Archive for February, 2011

The Only Good Dalek

Thursday, February 24th, 2011

The Only Good Dalek
Justin Richards and Mike Collins
$20.99 (Bookstore)
Random House

Review by Andrew J. Adams

BBC Books’ first “Doctor Who” Graphic Novel

The first aspect one notices about this book is the format.  It’s hard-covered, 128 pages, the width of a regular comic book but an inch shorter in height. Shockingly, the price is $21.  Even on Amazon, its $15.75.  With that price, I doubt many casual readers would be willing to pick it up.  So I suppose I should review this as a “Dr. Who” book, and not isolated on its own merits.  I guess it’s acceptable (but not great) on both levels.

The story is set on Station 7, a satellite where the Earth military sends all equipment captured in the war against the Daleks.  The idea is to analyze the technology, but most proves beyond human understanding.  The Doctor (in his current 11th incarnation) and Any Pond arrive on the space station and, in the course of their explorations, discover a host of things that should make a long-time “Who” fan smile with recognition.  They come across things not seen since the1st Doctor’s era: a Magnadon from the 1st Dalek story, Robomen and the Slyther from the 2nd Dalek story, a Mechanoid from the 3rd, and Varga plant monsters and Space Security Agents from the 4th.  They even encounter Ogrons from the 3rd Dr.’s Dalek stories.  At the heart of it all is a scientist trying to develop a Dalek free of hate and aggression: the only good Dalek.  (This concept was examined in both 2nd Dr. Dalek stories, by the way.)  Of course, it all ends in tears.

I admire the art very much.  It reminds me of the style in the more “realistic” newspaper comic strips.  The story was very reminiscent of the earliest Dalek stories (and the NuWho Dalek stories), without being loaded with awkward continuity reference like the dreadful American IDW “Dr. Who” comic.  Here the Daleks are an all-powerful wave of death, like a swarm or army ants devouring all in their path.  You can’t out-think them, you can’t out-fight them, and you can only out-run them for so long.  I honestly find them dreary.  In fact, I hated the book, as I do most Dalek stories.  Far too much death and carnage, though mercifully the worse gore was off-panel.  However, being absolutely objective, I have to admit that, as Dalek stories go, it hit all the buttons. The author may have had a check list of Dalek clichés, but I only sensed that in retrospect.  The story is very fast paced, and you don’t have time to reflect while reading it.

Despite my not liking the book, I’d still recommend it for a reader who is a Dalek fan.  On that level, I’d give it at least three, maybe four, out of five stars.  If you are a “Dr. Who” fan, it depends which era you fancy.  If you like 60’s Dr. Who or the 00’s revival series, this book is for you.  If you grew up with 70’s Who, or if (like most Americans) Tom “the one with the scarf” Baker is the only Dr. you know, you’ll be disappointed by the lack of humor and excess of violence.

That’s the end of my review, but I would like to go on for a bit about Dr. Who and the Daleks.  If you care, please continue reading.  If not, go away now or your eyes will soon cross with boredom.

I think the Daleks have been much over used since the series returned.  At the “Dr. Who” site I’ve seen posts about how “you can’t have one without the other.”  But I insist not only do the Daleks need a rest, but also that “Dr. Who” very often does very well without them.  If you look over the history of the show, the Daleks were only prominent during the 1st, 10th, and 11th Doctors’ tenures.

Specifically, in classic “Who” the Daleks were only plentiful in first four seasons.  They appeared in 7 episodes in the 1st season, 12 eps of the 2nd, and 13 eps of the 3rd.  They also were in 13 eps of the 4th season (both 2nd Dr. stories) and that was it.  A Dalek serial was repeated at the end of season 5, and then the first wave of Dalekmania was over.

They didn’t reappeared until season 9 (a 4-ep story) but then featured in each season for a four-year run (6 eps in season 10, 4 eps in season 11, and 6 eps in season 12).  Then Daleks were not again seen until season 17 (4-eps story),followed by a cameo in “The Five Doctors” and a story in season 21 (4 eps). Their final appearances were a story in season 22 and then in 25 (both 4 episodes), and that’s all until the revival series.  (All of the above does not factor in cameos or flashbacks, I should clarify.)

