Posts Tagged ‘Batwoman’

Batwoman #1 & #2

Saturday, October 22nd, 2011

J H Williams III and W Haden Blackman
Dave Stewart
Todd Klein
DC $2.99

Review by Joe Palmer

The new Batwoman series picks up nearly where it left off at the conclusion of the Detective run. Kate has struck out on her own after being led to believe that the twisted Black Alice is her twin sister whom she’d been told had been killed in a terrorist incident. With Black Alice now presumably dead after a dramatic fight, Batwoman now operates without the aid of her father, the retired Colonel, though she’s putting cousin Bette, the formerly colorfully clad Flamebird,through  rigorous sidekick training.

A new threat has come to Gotham, La Llorona or the Weeping Woman. A tall, thin, and beautiful appearance hides her gruesome means of either abducting or drowning children. Detective Maggie Sawyer and the GCPD and Batwoman are on a collision course in their efforts to stop this new threat that is targeting only Latino children. After all, La Llorona is a real Latino legend told to children as a way to make them behave. Not only are Sawyer and Batwoman set to crash, Agent Cameron Chase from the Department of Extranormal Operations has been tasked to learn who Batwoman is and to bring her in. While Colonel Kane is implicated for his coverup of the incident surrounding Black Alice’s death, Chase suspects sawyer to be Gotham’s newest hero. Meanwhile, Kate and an off duty Maggie have their much anticipated first date. Chase and fellow DEO agents are already on the scene of a gruesome gang ambush involving were-creatures connected to a Religion of Crime sect when Sawyer arrives just to have  Chase get all jurisdictional on her. A top a roof, Batwoman observes and smiles at Sawyer, turns down Batman’s offer to join Batman Inc and follows a lead on La Llorona and unwittingly sets herself up for an ambush.

There’s your synopsis. Now for my belated thoughts that you’ve all been waiting to find out!

For a change of pace in comics storytelling, Williams and Blackman make all of the central story characters women: Batwoman/ Kate, Flamebird/ Bette, Sawyer, Chase, and La Llorona, are women. Commissioner Gordon, Batman, DEO Director Mr Bones, and now the Colonel are all secondary. All four women embody the hero, but they come to it from different viewpoints. Batwoman is the outsider as a vigilante who rejects working under Batman, as well as for her once media-hyped sexuality. Batwoman is also acting as a hard nosed mentor and trainer, transmitting her knowledge and military skills to cousin Bette. Whether in or out of costume, which is now quite the opposite of her red and yellow bright as a target palette, Bette is the negotiator and peacemaker. That is unless Kate successfully grinds the humor and empathy out of her or will Kate pay enough attention to Batman’s warning about the sidekick mortality rate to avoid figuratively killing Bette through her spirit? Sawyer upholds the straight and narrow path and the end justifies the means for hard as nails Chase. In the Greg Rucka penned arc in which Black Alice was featured Alice acted as a very twisted shadow self, whether she is indeed Kate’s lost twin or an unrelated woman is less relevant. As for La Llorona, the folktale sources I read indicated that she was a vain woman, spurned by a lover whom she married and sacrificed her own children in a fit of jealousy once she realized her philandering husband cared only for them. How Williams and Blackman interpret any of the folkloric elements into their version will be intriguing, that is, if they do. Hopefully they’ll not descend to obvious clichés about scorned women. After all, this is a book that has looked and should continue to look at things with a skewed eye.

Greg Rucka worked to establish the Religion of Crime and its holy book, the Crime Bible, as a central component to distinguish both Batwoman and former girlfriend Renée Montoya turned masked hero Question from the rest of the Batman related characters since the 52 series of five years ago now. As super hero comics go, they’re not the worst names, but they’ve always annoyed me. The crime sect seems to have taken a back seat for now with only the ambushed dead appearing as a means to to play off Sawyer and Chase. Iwon’t break into tears if the sect recedes more into the background while Williams and Blackman and the onboard Amy Reeder explore and establish other aspects of Kate/ Batwoman and a supporting cast.

Speaking of Renée, the character has survived into the post DCNu, but you knew that already. There is a panel in the first issue scene with Kate waiting to speak to Maggie at her precinct that shows Kate and the background in black and white while a photo of Renee in police uniform is in color. My initial reaction to this was that Renée had died, and merely seeing her photo had drained all color from Kate and the world at that moment. In another panel in issue two Renee as the Question appears with other Batman (presumably Batman Inc) associated characters as an artistic device. In my mind I’d love to see Renee make amends with former girlfriend Dee. Can you tell I have a soft spot for how the two were portrayed before Rucka started her on the anger and alcohol fueled deconstruction that led to the transformation into the Question? Yes, I do.

