Posts Tagged ‘bisexual’

Tsultrine

Tuesday, November 24th, 2009

tsultrineFormer assassin Mysta (Laser Eraser) Mystralis and her cyborg lover, Axel Pressbutton are rogue adventurers in space. In issue #3 of Laser Eraser and Pressbutton, they’re unexpectedly caught off guard in a warp storm while in hyper drive. Shifting down into normal space leads them into another adventure when they land on a nearby uncharted planet. Mysta is lured (with Axel in tow) to a long abandoned underground chamber. Inside Mysta is drawn to a slumbering woman enclosed in some kind of stasis chamber. Opening the capsule, Mysta is drawn into an illusionary world created by the woman within. The capsule quickly seals itself. We’re visually cued by Tsultrine’s pointed teeth, pale skin, long dark hair, and dark eyes that she’s a villain, but the enthralled Mysta believes they’re lovers, and let’s herself be psychically seduced.

Distracted by his attempt to open the capsule and free his lover, Axel finds himself surrounded by a number of monkey-like beings. Naturally Axel misinterprets their actions to put Mysta in danger until an elder being telepathically relates to Axel the history of its and Tsultrine’s race. Creating weapons was something never done in their history. Instead, its people developed and trained their mental abilities, using sex as a way to take over the bodies of the beautiful, but weak-minded. The physically undesirable individuals eventually devolved into the monkey-like beings. Axel learns that Tsultrine is the last of her kind and her plan is to take over Mysta’s body so she can leave the planet and feed on new people.

At the same time Axel is learning this, Mysta begins to see through Tsultrine’s spell that in turn weakens it. Before her seduction of Mysta is realized, Axel pulls himself together and smashed through the capsule, pulling Mysta out of the vampire’s arms. The horde of monkey-beings beat Tsultrine’s withered body. Axel and Mysta immediately leave the planet and the experience behind them.

One might assume Tsultrin to be a lesbian or bisexual. The story’s single flashback scene leaves it unclear what her sexual orientation may be. Had Pressbutton not been a cyborg, she theoretically may have tried to possess him rather than Mysta.

This story from Laser Eraser and Pressbutton #3 was written by Pedro Henry with art by Jerry Paris and Garry Leach.

© presumably Pedro Henry and Jerry Paris. Used without permission.

Destiny & Mystique

Monday, November 23rd, 2009

mystiquedestiny04Contributed by Ronald Byrd

Mystique’s modern career began as an opponent of the first Ms. Marvel, but she later formed the second Brotherhood of Evil Mutants, which she led with the counsel of Destiny (Irene Adler). Eventually Mystique (Raven Darkholme) arranged a pardon for the Brotherhood, which was redefined as the government super-team Freedom Force; the group clashed with the X-Men and the Avengers in both incarnations. Following Destiny’s death at the hands of the cyborg Reavers, Mystique’s activities became more erratic, leading her to both lead Freedom Force back into crime and to ally herself with the X-Men and X-Factor, but she is at present active in the field of mutant terrorism once more.

Despite an unseemly amount of sidestepping around the matter, there is virtually no doubt that Mystique and Destiny were lovers; the two are seen dancing romantically in Marvel Fanfare #40 (with Mystique, suggestively, in the form of a man of about the same physical age as Destiny), and on one occasion the ancient power known as the Shadow King refers to Destiny as Mystique’s “leman,” an archaic term for “lover” (The word’s antiquity is probably what enabled writer Chris Claremont to slip it in). Mystique’s mourning for Destiny bears far more similarity to that for the loss of a mate than that of even the closest friend, and both women raised Rogue, formerly of the Brotherhood of Evil Mutants and now a veteran X-Man, from childhood as loving parents (The fact that Rogue is thus eligible to join COLAGE, Children of Lesbians and Gays Everywhere) has, needless to add, not been addressed.). The two were spouses; that is how Chris Claremont created them; don’t let anyone tell you otherwise.

