget for. Chances are your shop owner is going to order books that are more sure to sell rather than a gay, erotic graphic novel from an upstart publisher.

This is where you come in!

While Diamond has been very supportive of Northwest Press by giving Teleny and the upcoming Glamazonia the Uncanny Super-Tranny featured space in Previews, publisher zan Christensen (he of Prism notoriety) still has to meet Diamond’s minimum order.

Please consider placing an order for Teleny and Camille through your local comics shop. Give them the order code: Diamond #SEP101088. It’s that simple!

If you need more info about Teleny and Camille, start with my review, or here or just jump right to Northwest Press to read a preview.

Now let’s make Previews a little gayer and make Oscar in big gay heaven proud!

Grant Morrison: Talking With Gods

Tuesday, October 5th, 2010

PRESS RELEASE:

This is your chance to see the GRANT MORRISON: TALKING WITH GODS documentary live with other fans! If you’re near any of these cities, make it your mission to buy a ticket to see this exciting doc:

San Francisco – October 8th through October 13th at the Roxie

NYC – October 9th at Cinema Village (scroll down) with Director / Producer Q&A

Philadelphia – October 15th at the Johnsville Centrifuge with Director / Producer Q&A

Boston – October 17th at the Magic Room with Director / Producer Q&A

LA – October 21st at Meltdown Comics with Director / Producer / Special Guest Q&A

Can’t make those shows? Preorder the DVD on Amazon.

TALKING WITH GODS examines Morrison’s 30-year career and the real-life events that inspired his stories. Featuring extensive interviews with Morrison himself, the film delves into his early days growing up in Scotland, the start of his career in comics, the crazy years of the ’90s as his life and his comics became enmeshed, and his recent attempts to turn social darkness and personal troubles into compelling comics. The film also gives insight into his creative process, including a look into his vaunted idea notebooks. Complementing Morrison’s own words are interviews with many of his collaborators and colleagues, including Frank Quitely, Warren Ellis, Geoff Johns, Phil Jimenez, Mark Waid, Cameron Stewart, Douglas Rushkoff, Frazer Irving, Jill Thompson, Dan DiDio, and more.

Silver Age Bigot

Friday, October 1st, 2010

Nightmaster was created by Denny O’Neil, Jerry Grandenetti, and Berni Wrightson created Nightmaster in 1969, taking rock musician Jim Rook and putting him into the role of a confused hero in a sword and sorcery setting in the land of Myrra for Showcase #82 – 84. Despite the stories and art exciting my 11 year old self, a lot of years passed since I’d even flipped through the issues. My curiosity was piqued while reading Wikipedia’s “LGBT Themes In Comics “article by a brief reference made to a “fat man who seems to be a closet homosexual gay basher”. Was this a rare example of a gay character appearing in the Silver Age?

Maybe.

The scene makes me think O’Neil was injecting his idea of Marvel-style realism. Rook is lead singer and guitarist for the Electric Band Aid (or “The Electrics” as the name appears on the instruments) and the band is playing their last night of a two week gig in an East Village bar. The crowded audience is full of young women with a few men in the background. Rook sports a white turtleneck under a purple jacket, pink or lavander and black striped pants and short black boots and the other three band members, piano, and drums are counter-culture candy colored. When the concert ends a bunch of women rush Jim heads toward a dressing room. Inside, Jim’s girlfriend Janet Jones, mod in her own stylish way, is about to kiss him when they’re a knock on the door interrupts. Rook opens the door and finds three men eager to heckle and harrass. As you can see, the guy with the bow tie starts right up with homophobic insults, somewhat amazing given the fact this comic bears the Comics Code Authority approval seal on the cover. Then again, Mike Sekowsky got his thinly veiled lesbian gang “Them!” approved this same year in Wonder Woman #185. And doesn’t the art by Grandenetti and inked by Dick Giordano remind you of Sekowsky?

Chairs and more punches thrown, a door is broken, Rook sends bow tie guy flying before being tackling and pushing him into the drum. Police car sirens wail and Janet pleads with Jim to leave before they arrive, scolding Jim for not being able to control his temper, not for his sake, but out of concern that her parents won’t let them marry otherwise. Thank god he says something. That’s the last we see of our anonymous Silver Age bigot, and it’s the last Jim and Janet see of the East Village till the end of the story because the glaring plot device calls on them to enter a mysterious and vacant storefront from where they’re magically transported to Myrra.

But back to our bigot. Sure, we’re all aware that some homophobic bigots are indeed deeply closeted and self-loathing homosexuals. The rumors surrounding Bishop Eddie Long have been in the news for a week or so now. How horrible, if true, that such attitudes and repressive measures resulted in predatory behavior. Here are the reasons I believe our fictional guy isn’t closeted. The story is cover dated May 1969. Three years previously John Lennon made a very controversial statement when they said the Beatles were more popular than Jesus Christ. Hippies had moved into the Haight Ashbury area of San Francisco and brought along their idea of free love, and yes, some “Hair Fairies” as transgendered people were often referred to at the time, had had enough and rioted at Compton’s Caferteria. Young adults protested the Vietnam war while men were drafted and sent half a world away. Labelling liberals as “pinkos”, a word coined by Time in 1925 became widespread during McCarthyism of the 1950s and was adapted to “commie pinko fag” a decade later as a derogatory phrase for hippies or anyone who was anti-establishment. On the other hand, it was also common to for hippies to use “fascists” as a slur. Rook is decidely among the counter culture of the time, just as these other three are very much symbolic of the establishment, if only for O’Neil as shown when he has Rook exclaim “You think because I don’t look like a bank manager I’m weak — because I favor peace I’m a coward…fair prey for bullies?” and ending with “…You’re going to learn that real men don’t have to prove themselves by shoving people around…”

Homophobic bigot? Absolutely! Closeted and self-loathing though? I say no. What do you think? I wonder if Denny O’Neil remembers.