Posts Tagged ‘DC’

Batwoman – The Zero Issue

Wednesday, December 1st, 2010

Review by Joe Palmer

J H Williams III artist & writer
W Haden Blackman co-writer
Amy Reeder artist
Richard Friend inker on Reeder’s sequence

Last Wednesday (thank you, holidays and recovery from same for the delay!) saw the release of this special issue, a primer of sorts for anyone who’d not read any of the previous stories in Detective or 52. For those of us who have and wanted more this comic is more like assurance that DC thinks that Batwoman, a character with a troubled history, is good…enough.

All seemed well with Batwoman when Rucka and J H Williams III began telling her stories in Detective’s main spot; the Big Bat having remained firmly in place since #27 oh so many decades ago. Then came a huge WTF moment when Rucka announced his departure to work on his own personal projects. Stumptown (to be collected as a trade in February 2011) is damned good in its own right, as well as a hint, at least for me, of what Renee Montoya could be like if the decision to mold her into The Question hadn’t happened. The series hastened to an early ending with the aid Jock, a good artist in his right. Word of the character’s continuation surfaced, now in her own title with Williams and W Haden Blackman as co-writer and Amy Reeder as alternating artist. Of these three it’s with Blackman’s work that I’ve no familiarity, so I’d little idea what to expect. On the other hand, Reeder’s art on Madame Xanadu (alas, now canceled!) has proven to be quite enjoyable though how her style would mesh with superhero storytelling was a question I pondered. Pish, as the Brits say. Based on her work here it shouldn’t have been a concern at all and I look forward to her solo arcs.

The story’s plot is standard, and it works well enough as the intent for this issue is partly a jumping on point for newbies. Batman, the scowly Bruce one who’s now returned to present-day Gotham from his time jaunts, surveils Kate Kane and Batwoman to prove that they’re one and the same. Now that Bat-Bruce is back he has to indulge his control issues and understand this new player as much as possible. While Bats looks on one part of the story shows Batwoman whaling on Sister Shard, she of the kooky Cult of Crime, and her henchmen as they steal away a sarcophagus, no doubt for sinister reasons. The other part, which is drawn by Reeder, has Batman mostly observing but also interacting in disguises with non-costumed Kate. This sequence includes Bat Bruce in disguise shadowing Kate into a club as she dances (and picks up a woman) and Bats ignoring the attentions of a male bartender. Williams’ art is the same level here as he delivered with previous installments. In a word, it’s amazing. Compare this work not with his Promethea or even Chase, but with the not so well known Deathwish mini series from 1990s Milestone to get a full appreciation of how he’s dedicated himself to his art.

If having a quibble is necessary then I suppose it would be that the titular character herself is not given one word of dialog in the entire issue. Certainly no one else is either, but Batman is the narrator, as well as the guardian and authority figure who gives and withholds approval. I just think this choice might have been more effective if it’d been punctuated with a single line or even a word of dialog from Batwoman to pierce Batman’s self-perceptions.

The question of Batwoman’s relevance within the Bat-verse was recently posed in the GLA forum. The character’s sexuality was mentioned as the determining factor. Perhaps it’s true. But if it’s true now, it is certainly also true that this was the main reason for her creation as a love interest for Batman  just a short two years after Wertham’s “Batman and Robin are homosexuals” accusations that in part led to the Comics Code Authority. In that beginning she was simply a gimmick, although one that with charm and camp/ kitsch appeal, and it wasn’t until her revival in the 70s that she took on another purpose. Robin as well as other teen sidekicks were gimmicks when they were first introduced back in the early 40s. The perception (or reality) that Nightwing, Robin, Oracle or Batgirl, etc. are relevant occurred with the progression of stories. None of this is to say that I think this Batwoman is gimmick-free, whether it be in conception, presentation, execution, or simply individual reader perception. The New York Times piece that labeled her a “lipstick lesbian” was certainly a gimmick, but DC was hardly responsible for that. And thankfully Williams tossed out the original high heeled boots for something more…um… sensible.

Setting aside the money making factor, the true purpose of any character in any medium is to be able to tell a story through which one hopes others will be able to identify with in some fashion. And if for now Batwoman’s stories personify or reflect some real world elements in a four color fictional fantasy that I’m content.

Silver Age Bigot

Friday, October 1st, 2010

Nightmaster was created by Denny O’Neil, Jerry Grandenetti, and Berni Wrightson created Nightmaster in 1969, taking rock musician Jim Rook and putting him into the role of a confused hero in a sword and sorcery setting in the land of Myrra for Showcase #82 – 84. Despite the stories and art exciting my 11 year old self, a lot of years passed since I’d even flipped through the issues. My curiosity was piqued while reading Wikipedia’s “LGBT Themes In Comics “article by a brief reference made to a “fat man who seems to be a closet homosexual gay basher”. Was this a rare example of a gay character appearing in the Silver Age?