By the way, the quantity of Cybermen appearances is even less impressive, having predominantly appeared with the 2nd Dr. and 5th Dr. (and one-offs with the 1st, 4th, 6th, and 7th).  And the Master was predominantly with the 3rd and 5th Dr. (and one with the 7th, two with 6th, and one with 4th, plus the three-serial arc in which the 4th regenerated into the 5th).

Anyway, why do fans keep asking the producers to bring back (fill in the blank) old monster/villain?  Looking over the history – old “Who” never really did that.  Bringing back characters, from former companions to former adversaries, is much more a “New Who” element.  As a fan in the U.S., I grew up watching the 4th Doctor stories.  During his sever-year reign, how many villains were seen more then once?  Only three (Daleks, Sontarans, and the Master), and even they only for a second story.  (Well, three stories for the Master, but the last two were part of a story arc, so one could argue it was only two storylines.)  So keep the show fresh ands stay with original characters.

Buy this book from Amazon or your local comic shop or bookstore.

Fantastic Four #588

Wednesday, February 23rd, 2011

Jonathan Hickman writer
Nick Dragotta artist
Paul Mounts colorist
$3.99
Marvel

Review of sorts by Joe Palmer

If you’d rather (or in addition) read a traditional, well written, and thoughtful review at Too Dangerous For A Girl, please click your mousey here.

Pionic Man & Head Dollie

Monday, February 21st, 2011

The Pionic Man and Head Dolli have a connection in that each of them were used by Henry Hewitt, founder of Hewitt Industries, who used his industrial resources in an experiment to recreate Firestorm, thus giving birth to Firehawk. Due to a successful cloning experiment to repair his body, Hewitt went on to create a series of clones that he dubbed DOLLIES, which referred to the successfully cloned “Dolly the sheep”. Working behind the scenes, Hewitt created “accidents” at various nuclear test sites across the world in which he placed his DOLLIES fitted with devices to siphon and contain any released energy for his own purposes.

Dr. Julius Hastur was in charge of one such test at the Large Proton Collider Facility at Lowrance University. Hewitt’s plan went awry when Firestorm, who was touring the college campus in his Jason Rusch identity, stepped in to avert disaster. Though unknown at the time, Hastur was trapped inside the facility during this event, and Firestorm’s transmutation powers inadvertently bombarded Hastur’s body with radiation, turning his mass into pions, short lived, sub-atomic particles. Hastur is disoriented and in extreme pain when he emerges later that night, and quite susceptible to Hewitt’s offer to help with a containment suit in exchange for fighting Firestorm. The hero takes a gamble by turning the containment suit into helium and using a STAR Labs device to hold his pionic form.

The DOLLIES first appear in #23. Four are dispatched to abduct Jason, whom they secure in their surprise attack. In turn, they’re surprised by Lorraine Reilly who turns into Firehawk and engages one clone who distracts her long enough for the others to speed away with Jason, and thus unknowingly causing an explosion since the pair must be within one mile proximity of the other to remain stable. This same clone attained a level of self-awareness (and speech) from the fight with Firehawk, a fact that piques the curiosity of “The Pupil”, a former intellectual thorn in Martin Stein’s side and villain du jour who’s “borrowed” the DOLLIES from the still secretive Hewitt. This particular DOLLI asserts will when he prevents the Pupil from inflicting pain on Gehenna, Jason’s girlfriend, during an attempt led by Firestorm to rescue Stein. He continues to protect her during the fight and disappears when faced by Firestorm.

A phrase tossed out during another fight between the DOLLIES and Firestorm leads Stein to believe there may be a connection with the Pionic Man. After some discussion, Stein builds a new containment suit and with Firestorm and Firehawk on hand, the former scientist is released into it. He rushes forward, unexpectedly hugging Firestorm and thanking him for the imprisonment which led to an intense self-reflection (he had been quite unhappy in his human life). In appreciation, he informs Stein every thing he knows about his unknown benefactor. It’s sufficient intel to lead them to Hewitt Industries, and of course, the obligatory confrontation between Firestorm and crew and Hewitt in his guise as Tokomak.