It is known that Mystique and Destiny first met while the former was posing as a private detective; Destiny appears to be significantly older than Mystique, but given the latter’s shapechanging ability, that is hardly conclusive. As seen in the miniseries X-Men: True Friends, Mystique and Destiny’s relationship dates back to at least the 1930s, where Mystique exists in the masculine identity of “Mr. Raven” (see The Unofficial Wolverine Chronology for more details). Although one might assume that Mystique takes on male form in order to more freely show affection for Destiny in the presence of others, it is possible that, despite having given birth to at least two children (the X-Man Nightcrawler and the mutant-hating Graydon Creed), Mystique is in fact a man who simply assumes female form as the ultimate in transvestism; the notion of a man shapechanging into a woman to the extent that he is capable of bearing children is, after all, really no more outrageous than the notion of a woman shapechanging into a man in the first place. Either way, Mystique is clearly bisexual, although her liaisons with men were evidently only means to unspecified ends (She was apparently attempting to specifically conceive mutant children for some reason.) and lacked the emotional content of her relationship with Destiny.

Mystique also has a history with the sorceress Margali Szardos, who raised Nightcrawler from infancy, but there is no reason to believe their relationship was a romantic one; various minor details of Mystique’s activities over the decades (including service as a government operative many years prior to modern times) have been revealed over the last several years, but the full tale of her past, both with Destiny and alone, has yet to be told.

Mystique has the ability to change her form into that of any other person. Destiny had the mutant power to foresee the future, with the potential to perceive several alternate timelines; at last report she apparently existed on some level of the Astral Plane, where her capabilities are unknown. Both had access to various weapons and other paraphenalia as both terrorists and government agents.

The pair are arguably outed in Uncanny X-Men #265. Marvel’s Destiny entry notes that the pair are lovers.

© and ® Marvel Comics. Used without permission.

The Cruisers

Friday, November 20th, 2009

Contributed by Ronald Byrd

The Cruisers are one of several factions among the inmate population of the Cage, a state-of-the-art prison designed for super-villains with a “dampening field” which neutralizes their superhuman powers. Other factions include the Brothers, the Skulls, and members of the organized crime elite called the Maggia. The Cruisers apparently establish their power over other inmates via sexual assault, and when the X-Men Wolverine and the Beast are temporarily jailed in the Cage, the Cruisers immediately target them for intimidation. However, Wolverine quickly establishes himself as their better in battle, and they do not disturb the heroes for the remainder of their brief incarceration.

Art by Sean Chen

Art by Sean Chen

Since they are imprisoned in the Cage, it is presumed that at least some of the Cruisers possess superhuman powers, but those powers were not depicted. The Cage is sited inside a mesa on a remote island in an unrevealed location.

The Cruisers first appear in Wolverine #164 (vol 1).

© and ® Marvel Comics. Used without permission.

Madame Xanadu

Tuesday, November 10th, 2009

This bio narrowly focuses on developments in the five part “Exodus Noir” story in Madame Xanadu #11 – 15. The year is 1940 and Madame Xanadu has settled into her Greenwich Village abode strongly associated with the character’s ambience. Socialite Catherine Shepherd is distraught over the inability of police and private invesitgators to solve her father’s grisly death which has been attributed as a rare example of spontaneous human combustion. After hearing many rumors and vague account, she turns to Madame Xanadu for help. Xanadu empathizes with the woman’s anguish and agrees to help, starting with a visit to the man’s deluxe apartment suite where a faint odor recalls bittersweet and horrific memories of her experiences of life in Spain just after the start of the Inquisition.

Ferdinand and Isabella, the Spanish crown who financed Columbus’ journey to the New World, have conquered the final territories of Moors and reunited the land under Christendom. With Muslims expelled, the Vatican has decreed that all Jews remaining in Spain must convert to Christianity, leave Spain and forfeit their belongings and wealth, or stay and face the Inquisition’s wrath. The Inquisition, along with the lesser known Portuguese one, was also designed to cleanse the nation of sodomites and tribads (gay men and women) on threat of death by public immolation.