Maybe.

The scene makes me think O’Neil was injecting his idea of Marvel-style realism. Rook is lead singer and guitarist for the Electric Band Aid (or “The Electrics” as the name appears on the instruments) and the band is playing their last night of a two week gig in an East Village bar. The crowded audience is full of young women with a few men in the background. Rook sports a white turtleneck under a purple jacket, pink or lavander and black striped pants and short black boots and the other three band members, piano, and drums are counter-culture candy colored. When the concert ends a bunch of women rush Jim heads toward a dressing room. Inside, Jim’s girlfriend Janet Jones, mod in her own stylish way, is about to kiss him when they’re a knock on the door interrupts. Rook opens the door and finds three men eager to heckle and harrass. As you can see, the guy with the bow tie starts right up with homophobic insults, somewhat amazing given the fact this comic bears the Comics Code Authority approval seal on the cover. Then again, Mike Sekowsky got his thinly veiled lesbian gang “Them!” approved this same year in Wonder Woman #185. And doesn’t the art by Grandenetti and inked by Dick Giordano remind you of Sekowsky?

Chairs and more punches thrown, a door is broken, Rook sends bow tie guy flying before being tackling and pushing him into the drum. Police car sirens wail and Janet pleads with Jim to leave before they arrive, scolding Jim for not being able to control his temper, not for his sake, but out of concern that her parents won’t let them marry otherwise. Thank god he says something. That’s the last we see of our anonymous Silver Age bigot, and it’s the last Jim and Janet see of the East Village till the end of the story because the glaring plot device calls on them to enter a mysterious and vacant storefront from where they’re magically transported to Myrra.

But back to our bigot. Sure, we’re all aware that some homophobic bigots are indeed deeply closeted and self-loathing homosexuals. The rumors surrounding Bishop Eddie Long have been in the news for a week or so now. How horrible, if true, that such attitudes and repressive measures resulted in predatory behavior. Here are the reasons I believe our fictional guy isn’t closeted. The story is cover dated May 1969. Three years previously John Lennon made a very controversial statement when they said the Beatles were more popular than Jesus Christ. Hippies had moved into the Haight Ashbury area of San Francisco and brought along their idea of free love, and yes, some “Hair Fairies” as transgendered people were often referred to at the time, had had enough and rioted at Compton’s Caferteria. Young adults protested the Vietnam war while men were drafted and sent half a world away. Labelling liberals as “pinkos”, a word coined by Time in 1925 became widespread during McCarthyism of the 1950s and was adapted to “commie pinko fag” a decade later as a derogatory phrase for hippies or anyone who was anti-establishment. On the other hand, it was also common to for hippies to use “fascists” as a slur. Rook is decidely among the counter culture of the time, just as these other three are very much symbolic of the establishment, if only for O’Neil as shown when he has Rook exclaim “You think because I don’t look like a bank manager I’m weak — because I favor peace I’m a coward…fair prey for bullies?” and ending with “…You’re going to learn that real men don’t have to prove themselves by shoving people around…”

Homophobic bigot? Absolutely! Closeted and self-loathing though? I say no. What do you think? I wonder if Denny O’Neil remembers.

Justice League #49

Wednesday, September 22nd, 2010

Justice League #49
James Robinson
Pow Rodrix with Robson Rocha
$3.99

So…where do you want it? Where’s the dinosaur?

At the Batcave… You hungry?

Have some chicken salad.

Soon he will. Soon. He comes. Soon he will. Soon he comes. Soon. He will. He comes. Soon he will. Soon he comes.

Cassie! What’re you– oh. Ravager! What are you–why are– Wait! Jen–Jade?? None of this is–

Donna, I’m hurting!

Donna. Dumb girl, following me. Donna.

My darling!

Mommy, you never let me grow up!

Donna, baby.

Donna, darling.

Dumb girl, following me.

You sick– Wait, wait, wait!

Hey, babe. How you holding up?

What? What? Don’t listen to any of the %$?!&$#@ this thing tells you. Don’t let it eat your soul. You’re better than that.

How you feeling?

Okay. Bit of a headache.

How you feeling, more important?

I’ll deal. I mean, what else can I do? Deal…do my best to be my best.

All any of us can. Absolutely.

So I had this crazy notion about opening a photography studio.

Soon he will. Soon. He will. Soon. He will. Write. Soon write. Soon. Stories. Better. Write better.