And that’s as good a segue as I can come up with to the date scene with Kate and Maggie. In the past five years we’ve had glimpses of Kate’s relationships that came after her and Reneé’s breakup. Was one woman named Mallory and another Anna? Rucka must have had reasons for thinking Kate and Maggie could make an interesting pair back when he wrote the pair flirting at one point in the Detective run. The idea of a relationship between the two struck me as full of possibilities though I read one critical comment that it wasn’t very creative to put Gotham’s two most prominent lesbians together when there must be plenty of other women in Gotham for either to date. It’s true, and introducing another woman into Kate’s life could make for interesting situations. However, Williams and Blackman seem to have lots to explore with the two. Kate seems attracted to strong women, and there’s little doubt about Maggie being a strong woman. Thankfully, drawing her smoking cigars (thank you, John Byrne) was abandoned long ago. Kate also seems silly and romantic with Maggie, whose own interest is piqued. Just how Maggie will react should she ever learn that Kate is Batwoman is the fertile ground I think and hope Williams and Blackman will cover.

What can be said about the art?  Williams first came to my attention when he drew the art for Milestone’s Death Wish mini series. His art wasn’t bad at the time though his layouts were very much tied to the conventional formats. Williams continues to challenge and raise the bar for himself with his compositions and he’s clearly having fun doing it. Each page is a visual delight and I’ve found myself looking at some pages over and over and being intrigued by the details each time. How many artists would take a minute to differentiate girl’s fingers by drawing stickers on each nail? That the girl is one of La Llorona’s victims makes this simple detail all the more poignant. The book would be stylish on its own with the art reproduced in black and white. Thankfully, Dave Stewart’s considerable talents and skills as a color artist complete the sublime visual feast. One minor note that I may be wrong about, and isn’t a detraction. In these two issues Kate’s skin tone seems to be as pale as when she is in uniform. I’ll have to look through the Detective stories to see if my perception of Kate not being colored as equally pale is accurate. If not, it may be simple stylistic change rather than some subtle clue about Kate’s mental and emotional states. It almost certainly isn’t a coloring mistake. Todd Klein brings his always consummate lettering expertise to finish the package. This trio are at the top of their respective games and even if the quality and creativity plateau here, it will be difficult for this reviewer not to be redundant in commenting. Will descriptives like inventive, striking, atmospheric, and gold standard become synonymous with Williams and Stewart?

Batwoman’s had a problematic history since her reimagination in 2006. Devin Grayson was given the character to research and flesh out and then indirectly dismissed from the project, and the character seemed abandoned till given to Greg Rucka who shepherded Kate through a run in Detective before leaving. Then the series promised for a February release was inexplicably pushed back to September. Now things seem to be off to a promising start again and I’ll be excitedly anticipating it every month.

Batman: “Now I Know I’m Home Again”

Thursday, August 4th, 2011

In this Silver Age story titled “The Batman Nobody Remembered” from World’s Finest #163 (Sept 1963) Batman is piloting the Bat-plane back through a terrible storm and is inexplicably tranported to a parallel Earth (and not Earth 2). Remember, even when there were explanations in Silver Age stories they rarely made sense. On this familiar yet very strange Earth, Batman didn’t exist, Bruce Wayne resembled CLark Kent with Superman as his alter ego, the Joker was a famous comedian, and Lois Lane had assumed Vicki Vale’s place. Also, there’s a giant bowl advertising “Joe’s Lobster for Fine Seafood” atop a restaurant that Superman uses as a prop to put out a fire and a giant roller skate. Just one because Batman only needs one to defeat the villain named Red Raven. Isn’t it sad hat trees have been for?

Let Me Soothe You, Batman

Sunday, July 24th, 2011

The closing panel to the adventure of the double dynamic duos of Batman and Robin and Batwoman and Bat-Girl from Batman #159′s Clayface Joker feud story.

Hold Me, Batman

Thursday, July 21st, 2011

Here’s a panel from a Silver Age Batwoman appearance. The story in question is “The great Clayface-Joker Fued” from Batman #159 Nov 1963. Kate Kane has come a long way, baby!

Hello From The Batman Family

Friday, March 18th, 2011

Are you feeling a little verklempt about the second delay with the ongoing Batwoman title as I am? Here’s a charming (and that can be taken in a couple senses) little gem showing Batwoman, Bat-Girl, and the other important Batman family members from the summer of 1964.  Please forgive the scan quality.