When we first see Xanadu in Spain it is with a redhaired woman named Marisol as they’re witnessing an auto de fé, the part of public procession of the condemned among the townspeople, partially intended to instil fear. Xanadu reacts with horror while Marisol has little reaction to it. They part to do errands, their hands lingering a moment longer. After Marisol has an unsettling encounter with Torquemada himself, she rushes back home where the two women kiss. Unknown by the pair, two boys witness the embrace while spying on them, ensuring they come under the Inquisition’s wary eye. On several occasions Marisol also refers to Xanadu as “novia”, Spanish for girlfriend.

Art by Michael Kaluta

Art by Michael Kaluta

Xanadu acts as midwife to a neighbor woman in delivery, giving her some potion and untwisting the baby’s umbilical cord to ensure a healthy, live child. Her feat comes to the attention of a priest who’s also been called to pray over the woman, and he relates the incident in terms of witchcraft to Torquemada, naming Marisol as a witness.

Later When Marisol drops off finished work at the rectory a priest insists on taking her to Torquemada. The priest inquires about the dark haired woman “who seems familiar with the arts normally reserved for doctors”, doctors traditionally being men while midwives were becoming largely suspect of witchcraft. Marisol can only agree when he insists she be taken to receive the host and confess her sins or attract undue attention to them both and risk the nature of their relationship being discovered.

Xanadu returns with a basket of fish only to find Marisol distressed when she politely explains she can’t partake in the sacrement because she isn’t Catholic. Xanadu’s comment that “[their] love is as natural as a bird in flight, as the rains in the fields…” doesn’t calm her. She cavalierly dismisses Marisol’s concern over arousing Inquisition suspicion toward them and leaves her lover to forage rare ingredients to make tinctures, perhaps even the one which keeps her youthful. Alone, Marisol is accosted and taken into custody. A zealous Torguemada confronts Marisol, beaten and bloodied, demanding to know where her “sister in sin” is. She accuses Torquemada of secretly being Jewish, enraging the man, and in turn she is locked away in a dank prison to wait to be put to “The Question”, surely a euphemism for torture.

In the final chapter, Xanadu returns from her foraging. Seeing something is amiss and Marisol nowhere to be seen, she approaches another neighbor who tells her to stay away, calling her a “whore of Satan” and informing her that her “ruddy bed bitch” is getting “what she deserves!” A hasty consultation of her forsworn Tarot deck confirms danger and a horrific scene awaits Xanadu upon entering the town. Marisol is standing atop a pyre, held captive by black hooded executioners while a crowd of townspeople stand silently as witnesses. As she’s bound to the stake Marisol sees her lover and shouts out “Novia! Yo te amo, novia…” Xanadu is unable to save Marisol’s life; one executioner snaps her neck, calling it a gesture of pity. Xanadu recoils in shock, confessing her love which catches the attention of a priest standing nearby and calls out for guards to seize her. Thankfully Xanadu has enough wits about her to blind the priest with some enchantment so that she can escape in the confusion. Wagner ends the story of Marisol and Xanadu here by simply writing she flees Spain never to look back.

While Wagner tells a fictional story, the Inquisitions that he places the lovers in were a historical series of events in which contemporary gays and lesbians (or sodomites and tribads) were persecuted, tortured, publicaly humiliated, and murdered at the behest of the Catholic Church, whose hands were considered bloodless for having put the Spanish Crown in charge of meting punishments.

As revealed in the beginning of Matt Wagner’s initial story arcXanadu is first known long ago as Nimue Inwudum, a name she stopped going by after being deceived by Merlin. Readers have seen Xanadu in a romantic relationship with magician John Zatara, father of Zatanna, who very much wanted to marry her. His proposal was turned down because Xanadu had seen the future love of Zatara’s life in a vision.

After her short lived series ended, Xanadu became a supporting character during part of the second volume of The Spectre. It remains to be seen if or how Wagner will acknowledge or incorporate any elements of her appearances there in his stories or the more recent events that occurred in Days of Vengeance in which an out of control Spectre blinded Xanadu struck out against magic and its users.

Xanadu’s first appearance was in Doorway To Nightmare #1, her first short lived comic. Matt Wagner reveals Xanadu having loved Marison in Madame Xanadu #11. Read Madame Xanadu’s Wikipedia entry for more information.