The last time Pionic Man is seen is in the company of the rogue DOLLI (now calling himself Head Dolli) as the sit at a New York diner discussing the woes of apartment hunting. They’re joined by Firestorm and we learn that Head Dolli approached the Pionic Man during the fight at Hewitt’s lab and persuaded him with the logic that “…one needn’t jump straight into every civil war or crisis that comes along” so the pair left and began “[to make] plans for a quieter, more sedate life.” Firestorm asks them: “Is this a ‘Brokeback Mountain’ thing, or a ‘Felix and Oscar’ thing?” to which Pionic Man exclaims “What a rude question!” Gehenna interrupts the conversation before more can be said. They appear in a few more panels and disappear; the book is canceled with the following issue. Hopefully they found happiness and a great, yet reasonably priced apartment!

Pionic Man appears first in Firestorm #14 (vol 2). Head Dollie first appears (as an anonymous cyborg) in Firestorm #23 (vol 2). During a fight with Firestorm in #16, Pionic Man recounts spending a summer in France with a young undergraduate student named Giselle, who then dumps him. While no longer referring to himself as Hastur, the Pionic Man gives no indication he thinks of himself as genderless, in spite of the Ken doll anatomically correctness of his containment suit. As a clone of a man, it can be presumed he has some genitalia. How or if they express themselves sexually is left to the imagination. While not explicitly stated by either character, I believe inclusion for both is warranted based on my reading.

© and ® DC Comics. All rights reserved.

RIP Perry Moore

Friday, February 18th, 2011

The New York Daily News and the UK’s Daily Mail are reporting the death of Perry Moore, executive producer of The Chronicles of Narnia. Moore is also the author of the young adult novel Hero, featuring a teenaged Thom Creed coming to terms with being gay and having superpowers.

Henry & Glenn Forever Show

Wednesday, February 16th, 2011

From Ed Luce…

We’re very excited to announce the opening of the Henry & Glenn Forever Gang Bang group exhibition at the legendary La Luz de Jesus Gallery in Los Angeles, California!   The Igloo Tornado guys (Tom Neely, Gin Stevens, Scot Nobles & Levon Jihanian) have invited two dozen artists (including Ed Luce, Dave Davenport, Justin Hall, Johnny Ryan, KAZ and Coop!) to explore and expand their take on the hard rock love that dare not speak its name.

For those not familiar, the original Henry & Glenn Forever book asks the question, “what if Henry Rollins and Glenn Danzig were a little more than ‘friends’?”  It has sold more than 30,000 copies since its debut last spring, garnering nods from Spin, National Public Radio, MTV, LA Weekly, Decibel, Maximum Rock’n’roll and Razorcake.  The book is still available at Microcosm Publishing.

The reception is Friday, February 18th from 8 – 11pm and features a signing with Igloo Tornado and performances by the faBUlous BLACK FAG (seriously, they’re rad) and Danzig cover band GLENN!!!  The show itself will run February 18th – 27th.

Ed will be on hand for the exhibition’s opening reception…so long lost LA peeps, please stop by and say howdy!

For more info visit here.

Also…

LIMITED EDITION HENRY & GLENN PRINTS!!!

To coincide with the event, we’re releasing limited edition 8″ x 8″ prints of Ed’s two pieces, “Henry & Glenn, Cat Fanciers” and “Henry & Glenn, Newlyweds”.  Each is reproduced in crisp, effulgent color on Bright White 300 Entrada Paper!  Which means it’s archival and stuff…

Hop over to Wuvable Oaf and snag yourself some, before Oaf finds out Ed’s been cheating on him and shuts the site down!

See you next month with some info on Ed’s Hunx & His Punx comic for San Francisco’sNoise Pop Festival…and news on the next proper Oaf issue!