Batwoman – The Zero Issue

Wednesday, December 1st, 2010

Review by Joe Palmer

J H Williams III artist & writer
W Haden Blackman co-writer
Amy Reeder artist
Richard Friend inker on Reeder’s sequence

Last Wednesday (thank you, holidays and recovery from same for the delay!) saw the release of this special issue, a primer of sorts for anyone who’d not read any of the previous stories in Detective or 52. For those of us who have and wanted more this comic is more like assurance that DC thinks that Batwoman, a character with a troubled history, is good…enough.

All seemed well with Batwoman when Rucka and J H Williams III began telling her stories in Detective’s main spot; the Big Bat having remained firmly in place since #27 oh so many decades ago. Then came a huge WTF moment when Rucka announced his departure to work on his own personal projects. Stumptown (to be collected as a trade in February 2011) is damned good in its own right, as well as a hint, at least for me, of what Renee Montoya could be like if the decision to mold her into The Question hadn’t happened. The series hastened to an early ending with the aid Jock, a good artist in his right. Word of the character’s continuation surfaced, now in her own title with Williams and W Haden Blackman as co-writer and Amy Reeder as alternating artist. Of these three it’s with Blackman’s work that I’ve no familiarity, so I’d little idea what to expect. On the other hand, Reeder’s art on Madame Xanadu (alas, now canceled!) has proven to be quite enjoyable though how her style would mesh with superhero storytelling was a question I pondered. Pish, as the Brits say. Based on her work here it shouldn’t have been a concern at all and I look forward to her solo arcs.

The story’s plot is standard, and it works well enough as the intent for this issue is partly a jumping on point for newbies. Batman, the scowly Bruce one who’s now returned to present-day Gotham from his time jaunts, surveils Kate Kane and Batwoman to prove that they’re one and the same. Now that Bat-Bruce is back he has to indulge his control issues and understand this new player as much as possible. While Bats looks on one part of the story shows Batwoman whaling on Sister Shard, she of the kooky Cult of Crime, and her henchmen as they steal away a sarcophagus, no doubt for sinister reasons. The other part, which is drawn by Reeder, has Batman mostly observing but also interacting in disguises with non-costumed Kate. This sequence includes Bat Bruce in disguise shadowing Kate into a club as she dances (and picks up a woman) and Bats ignoring the attentions of a male bartender. Williams’ art is the same level here as he delivered with previous installments. In a word, it’s amazing. Compare this work not with his Promethea or even Chase, but with the not so well known Deathwish mini series from 1990s Milestone to get a full appreciation of how he’s dedicated himself to his art.

If having a quibble is necessary then I suppose it would be that the titular character herself is not given one word of dialog in the entire issue. Certainly no one else is either, but Batman is the narrator, as well as the guardian and authority figure who gives and withholds approval. I just think this choice might have been more effective if it’d been punctuated with a single line or even a word of dialog from Batwoman to pierce Batman’s self-perceptions.

The question of Batwoman’s relevance within the Bat-verse was recently posed in the GLA forum. The character’s sexuality was mentioned as the determining factor. Perhaps it’s true. But if it’s true now, it is certainly also true that this was the main reason for her creation as a love interest for Batman  just a short two years after Wertham’s “Batman and Robin are homosexuals” accusations that in part led to the Comics Code Authority. In that beginning she was simply a gimmick, although one that with charm and camp/ kitsch appeal, and it wasn’t until her revival in the 70s that she took on another purpose. Robin as well as other teen sidekicks were gimmicks when they were first introduced back in the early 40s. The perception (or reality) that Nightwing, Robin, Oracle or Batgirl, etc. are relevant occurred with the progression of stories. None of this is to say that I think this Batwoman is gimmick-free, whether it be in conception, presentation, execution, or simply individual reader perception. The New York Times piece that labeled her a “lipstick lesbian” was certainly a gimmick, but DC was hardly responsible for that. And thankfully Williams tossed out the original high heeled boots for something more…um… sensible.

Setting aside the money making factor, the true purpose of any character in any medium is to be able to tell a story through which one hopes others will be able to identify with in some fashion. And if for now Batwoman’s stories personify or reflect some real world elements in a four color fictional fantasy that I’m content.