The “Exodus Noir” trade is available for pre-order at Amazon.

Please read Nobody Expects the Spanish Inquisition.

© and ® Dc/ Vertigo Comics. Used without permission. Created by David Michelinie and Val Mayerik.

Kathy and Lennie

Sunday, October 25th, 2009
Art by Chris Bachalo or Jan Duursema

Art by Chris Bachalo or Jan Duursema

Kathy George came from a fairly well off Southern family, but decided to move north and become free spirited. She fell in love with Roger, an African American, perhaps out of defiance to her family’s attitudes. She convinces Roger to meet her parents. Shortly before Kathy and Roger arrive at her parents’, Troy Grenzer breaks into the house and brutally murders her parents. Grenzer is caught in the aftermath by Kathy and goes after her. Roger comes to her aid, attacking Grenzer. When the police arrive, they decide that Roger is the murderer and fatally shoot him.

Time passes with Kathy in a state of depression. She’s outside the prison on the day of Grenzer’s execution. At the same moment of his execution Shade crosses over from the Area of Madness, possesses Grenzer’s body, teleports in front of Kathy, and orders her to drive off. Thus starts their great American road trip to search for the Madness Stream that’s been affecting people.

Kathy winds up alone scared and without money in New York, and has no luck searching for friends she knew from before. Her last hope is to find Ray. Like all her other friends, Ray has moved on. Lennie (Lenora Shapiro), the new tenant is intrigued by Kathy and takes her in. They share a little adventure in which Lennie holds up a cabdriver. Shade makes his way back through the Madness Stream to Kathy, and for lack of anything else to do, Lennie gets involved in their bizarre,
“hallucinogenic” road trip.

Later, Kathy and Lenny visit relatives of Kathy’s who live on a Montana farm. Alone in the barn, they have a long conversation and kiss. Neither is quite sure what to make of it, especially Kathy who has been in love with Shade. The story in issue #26 is told from Kathy and Lennie’s points of view as they lay naked in bed talking with each other. Peter Milligan, the series’ writer, comes up with the most surprising way for Shade to find out this bit of news. Kathy and Lennie’s relationship continues for a while. Jealous, Shade asks Kathy if she and Lennie are still having sex, and then tries to turn the table on them by kissing Lennie. Soon afterwards, Kathy gets pregnant by Shade. During her pregnancy Kathy realized she’s not in love with Shade, and they become friends. In a case of being in the wrong place at the wrong time, Kathy is shot while shopping. She lives long enough to deliver her baby.

Being part human and part Metan, Kathy’s baby George isn’t normal. His metabolism is much faster than a human’s and he grows up and dies within a short time. Shade uses his power to safekeep George’s soul until he can transfer it into another body. As irony would have it, the child’s new body belongs to Lilly, Lennie’s estranged daughter.

Milligan wraps up the series by having Shade go back in time. History is rewritten so that Troy Grenzer never murdered Kathy’s parents and her fiance Roger was never killed by police. Lenny was back in New York, Kathy was living in a Montana farmhouse and Shade had gone to be with her.

Kathy first appears in Shade #1, vol 2 and Lennie in #8. Kathy may have been bisexual. In any case. they’re outed in #20.

© and ® Vertigo Comics. Used without permission. Created by Peter Milligan.

El Brujo

Sunday, October 25th, 2009

elbrujo1Contributed by Ronald Byrd

On an alternate earth in which North America is divided into several different territories, El Brujo (real name: Diego Escobar) is the super-hero of the Empire of Mexico; he has also appeared in at least one movie, “El Brujo and the Vampires from Venus.” Although many of his activities are staged for public relations, El Brujo proves his worth at a conference of super-heroes in New Orleans (Louisiana Free State), where he and several others help expose a terrorist plot to manipulate the various governments.

In the aftermath of a “hostage crisis” prior to leaving Mexico, El Brujo makes sexual overtures to reporters of both genders, indicating that he is a bisexual.