Valentine’s Day (Probably NSFW)

Monday, February 14th, 2011

In honor of Valentine’s Day, here are a handful of lovers from over the years! Best wishes for a romantic and fun celebration to all the couples! And to everyone who’s single, do something special for yourself! Take it from a cranky pants trying to reform, treating yourself won’t hurt!

Wendell and Ollie making love during the Reagan years. From Howard Cruse’s Wendel All Together.

Years of fan speculation about Rictor and Shatterstar are confirmed when they finally kiss in an X-Factor story from 2010.

A relationship literally years in the making and telling, Francine tries to seduce Katchoo in order to prove her love in Strangers In Paradise.

Teddy and Billy (aka Hulkling and Wiccan) share an intimate moment during their current adventure to find the Scarlet Witch. I’m still hoping the guys kiss soon!

Maggie and Hopey of Love & Rockets have an complicated, intense, on-again off-again relationship for years, making Katchoo and Francine’s look like a whirlwind romance.

More than 10 years before Cry For Justice, James Robinson wrote the first male couple kiss, between Mikaal (blue Starman) and Tony, in mainstream comics in Starman. #45.


Wiccans in love! Willow and Tara. Well, they were until Tara died.


Todd Rice (the all too often maligned Obsidian) finally found happiness with boyfriend Damon Matthews. In a story written by Marc Andreyko in last year’s JSA special the boys started the adoption process.

Anna Albrecht in drag and Marthe Muller share a kiss on a night on the town in Jason Lutes’ Berlin Book Two: City of Smoke. What? Did you think Cabaret was didn’t have a basis in reality? Berlin sizzled in the early 1930s!

From Boy Meets Hero, here are Blue Comet and Fusion  in the secret identities Derek Maxwell and Justin Summers!
Art by Chayne Avery, coloring by Russell Garcia.

Last but not least is one of my fave couples! Annie, on the right, and Nibble from Colleen Coover’s really fun and erotic “girly porno comic book” Small Favors.

Female Force: Rosie O’Donnell

Saturday, February 12th, 2011

Female Force: Rosie O’Donnell
Uncredited writer and Uncredited artist*
Bluewater Productions
$3.99

Review by Joe Palmer

Bluewater Productions publisher Darren Davis recently sent a blind/ BCC email talking about the upcoming release of its Female Force: Rosie O’Donnell comic to be release March 2nd and offered a preview PDF copy for review. I took the bait, as I did once before when offered a preview PDF of its Ellen bio comic; a book which I decided not to review as I was somewhat confused if the author intended to write about DeGeneres or her unnamed narrator that frequently appeared on panel. The art for that comic seemed somewhat ill suited for the material and not quite as polished as one would like. That said, the work of Sandra Ruckedeschel and Pedro Ponzo on the Ellen comic is hands above the work of the writer and artist for the Rosie comic, uncredited in the preview copy. The illustration adorning the cover here is beautiful. And that’s the extent of the cover artist’s work, which in itself is not an unusual practice in this industry.

One gets the feeling that something is amiss when credits aren’t included by the publisher. Who to praise? Who to critique? Who to be accountable? Dan Rafter and Fritz Saalfeld were attached as the writer and artist, at least according to the solicitation copy I snagged while compiling the February edition of my monthly Gay Previews based on the Previews catalog.

*UPDATE: It has now come to my attention that a different, unknown to me person drew this book.  This calls into question who the writer is. My apologies for not fact checking.

The writer  forgoes unnamed narrators in favor of having the characters from Rosie on down talk themselves. The story opens with Rosie having a dream in which Donald Trump meets his demise in the streets and starting with her stint on The View and tussles with Elizabeth Hasslebeck and then to a handful of panels of her childhood before hopscotching through a series of public events and incidents starting with her talk show. It’s my opinion that the writer doesn’t help his narrative when he has Madonna, Ellen, Simon Cowell, and Ryan Seacrest appear in an attempt to push forward. Take Ellen for example. The writer has “Rosie” say: “When Ellen came out, people loved her even more. She has that magic touch. It took American Idol to make people dislike Ellen. But only a bit.” Well, true, but then her first sit com tanked because it was gay, gay, gay, she hitched herself to big bag of crazy Anne Heche, became a pariah in Hollywood, and only started back on the Tinsel Town road of redemption through voicing Dory in Finding Nemo. Apologies for the digression. Then again, I may be ignorant of any real incidents involving these people and Rosie which would justify their use.