Batwoman

Saturday, August 14th, 2010

Over at The Source, Alex Segura breaks some exciting news about the upcoming Batwoman series. Enjoy the alternate cover image drawn by Amy Reeder Hadley (whose last project was Madame Xanadu) to November’s Batwoman #0 and read the rest of the news here.

Rucka Departs Batwoman

Sunday, April 4th, 2010

Update Rucka has commented on his site that his motivation for departure is simply to concentrate on his other, creator-owned projects. Good enough for me. His writing on Batwoman will still be missed, but such is life. A writer can’t be happy if he or she feels a stronger compulsion to write another story while chaining themselves to something else.

Unless you’ve spent the last 48 hours completely immersed in the real world (in which case I admire you), you’ve read the good news about writer Greg Rucka focusing on a few projects like Stumptown and a Queen & Country novel and looking forward to a second series with an arc drawn by the talented Nicola Scott. It’s been a few years since Oni published the last issue of Queen and I’ve missed it. With only two issues to date the writing and art on Stumptown have completely drawn me into that world.

The bad news is Greg Rucka and DC have parted, and the future of the acclaimed Batwoman feature is unknown as it languishes now in publisher limbo. Rucka commented that it was agonizing to walk away from Batwoman but has yet and likely will not publicly comment on behind-the-scenes circumstances. Whatever precipitated the decision may never be known though I’ll guess it happened a few months ago, giving DC enough time to bring Marc Guggenheim on Action (assuming Rucka wasn’t stepping back already). Collaborator J. H. Wiliams alluded to a snafu at Emerald City Comic Con as well as some kind of disagreement between DC and Rucka on his blog.

Meanwhile, Newsarama has posted the following comment from DC Senior Story Editor Ian Sattler and Geoff Johns (presumably speaking as Chief Creative Officer).

[DC Senior Story Editor Ian] Sattler: “We have plans for Batwoman.”
[DC Chief Creative Officer Geoff] Johns: “We want Greg (Rucka) to write it, but he’s focusing on his career right now.”
Sattler: “There’s no shelving.”

The question in my mind now becomes how strongly DC wants Rucka (and Williams) to continue on Batwoman? Do the quartet of Diane Nelson, Didio, Johns, and Jim Lee do whatever it takes to woo back Rucka. In my opinion the answer is an unqualified yes. As a publishing company, DC is the sum of its intellectual properties, the characters we love as fans. However, any publisher is foolish to discount the influence of writers and artists in bringing interest and excitement to its stable of characters. Case in point: a yellow and red clad Batwoman, a campy beard for Batman post Frederic Wertham who was transformed into a compelling (and lesbian) character in her own right in the capable hands of two talented people whose work received a GLAAD award. [Disclosure: Rucka and Williams unreservedly got my vote in the award.]

DC is tarnished until such a time that amends are made and Rucka and Williams return to work on Batwoman.

Comics Alliance first posted the news here

CBR and J. H. Williams

Visit Greg Rucka’s website

Maggie Sawyer

Friday, October 2nd, 2009

Art by J H Williams III

Maggie began her career in Star City, and was married to Captain Jim Sawyer (Superman #15). After their marriage dissolved, Maggie moved east to Metropolis’ Police Department. Because of her performance in helping stop an Apokolips agent named Kalibak rampaging in Metropolis, Dan Turpin recommended she lead the S.C.U. She was promoted to Inspector after Doomsday destroyed Metropolis (Adventures of Superman  #505). Barrage is a particular enemy of hers, since he blames her for the loss of his arm. She was a good friend of Lois Lane, who once trained with the SCU. Maggie has a daughter, Jamie, whom Superman rescued from the evil Skyhook.

In her personal life, Maggie was in a relationship with Toby Raines, a reporter for a rival newspaper in Metropolis. In Detective Comics #764 writer Greg Rucka transplants Maggie from Metropolis and its Special Crimes Unit to Gotham City to replace Lt. Harvey Bullock who’s resigned. Maggie is shown unloading boxes into a new apartment while talking with her lover, Toby, who is still in Metropolis. By the end of the story, Toby tells Maggie that she’ll be delayed at joining her in Gotham because a gallery had just given her a full exhibition.

Sawyer’s character appeared in the ensemble cast of Gotham Central where she became police captain. She interacted several times with Renée Montoya , then a detective, before the series ended as Montoya’s alcoholism caused the breakup of her relationship with Dee Hernandez and resignation from the force. Sawyer checked in on Montoya a couple times during her transformation from former police detective and alcoholic into the Question.