Like most other super-heroes on his Earth, El Brujo has no superhuman powers. During his staged crisis, El Brujo demonstrates excellent fighting skills, wields a gun, and uses smoke to make a theatrical entrance; precisely how well he would acquit himself in an unscripted conflict is unclear.

El Brujo first appeared and is confirmed as bisexual in Captain Confederacy #1.

© and ® Epic/Marvel Comics. Used without permission.

Dumas

Friday, October 23rd, 2009

dumas1Contributed by Ronald Byrd

Born in the American South early in the twentieth century, Stephen Lee’s mutant ability manifested itself in childhood when his facial features collapsed into a putty-like form. In adulthood he learned to reshape his face into that of anyone else but was unable to reconstruct what his own adult face should have been. Taking the name Dumas after the author of “The Man in the Iron Mask,” he became a deadly US intelligence agent in the Far East and later a freelance assassin in Japan, developing a reputation as an operative who would never back off from an assignment once he had accepted it.

Early in his adult life Dumas’s power developed to the point that he could reshape his entire body and, feeling that he could never find a woman to love, he assumed female form himself to become Olivia Vancroft, a socialite of the late 1930swhom he came to regard as a separate individual with “her own life, her own soul,” leading him to wonder “who is real and who is the mask.” Many of his missions were carried out, as far as the rest of the world knew, on behalf of the interests of the beautiful and reclusive Vancroft, whose appearance he did not allow to age over the decades; in fact, as Vancroft “she” went through the motions of formally hiring Dumas through other parties. In both personalities, Dumas was fascinated by masks; as Dumas he pursued a passion for kabuki masks, and Olivia Vancroft owned a large collection of those worn by super-heroes and super-villains.

When Vancroft decided to acquire the mask of Mark Shaw, a.k.a. Manhunter, Dumas clashed with the heroic mercenary a few times before Manhunter learned his secret and was finally forced to kill him in battle. After his death, Dumas’s body was used to develop a serum to duplicate his powers, and a Japanese gangster took on the identity until he too was defeated by Manhunter.

Dumas had the ability to reshape his face and body into that of any person he can visualize; however, he was unable to disguise his heartbeat ratio or voiceprint, and his facial features ran like putty if he did not maintain concentration on a given appearance. Dumas was a master at hand-to-hand combat and the martial arts; he also used a variety of weapons, including guns, knives, and throwing darts, which he wielded with precision. His costume was insulated to protect him from electrical shock.

Dumas’ birth name is Stephen Powell Lee. Olivia Vancroft was first seen in Manhunter #1 and as Dumas in #2. Dumas’ operated out of Tokyo while Vancroft was located at Cliff House in southwest Wisconsin. Dumas’ bifurcated sexuality was revealed in Manhunter #4. It remains unclear if Dumas’ orientation is bisexual, transgendered, transsexual, straight, or possibly even “all of the above”.

© and ® DC Comics. Used without permission.

Firelord

Friday, October 23rd, 2009

firelord1Contributed by Ronald Byrd

Pyreus Kril (Firelord) was a member of the Xandarian Nova Corps whose commanding officer, Gabriel Lan, was transformed into the Air-Walker, herald to the world-devourer Galactus. When the Air-Walker was slain in alien combat, Galactus created an android duplicate of his servant, but this replacement proved unsatisfactory, and when his path again crossed with Kril, he designated the Xandarian as his new herald. Firelord was later freed from Galactus’s service and lingered on Earth for a time as a somewhat unpredictable hero, but he later returned to space, discovering that his homeworld of Xandar had been decimated by the space pirate Nebula. It has since been rebuilt. In the course of his quest for vengeance, Firelord was accompanied by the Eternal rogue Starfox. Following an encounter with Nova II, the fire-powered woman who was then Galactus’s current herald, Starfox questioned Firelord: “Doesn’t your fiery nature ever burn simply for pleasure?”