The interior artist is uncredited. His pr her art style is consistent and I believe an ill suited choice on the publisher’s side for the material. Firstly, this is a comic depicting real people (I hesitate to use “celebrities” as I dislike the word) and prospective readers will (and should) expect easily recognizable likenesses. Achieving likenesses is not the only challenge. A comic artist has to do that consistently for each character throughout a story while making characters believably interact, and creating believable environments or stages if you prefer for these characters. I know from first hand experience drawing a story focusing on two main characters how challenging sequential narrative art can be to convey on paper. The artist’s faces and bodies give me the sense that he may be most comfortable drawing caricatures, which I do not intend as a slam. Caricatures have a purpose and place in art and are quite often beloved. The abstracted anatomical sense displayed is also at odds with the material, as are rather flat perspective points, often out of scale sense of proportion, and fairly non-descriptive backgrounds in which the characters are meant to live and breathe but don’t. I’ve no idea how tight the deadline was for the artist, but I should like to think more time would have been beneficial for his output. It isn’t my intent to be cruel or hurtful, but I think more time learning the craft of sequential art is needed or accept work most suitable to your style.

I don’t know who the editor of this book is, but it seems to me a little more editorial oversight might have helped. At least in the instance of drawing a map of Florida.

Rosie is someone whom I enjoyed spending an hour with back during her talk show. Over the years she simply fell off my radar, not because I dislike her, more because her interests and appearances were no longer engaging me. While I did learn a couple new facts about her, I think I’d have come across the same information on the Internet. From a creative viewpoint the purpose of telling a story in comic format about Rosie or any public figure is to do it in a way that engages a reader that reading Google hits won’t. From a sales viewpoint I should want to pony up $3.99 (or $3 if I pre-order from my shop) for this comic. For me it failed on either front.

Zak Raven – The Straightest Gay Man In Comics?

Friday, February 11th, 2011

Darren Davis, Bluewater Productions comics publisher, sent a blind email on February 10th to prospective reviewers regarding his company’s upcoming release of its Rosie O’Donnell bio comic. There is one point in Davis’ email with which I have an issue.

Davis states that Bluewater is a company that is gay owned. This is true, though this fact may not have always been publicly shared, and I think Davis deserves praise for being open. Bluewater has published the Ellen bio comic (with the Rosie bio to come), one for the show/ cast of Glee, and one (or is two) for Lady Gaga. I’m unaware of others and of the contents of the latter two comics. As much as these people and show are part of our history and culture, one day I’d love to see comics that tells the stories of Rimbaud and Verlaine, Colette, Sappho, Oscar Wilde, Walt Whitman, the Daughters of Bilitis, Mattachine Society, and Harvey Milk.

Bluewater also has published a number of biography comics based on conservative and liberal politicians and pundits from Sarah Palin to Hilary Clinton to Bill O’Reilly I think. Is one of Tea Partier Michele Bachman waiting in the wings.  It makes me wonder if Bluewater’s “cachet” is tailored for various pools of reviewers. I digress.

However, what caught my attention is the following paragraph excerpted from the email:

“We have a gay themed original graphic novel that has won some awards as well.  It features a gay man dealing with HIV.  It is a very positive book about what it is like to be positive in this day and age. The title is called ‘Lost Raven’.”

Sounds good.