Sawyer’s most recent appearance is in Detective #856. She’s working security (though dressed in a man’s tux) at a Gotham social event and decides to approach Kate (Batwoman) Kane, also wearing a tux, to ask for a dance. In the small talk that follows, we learn that Maggie and Toby have recently ended their long distance relationship, leaving Sawyer free to lavish attention on Kate.

Maggie Sawyer was created by John Byrne and first appeared in Superman #4, vol 2, which was printed a year or so before the Comics Code Authority dropped its prohibition against LGBT characters.

© and ® of DC Comics. Used without permission.

Detective #854

Thursday, June 25th, 2009

detective8541

Detective #854
Greg Rucka
J H Williams III and Dave Stewart
$3.99
DC

It’s been quite a while since the first rumor of a revived Batwoman surfaced to this issue of Detective. There wasn’t even a hint that the character would be reconceived with a lesbian orientation in that initial bit of gossip reported by Rich Johnston in his old Lying in the Gutters column. In between then and now were more rumors, hints, stories including the shabby treatment of original series developer Devin Grayson. At least once it was reputed to be an ongoing series, but here Batwoman finally is, headlining in Detective in the wake of Gotham’s first guardian’s absence.

While not an ongoing series of her own, this is in its way a first issue. Rucka’s script succeeds in making this feel like the start of a fresh series by mostly keeping to fundamental basics (hero on patrol, failure with love, the hero’s secret headquarters, and fights!) while addressing the Crime Bible thread leftovers of 52 with the introduction of its new leader, a malicious Wonderland-ish Alice who’s brimming with her own particular brand of evil sexiness.

Rucka also starts to flesh out Kate’s back story here with the intoduction of Anna, whose relationship with Kate seems put on hold, if not dashed to bits. I have to mention it’s nice to see Kate kiss Anna in the space of two panels. Anna’s character may seem like an ill-fated match, but we’re only seeing what is presumably the end of it. The scene leaves me wondering why Mallory thought the two were a good pair (and who is Mallory?), what was their first date like, did they do anything wild and crazy as a couple? Maybe Kate will work to fix things with her. Maybe Anna is as reserved generally in life, not just when she’s distancing herself from the woman who hurt her feelings. Or mayb we’ll never see Anna again. Couples date and break up all the time so I don’t consider it a fault in the story so long as Rucka doesn’t keep Kate romantically unattached. There’s also Kate’s father, affectionately called Pop, to whom she is completely open with about her sexuality and being Batwoman. He seems to be former military and committed to helping his daughter be a successful crimefighter. Rucka places one source of tension between daughter and father, Kate’s stepmother. Perhaps the stepmother is one of the relatives alluded to some time back who disapprove of Kate’s sexuality.

J H Williams III is the perfect choice for artist on this series. Williams creates two looks in this story that will no doubt be used throughout the rest of Batwoman’s tenure to establish its tone. At night it looks sleek, a little blurred yet cohesive and almost as if there’s dampness in the air. Batwoman’s skin is pale, almost as white as her new nemesis Alice. In the day objects are decidely distinct and everything seems to have an odd flatness from the sunlight somewhat washing out color. Of course Dave Stewart’s impeccable talent as colorist make these visual tones successful. I’m very much in awe of Stewart’s work here.

Does anyone else think that the way Kate appears in the second panel on page 16 resembles the mask V wore in V For Vendetta? Apparently not, as Joe McCulloh noted it in his review as well.  Speaking of which, McCulloh writes the most remarkable and spot on description of Williams’ and Stewart’s art. I can only sit in awe of it because he states exactly the aesthetic that has been achieved by this pair. Just read his assessment of panel and page layouts and look at them in the story. See how those dynamic layouts for Batwoman affect you and the story differently from the traditional page designs used for Kate. Brilliance from Williams. He’s given it his all and telling us “you will take notice.” They’ve no doubt worked hard to create a new standard for other artists to look up to and readers to appreciate.

I’d written a paragraph thinking whether or not Batwoman is being visually sexualized. True, you won’t see a male superhero drawn with both legs posed in this same manner as Batwoman, and thankfully those CFM high heeled boots are replaced by a pair of authentic ass kickers. The sexual energy here simply seems to be an outward manifestation of the charge motivating the character. Kate also appears to be one of the few DC heroes I’m aware with body art. The only other one I’m aware of is James Robinson Starman.

It’s been a hell of a long wait for Batwoman, and at times I thought she’d slip into limbo. Thank god this first issue makes up for the wait.

I’ve thoughts about the first installment of the Question as well, but reserving them for another post seems better.