Firelord: “Not the way you mean it, Eros! Not since the day Galactus made me the Firelord! Not since the day I lost my friend Gabriel—!”

firelord2The implication seems obvious enough. However, Firelord has been depicted in Uncanny Origins #4 as having had a female lover, Navigator Cortellia, with whom he was still involved by the time of transformation, and when Firelord survives into the 31st century, some level of attraction exists between him and Nikki of the Guardians of the Galaxy. No romantic relationship with Lan was suggested in the Uncanny Origins story.This seems to suggest that Firelord is bisexual. Considering that he is, after all, an extraterrestrial, it is even possible that this is simply an accepted aspect of Xandarian nature and all members of his species are bisexual. Perhaps they do not necessarily see two-person monogamous relationships as essential, if we assume that Kril was romancing Lan and Cortellia simultaneously, although this scenario has yet to be officially suggested. In “real life,” of course, it is safe to assume that the remark from Silver Surfer has simply been overlooked. Although for a time back in Galactus’s service following Nebula’s capture, along with a second android version of the Air-Walker, at last report, Firelord was again a cosmic wanderer, seeking his destiny alone. The precise relationship between Firelord and this doppleganger of his lost friend has never been revealed.

Like all of Galactus’s heralds, Firelord is imbued with the Power Cosmic, which in his case grants him control of stellar fire that he can manipulate for a variety of effects. He most often channels this energy through his staff, although it is only a focus for his power and not the source of it. He possesses superhuman strength, can fly at near-light speed through outer space unprotected, and is impervious to most forms of physical harm.

Firelord is arguably revealed as bisexual in Silver Surfer #20. That story was written by Steve Englehart, who has introduced gay themes in the storylines of several series with various degrees of success.

© and ® Marvel Comics. Used without permission.

Coagula

Thursday, October 1st, 2009
Art by Scot Eaton from DP #70

Art by Scot Eaton from DP #70

The first time we see Kate Godwin (given birth name Clark) she is picking out a party costume with her friend Jean for Jean’s birthday party later. Their conversation reveals that Kate is a freelance software programmer recently out of work, and she also has earned money from being a sex worker. Taking a break from shopping, they step into their regular bar, and at Jean’s request, Kate demonstrates her powers to coagulate and dissolve substances by solidifying beer on tap and liquefying a bottle.

Over drinks, Kate relates to Jean what she believes is the incident from which she gained these powers. A couple of years before she was working as a prostitute and picked up a strangely dressed trick. The trick was Rebus (formerly known as Negative Man/ Woman) whose entire form is contained by special bandages. At first Kate is fascinated by the duality of Rebus’s body possessing female and male sex organs. Her captivation continues until Rebus releases the negative being while they’re having sex. This event shocks and repulses her. Kate attributes this encounter with Rebus as the origin of her powers though they didn’t appear until much later, according to her. Kate relates that she tried out for the Justice League but was turned down for personal reasons, presumably her sexual orientation. A close up on a jacket button in the next panel shows it to read: “Put a transsexual lesbian on the Supreme Court.”

While the friends are commiserating in the bar, a villain named the Codpiece has begun his little rampage. You can read about the Codpiece here. Among the bystanders witnessing the destruction areMarion and George of the Doom Patrol. Their appearances are similar to Rebus in that their bodies are also covered with bandages. They try to contain the Codpiece but have no luck. Thankfully, Kate notices the action from the bar and decides to act. She quickly coagulates the villain’s phallic weapon and dissolves. This brings her to George and Marion’s attention. They invite her back to the Doom Patrol’s headquarters. Kate’s intrigued, partly by their resemblance to Rebus, and she accepts.

Kate and Niles Caulder, the Chief, get off to a really bad start when they met in the next issue. With little warning, he puts her through a test of her powers. Her clothes are shredded. Niles protests it was an accident and had no desire to see Kate’s breasts, but no one believes him. Kate also reveals she has another power, one that allows her to access different realities through computers. Kate changes into a costume that reveals a lot more of her body than her shredded clothes. She meets Cliff/ Robotman, and a friendship begins because she can somewhat relate to existential crises like Cliff is starting to have.