Davis sent me a PDF copy of Lost Raven on CD several years ago. It was some time before it was to be published. The story runs for 76 pages and takes Zak from shortly after his HIV diagnosis when he decides to resign from his his paying job as a lawyer with a spiffy office and his decision to find himself on a months long solo sailing journey whih goes awry while encountering a giant sea creature in a storm. From there, he awakes shipwrecked on an island and finds himself collared with an electronic device, and a blue anthropomorphic creature who helps me survive on the island. Oh and there’s a monstrously big humanoid ordered to exterminate Zak. By whom, you wonder? A big bad US miliatary general in charge of some secret government research program to modify human beings to survive the long journey in space to colonize other planets.Yes, it’s a very eclectic plot and not one I’d go with if writing a story with an HIV + character, but as far as comics go, not so terribly far-fetched. Davis wrote Raven’s internal monolog as he copes with HIV and many of its complications with an  insight that reflects much of what I and many others I know who are also positive have come to terms with.

My point is that Davis in his email is now presenting the Zak Raven character as a gay man living with HIV. I’d read the story and sections of it a number of times after receiving it, and have read it over twice today. I can find no indication from either visual clues, sub-text, and comments taken from Raven’s extensive internal monologs to indicate Raven is gay. Now I do not mean gay as in bear, cub, otter, twink, muscle daddy, silver fox, boi, nelly queen, potato queen, rice queen, Pinoy boy or any other appellation you can think of. I simply mean gay as in the opposite of straight. Perhaps Davis changed the character’s orientation for the print edition, but the copy he sent to me was marked “Lost Raven Final”. If so then I am unaware of this change. I believe Davis may have intended for Raven to be gay, but intent is different from the result as in my re-readings today I found numerous indications that Raven is straight. You can read the instances I found below.

Zak loves boats! Now is the photo of a boyfriend or himself? I think it’s of Zak taken during a happy vacation.

Hmm. Not the most emotionally available guy. But this describes my father, too.

No Professor, Skipper, Gilligan, Mr. Howell, Mr. Brady, or Sam the Butcher either.

Okay, maybe Zak was like Ryan White and many others who were transfused with infected blood.

Gay men have dated women before coming out of the closet.

Girlfriend or just friend? She’s pretty much unidentified, but my reading of the context leans toward girlfriend.

Okay, maybe Zak had some anonymous man on man sex. Male pronouns and names are never used though.

Hmm. He seems to have women on his mind.

Chris is definitely a woman, but what was her relationship to Zak?

Someone very close and important, judging by what follows in this panel.

And this bit in the next panel makes Chris seem like a girlfriend or fiancee.

Zak’s savior, the lone female scientist of the secret government operation, who also crushes on him.

An HIV positive character’s sexuality is not something with which I have an issue. HIV doesn’t discriminate on any basis, and I very distinctly remember when this realization came to me as I walked from my apartment on West 18th Street in the Pilsen area of Chicago to the bus stop at 18th and State. It was the Reagan years and the widespread notion at the time was that HIV would not spread beyond gay men. Hello! Bisexual men! In the nearly 15 years since my HIV diagnosis I’ve met a number of positive people who aren’t gay, bi, men on the DL, MSM, and are indeed straight men or women, and lesbian.

However, when a publisher declares a story features a gay, main character when a copy (presumably finalized for print) shows evidence to the contrary and hypes this info to prospective reviewers I am compelled to wonder just what is going on. Has AIDS related dementia set in and I need to give up my car and my apartment for life in an assisted living facility? Is the one bit of monolog in which Raven says he doesn’t really know how he contracted HIV so powerful as to negate all the other passages indication an interest in women? Did the print version feature a gay Raven and I’m making a fool of myself in my ignorance? Or has Davis misrepresented or revised, unintentionally or not, the facts for reasons that I won’t presume?

In the event I am wrong then I’ll humbly and publicly apologize here.