Soon he will write better stories.

Let it be. Please. Soon.

Please let it be soon.

Stop. Or stop. Reading. Or stop reading will I.

Someone Somewhere

Friday, August 20th, 2010

Lucy, Mary Lou, and Grace are the bestest BFFs ever! As little girls they tested their newly found fashion sense, creating stunning ensembles from their mothers’ June Cleaver style wardrobes. Pajama parties where the girls dissected their latest dates with different boys were a regular event, except Grace made it clear she was fixated on finding and catching “the absolutely perfect right boy”. You know, the guy who embodies the ideals of 1950s masculinity: handsome, charming, rich, and loving.  At least those are the ideals Grace think men should have. As they grew up, Mary Lou and Lucy got tired listening to Grace stick to her dream and dissing the men she dated. In return Grace didn’t pass up a chance to deliver sly catty comments about her friends’ dates. Grace’s subtle bitchery didn’t stop Lucy and Mary Lou from marrying, and she soon found herself feeling left out of their lives. Poor thing! All those years of fantasizing about the perfect guy compared to the realities of her two friends is too much to take and she has a break from reality.

Or does she? At a party thrown by Mary Lou and husband Howie, Grace finds herself falling for the charms and smooth looks of Tim Eldridge. After a few dates and a little making out in his car she believes that “at last love had come into my life!”

But you know how things can turn around! Her bestest BFFs have a shocking secret they can barely wait to unload on Grace.

“Gay, meaningless fling”?! Tim likes dick?

Dammit! Of course not. This is a comic printed in 1957 after all. Gay just means happy and carefree. Grace succeeded in convincing herself that her friends are just being mean until the day of Lucy’s wedding and she learned Tim had skipped town.

Later that day Lucy took the opportunity to drive home her long standing point by tossing her bouquet directly to Grace, driving her into a solitary crying jag later that night. Months filled with nursing her humiliation and long walks pass. Then one day her wall of self-pity comes tumbling down when an average Joe retrieves Grace’s scarf fallen to the ground.

The moral of the story for me is that it’s good to have standards but don’t set them so high that you end up thinking you’ll find omens in the clouds. And this guy isn’t as hot as Tim was, but he’ll probably cook you breakfast, has a big dick, knows how to use it, and as Dan Savage says, is GGG!

Someone, Somewhere was printed in Girls’ Love Stories #49, September 1957. Writer and artist are uncredited. © DC Comics. All rights reserved.

Batwoman

Saturday, August 14th, 2010

Over at The Source, Alex Segura breaks some exciting news about the upcoming Batwoman series. Enjoy the alternate cover image drawn by Amy Reeder Hadley (whose last project was Madame Xanadu) to November’s Batwoman #0 and read the rest of the news here.

Dawnstar

Monday, July 12th, 2010

Art by Ed Benes

According to the DC Who’s Who entry, Dawnstar is a mutant born on the planet Starhaven. Aside from the obvious power of flight, Dawnstar is able to fly through space at high speeds (without need for protection), and has an uncanny ability to track people or objects. Dawnstar became the driving force behind a business venture started by her parents, Mistrider and Moonwalker. She guided spacecraft through dangerous sections of space, thus securing safe passage and delivery of goods. Greybird and Greatfire are her younger brothers. She came to the attention of R. J. Brande because of her work as a bounty hunter. He offered her a place in the Legion Academy where she was trained by Wildfire, and soon after joined the Legion. The entry also states that she had a crush on Wildfire that developed into a “romantic but platonic (of necessity)” matter. On a mission (circa 1985) she found herself attracted to man named Jhodan. More research will need to be done on this matter.

In the Five Years Later version, Dawnstar was possessed by Bounty, a malevolent being, who cruelly cut off her wings and coerced to work as an assassin. Zero Hour came along and erased Dawnstar (and Bounty) from continuity.

Dawnstar has reappeared in post Infinite Crisis continuity, first as only a statue (one of many depicting the Legion) in Superman’s Fortress of Solitude, a scene in which Superman acknowledges having had adventures with the Legion. (Justice Society of America #5) Karate Kid, Wildfire, Timber Wolf, Dream Girl, Star Man, and Dawnstar have come to the 21st century on a mission to bring someone back from the dead. Who this person, aside from it being a male, the reasons and the circumstances remain a mystery. Power Girl, Hawk Girl and Red Arrow travel to Thanagar to find Dawnstar. They track down a lead and find a woman wearing fake wings but who has Dawnstar’s flight ring. The unnamed woman implies she and Dawnstar (who she calls Neela) have had a romantic relationship, and knows Dawnstar is not returning because she has “[felt] her friends from this far away–” The last page reveals Dawnstar has tracked down and joined her fellow time traveling friends, and will lead them to where they need to go to accomplish their mission.