Caulder almost reveals to Cliff that Kate is a transsexual when he muses aloud how to classify their relationship, something that really hasn’t developed on panel yet. (Issue #73) Kate and Cliff become closer when they share an adventure and she helps him put an end to his personal crisis in issue #74.

Kate’s ability to tune into alternate realities is highlighted when she views a world with people enslaved (issue #75). This reality plays a central part in the story arc titled The Teiresias War, which alludes to the blind Greek poet of the same name who was transformed into a woman for seven years. Cliff learns about Kate’s physical transformation from Marion after he remarks that Kate should be living a normal life – one where she’s married and has children – instead of being involved with the weirdness of the Doom Patrol. Cliff becomes upset and confronts Kate, which leads to a conversation about whether her once having a penis made her a man and what makes Cliff a man if he doesn’t possess one as a robot (issue #76). Cliff’s robot body is destroyed at the end of the issue, and in a scene in the next issue, Kate and he have a talk about identity, sexual and otherwise, the practice of passing for normal, and choosing to be different. He asks her to oversee Caulder to make certain he gets the new body of his choice.

One of the angelic beings from the Teiresias world crosses over, seeking to enlist help to destroy the “Builders” whose goal is to trap all matter in to various and individualized forms. Kate being a transsexual, and Cliff not having a physical human body are chosen to merge into a new being which contains all the physical and non-physical aspects of them, thus propelling the new form out of our world of opposites to the Teiresias world. There they hope to summon the remaining Teiresiae. This story arc possibly warrants an in depth look of its own. (Issue #78)

In the conclusion to this arc there is a psychic flashback where we see some of the misunderstanding and violent bullying Kate endured before her reassignment surgery as Clark. As someone who has changed the shape of her body and grammar of identity (grammar being a theme in the story), it’s up to Kate to convince the Teiresiae to change and topple the Builders and their engine of “restriction,” the Tower of Babel.

Separated again, Kate and Cliff talk about the fear they each experienced before and during their time merged as one being. Ironically, they say the fear was just as strong as when they were made to separate (issue #80).

Kate and Cliff go in to town and stop at a small new age/pagan shop. Kate starts talking about goddesses with Linda, the clerk, and ends up making a date with her. This makes Cliff upset and jealous though he tries to act as if he isn’t (issue #81). While Kate takes part in the adventures in the remaining five issues of this volume of the Doom Patrol, her role is small and there are no significant developments or revelations before the series’ end.

It seems that author Rachel Pollack initially intended for Kate’s character to be both a transsexual and a lesbian regardless of her likely having had male clients at some point during her time as a sex worker. While there is indication that Cliff finds himself attracted to Kate, I’m not a hundred percent convinced that Kate was romantically attracted to Cliff.

© and ® DC Comics/ Vertigo. Used without permission.

Damazons

Wednesday, September 30th, 2009
Art by Paul Gulacy

Art by Paul Gulacy

The Damazons are a band (numbering less than 15) of fiercely independent women first appearing in issue #2 of Doug Moench and Paul Gulacy’s nihilistic Slash Maraud mini series [See Brass Taki entry .] Angela is their savvy and tough leader. Two other Damazons are named: a woman named Sapphy (short for Sapphire or Sappho?) and Deb O’nair who dresses in cowgirl drag.

They use motorcycles and vehicles modified for desert terrain where the Damazons live and operate as transportation. It’s reminiscent of the look in Mad Max movies. The Damazons encounter Slash Maraud and Wild Blue (a leader in the Xenos underground) as they travel a narrow path through the alien-created crystalline structures on their way to rescue the repentant alien scientist Dr. X, the one being who can stop the shapers from recreating the Earth into an extra-terrestrial wonderland. In order to find Dr. X, Slash and Blue must venture into “Family Territory,” an area controlled as such by a small and grim gang who style themselves after both real and fictional serial killers. Though somewhat cautious about the idea of crossing into Family Territory, the Damazons prove to be invaluable in rescuing Dr. X from the crazed bunch who were intent on killing him. Afterwards, Angela and Dr. X have a brief and seemingly pointless conversation in which she explains the meaning of a slang word to the scientist.

underground members and to build a small army. It’s in Candlestick Park, where bizarre gladiatorial fights a la Mad Max are staged, that Maraud, Blue, and the Damazons arrive Maraud now plans to journey to San Francisco to enlist the help of more with Dr. X under their protection.  A three-way match between Brass Taki’s Zen Hogs, the Sheik Screamers, and Tommy Gunn’s Congo Corsairs has just started. In the confusion of the battle, two alien shapers sneak up behind Dr. X. One abducts him while the other mimics his shape.