Piper

Friday, February 11th, 2011

Formerly known as the Pied Piper and a member of the Flash’s (Barry Allen) Rogue’s Gallery. Hartley Rathaway was born deaf, but his wealthy parents paid for costly medical procedures to ultimately restore his hearing. When he could finally hear, a whole new world was opened up for him – and he became enamored by music and the science of sonics, much to his parents’ chagrin. Bored by other pursuits, Rathaway put on a ridiculous looking costume and decided to become a criminal – just for fun. Ultimately, he retired from crime, and became a trusted friend of Barry Allen’s successor, Wally West. Rathaway “came out” to the usually conservative West, who has surprisingly been very acceptive to his friend’s sexual orientation. Piper now channels his energies into championing gay rights and aiding Central City’s homeless. He has a current boyfriend named James.  James’ current status in regards to Hartley is something I can’t recall.

Piper was one of a cast of recurring characters in the year long, weekly Countdown (later Countdown to Final Crisis) series. He and Trickster had been implicated in the murder of Bart Allen at the time in which he became the Flash after Wally’s disappearance. Others in the Rogues’ Gallery doubted their avowed return to crime, forcing them to prove their loyalty through extortion and subsequent murder of a rich man through some hypnotically induced order on Piper’s part. Appearances were deceiving as Piper discretely made some special allowance to keep the man alive, and Trickster saw through the ruse.

They became an unlikely and reluctant pair on the lam from the Rogues, police, and superheroes and the situation becomes more literal when they’re cuffed together at the wrist after being captured by Deadshot (who’s working for Checkmate) as part of the effort to send all villains off-world. What follows is what seems to me a poorly executed attempt to put Piper and Trickster in a “bro-mantic” light as they continue their efforts to fight and escape various heroes and villains out to get them. Most of Piper’s part in the story is forgettable, as is the case with other events and characters from both reader and publisher viewpoints.

Of the few notable incidents was the story Piper recounts as his few days of survival on the run in the desert becomes dire. Piper began to lose touch with reality after Deadshot killed Trickster, and he was forced to carry and drag the body along until he finally came to the awful realization he had to sever Trickster’s hand from his dead body in order to survive a little longer. The trauma and stress have gotten to Piper and he acts as if Trickster is still alive, and tells how he first realized he is gay while watching a teenaged Rod Lauren play a character in the 1960s cult sci fi movie “The Crawling Hand“. This segues into what Piper mistakes as a portent of a “light at the end of the tunnel” death experience as a Boom Tube opens in the sky above.

Transported by the Boom Tube, Piper finds himself on Apokolips, always a harrowing experience. This time the danger is much worse as the planet and its people are under attack by Brother Eye. In a nutshell (because I don’t plan to re-read this mess of a storyline) Brother Eye is intent on neutralizing inhabitants to take over. Basically, Piper falls into Desaad’s clutches, which has been the sadist’s plan from the start as he apparently discovered and now reveals to Piper that he holds the Anti-Life Equation. One would’ve preferred an explanation of how Hartley became, according to Desaad, a “rare human vessel for the Anti-Life” rather than the simplistic statement that Piper’s abilities were related to his being said instrument.

In any case, while Darkseid and Solomon, the rogue Monitor, continue their grand game of chess with human and meta human players and Apokolips is burning, Desaad shouts at Hartley to play his flute  as the means to defeat the Omac which is threatening their lives. Desaad is blasted by the Omac, hurtling his body away, while Hartley prepares to die, only to surprisingly be taken prisoner. Piper escapes during an attack initiated by a number of the other main heroes, only to fall again into Desaad’s clutches, who forces him to play his flute and “Let the music flow through [him]! Unleash the Anti-Life Equation…” Piper’s making his last stand though and instead causes Desaad’s apparent death by head explosion. Not backing down, Piper’s next tune seems to drive away Brother Eye and then to hasten or be the sole cause for the explosions wracking Apokolips.

Hartley’s fate is a mystery till Countdown’s finale when he finally resurfaces in an alley way on Earth and he’s quite happy to be greeted by a small pack of rats.