In the aftermath of the melee, Slash challenges Rex Rumbull, one of the vermin pack leaders, and wins their loyalty by defeating him. To strengthen this shaky alliance, Angela orders Deb O’nair to offer herself to Rex. Later that night after the group has retreated to the ruins of Oakland, Deb confesses to Rex that her advance was bogus, but a self-assured Rex tells her that she’ll come around.

When Angela has a second conversation with Dr. X it becomes evident that something is wrong when he displays ignorance of the slang word she used and explained earlier. It becomes abundantly clear his fellow aliens are tracking him when a surprise attack happens. The ragtag crew successfully eludes the shapers, which later gives Wild Blue the opportunity to use her knowledge of alien biology to extract info about Dr. X’s whereabouts. It seems Dr. X is held prisoner aboard the Nulloid Express train that transports humans to a DNA processing plant to provide genetic material for the world’s transformation.

With the imposter securely tied up, the camp begins to quiet down for the night. Perhaps out of the same motivation used with Deb O’nair, Angela approaches a lone Brass Taki who is sitting next to a campfire and polishing his sword. She awkwardly tries to strike up a conversation, but Taki says, “Forget it. I don’t go for fems.” Angela’s offended by his rebuttal, and more offended when Rex hits on her. Unnoticed by all is Deb O’nair who wistfully gazes at a sleeping Slash.

The next day it’s an all-out, shoot ‘em up effort to liberate Dr. X from the train as it barrels through the desert landscape. Wild Blue and Slash board the train while Angela, Rex, Deb O’nair, and the rest drive alongside it at reckless speeds and shoot at the train crew. Deb O’nair throws caution to the wind and boards the train and takes out the crew’s fuel supply, allowing Slash and Blue the chance to rescue the scientist. Deb ends up with Slash as a way to mark the victory, a development, which does not escape Wild Blue, or the Damazons.

On their way to New York, the small army stops in Kansas City to rest. In a private moment together, Slash asks Deb why she became a Damazon. She replies, “It’s simple enough, Slash. After the shapers landed, I didn’t see any human men who were worth as much as following Angela…until now.” She goes on to say that none of the Damazons really “hate” men except for possibly Sapphy.

Days later the adventure continues in New York when another band of armed and deranged humans stand against the Xenos army.  Both groups want access to one of the few remaining aircraft.  It’s the essential part of the rebel plan to prevent the final phase of the alien terraforming plan from starting in Paris. Deb and Angela play their parts in securing the plane.

The rebel craft approaches Paris to find it’s become a total war zone. All of the rebels except for Wingo who is piloting the plane parachute into the streets. They form a three-pronged attack. While Angela and Deb once again prove their guerilla fighting skills are no fluke, it’s another Damazon nicknamed Beret (for her hat) who had previously remained in the background that proves invaluable by getting Dr. X to the facility in time to prevent the process from starting. Sapphy also plays a small but crucial role in the rebel success.

In the dawn’s light the rebels gather to mourn the deaths of their comrades. Rex comes to console Angela, and judging by the conversation, the pair decides to try a relationship. Likewise Wild Blue and Slash have a heart to heart plan to meet in the future after Deb has presumably had more than she take of Slash.

Note: Based on attitude, body language and character dialogue the Damazons seem to be lesbians. Based on interactions between Angela and Rex and Deb and Slash, plus later comments, a case could be argued that the Damazons’ sexual behavior was situational, like convicts in prison. Since both Angela and Deb begins relationships with men I am considering them to be bisexual, in contrast to Brass Taki and Wingo who appear to remain interested solely in men.

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