He’s next seen in the 3 part Rogues’ Revenge mini series that sported a “Final Crisis” trade dress. The remaining Rogues have decided to retire in the aftermath of Bart (Impulse/ Kid Flash/ Flash #4) Allen at the hands of the rogues’. This plan is soon aborted when they discover a group of new villains are taking their places with the blessing of villain-du-crisis Libra. While these two groups are playing off each other, Hartley is busy lifting old pal James Jesse’s last will and testament. Jesse was the original trickster and had reformed like Hartely. The will was important for the information it contained about the rogues’ tech, safe houses, family members, etc. — everything Hartley would need to take the Rogues down them down and clear both his and Jesse’s names — written in (wait for it!) invisible ink. Piper’s appearance in #2 is even briefer as he simply observes Inertia (the villain ultimately responsible for Bart’s death) and Zoom, the reverse-Flash training and plotting against the Rogues as well.

Zoom and Inertia (now calling himself Kid Zoom) attack the Rogues for their own reasons and Hartley, who’s been hiding, jumps into the fray and uses his super duper tuning fork to create vibrations to immobilize the villains. He begins to take out his anger physically on them and is in turn surprised by a trident spike through his shoulder, courtesy of Libra who wants to punish the Rogues himself for refusing to join his super criminal network. Piper lies bleeding on the ground while all hell breaks loose between the Rogues, Libra, Zoom and Kid Zoom. The younger Zoom as he races like a crazed berserker seems on the verge of defeating them all until Hartley, using the harmonics of his flute, causes him to stand still abruptly, thus providing a perfect target for a five way killing blow dealt by the Rogues. Captain Cold confronts Hartley by calling him an accessory and threatening to spread this info if Piper doesn’t leave the Rogues alone. Piper’s only response is to turn away his face. Cue exit.

Using his uncanny knowledge of sound, Piper has created an array of sonic weapons, including a melodious flute which could enthrall all save the Piper himself with it’s strange notes. He has assisted the Flash (Wally West) on many occasions with various hearing and sound devices, and other technological wonders.

Piper (AKA Hartley Rathway) first appeared in Flash #106 (volume 1) and is revealed to be gay in Flash #53 (volume 2). After reforming himself, Hartley became a social activist and worked for the FBI though he never gave up his equipment or costume.

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Queering The Legion

Saturday, February 5th, 2011

Giffen riffing on Kirby

A few months ago (October 20th, 2010 to be exact) Paul Levitz teased Legion readers with a two panel scene hinting at the return (or re-establishment?) of the relationship between Vi and Ayla. It may not have gotten a lot of attention because Phil Jimenez drew some serious man candy in the second story with a modern Grell inspired costume on Legion Academy recruit Gravity Kid. And his rendition of fellow recruit Chemical Kid and Legionnaires Ultra Boy, Lightning Lad and Timber Wolf are drool worthy too.

The tease became solid confirmation this week in Legion of Super Heroes annual #1 by Levitz and artist Keith Giffen. When last seen in Legion #6, the women were on their way to Imsk for the holidays. In the annual their ship has been violently pulled from space near Orando by the Emerald Eye and its new host, a young woman who was forced to be the sex slave of Duke Pharos. Found unconscious by the Empress, Vi and Ayla awake to find themselves imprisoned, which doesn’t prove to be an obstacle in the least. What does prove to be dicey is facing down this new Empress. Even when Sun Boy, Sensor Girl, and Gates arrive in the palace (got to love Gates’ teleportation!) containing the Empress is a huge challenge. Motivated by love and concern for Ayla’s welfare, Vi shows she’s not to be underestimated by using her ability to sever the connection between the Eye and the woman. Of course, this is comics so there’s a hint of something troubling in Vi’s future, and I think the possibility will be make for a good story and character development.

Major props to Levitz for giving back the Vi – Ayla relationship to readers and to Giffen for his artistic input. The way I see it there are two challenges ahead for Levitz and the Legion artists. One is easy. Continue developing Vi and Ayla as a couple. The other less so: create a gay male Legionnaire. The idea isn’t without precedent. Just see here, here, here, and oh, here, too. Bonus points if the character isn’t chronically single or doesn’t fall in love with a straight male character. Double bonus points if the boyfriend is a superhero too though it isn’t necessary. I think Levitz is up to the challenge.