Dawnstar appeared in issues #1 – #5 of Crisis of Infinite Earths. After Legion of Three Worlds it now seems these appearances may have been of an alternate Dawnstar.

The original version debuted in Superboy #225, volume 1 and this version is outed in Justice League of America #9 (2007) as part of “The Lightning Saga” story in #8 – 10 by Brad Meltzer.

© and ® DC Comics. All rights reserved.

Time Commander 2

Thursday, July 8th, 2010

By Martin Gray

Sterling Fry was the protege of the Time Commander, John Starr, who fought Batman, Green Lantern and Animal Man. After ‘my mentor, my friendand so much more‘ died during the 52 storyline, Fry fought Hourman II as the new Time Commander, but was apparently destroyed after overdosing on chronal energy.

Time Commander 2 seems to have appeared in only one story, JSA Classified #34 by James Peaty and art by Freddie Williams II.

Assuming Fry was gay would imply John Starr would not have been entirely heterosexual, or perhaps Fry’s love for Starr was unrequited.

Martin writes witty reviews at his Too Dangerous For A Girl blog. Pop over!

Art by Freddie Williams II
© and ® DC Comics. All rights reserved.

Jericho

Monday, July 5th, 2010

Art by George Perez

By Bill Walko

Joe (Joseph) Wilson is the son of Slade Wilson (aka Deathstroke, the Terminator) and Adeline Kane Wilson. The couple met while in service in the United States Army (Adeline had been Slade’s instructor in guerilla warfare). Sparks ignited immediately between the two, and they quickly fell in love and wed. Shortly thereafter, Adeline gave birth to a son, Grant (who would later become the Ravenger). Slade continued on active duty, and volunteered for a medical experiment in resisting truth serums. The experiment had an unforeseen side effect: it gave Slade enhanced strength and heightened reflexes. Shortly after this, Adeline gave birth to a second son, Joseph.

Slade soon was discharged from the army. He took up hunting for awhile, but it failed to quench his thirst for the life he once led. Unknown to his wife and family, Slade secretly became a mercenary known as Deathstroke, the Terminator. One one of his assignments, Slade assasinated a Colonel from the country of Quarac. The president from Quarac sent a terrorist known as the Jackal to find Slade, and find out who hired him to kill the Colonel. To gain leverage, the Jackal kidnapped a young Joseph Wilson (who was now 5 years old, or so).

This forced Slade to admit to his wife that he was secretly the mercenary known as Deathstroke, the Terminator. Adeline and Slade (outfitted as Deathstroke) together confronted the Jackal. Slade refused to give the Jackal the information he requested, becuase it would violate his professional code of ethics. Slade gambled he could react fast enough to save his son; He saved Joseph’s life, but not before one of Jackal’s men had begun to slit his throat. Joseph was now mute.

Adeline, furious at Slade’s betrayal and risking her son’s life, confronted Slade… with a gun. Slade’s quick reflexes saved his life, but he lost his right eye due to the gunshot inflicted by his wife. Adeline then divorced Slade and raised her two sons by herself. Grant followed in his father’s footsteps and attended military school. Joseph, however, was quite different from his brother; He was a kind, gentle soul who flourished in the arts. Joseph was both a talented artist and musician. Adeline nurtured this side of Joseph, and he grew up to be a fine young man under Adeline’s care.

Sometime after her divorce from Slade, Adeline established her own organization, Searchers, Inc. As he grew older, Joseph worked closely with his mother, apparently recieving combat training and tactical fighting maneuvers from her. Searchers, Inc. provided espionage services for a number of clients. On a mission for the US government, Joseph and his mother seperated briefly for reconnaissance. Joseph spotted his mother in danger from an assasin she did not see. Joseph wanted to scream, but couldn’t. The assasin laughed and prepared to fire at Adeline. Joseph intensely stared at him across the room, desperately wanting to stop him. It was at this moment that his mutant power first manifested; Joseph felt his body separate and enter into the assasin, controlling the man’s motor skills.

Joseph’s DNA had been mutated, because of the biological experimentation that had been done on Slade Wilson. Joseph was a mutant. Joseph’s half-sister, Rose Wilson, was also born with the meta-gene. Sadly, the two siblings would never meet. Joseph continued to use his abilities for Searchers Inc. Shortly thereafter, Adeline discovered the Terminator’s latest activities involving the Titans. With the help of Terra, Slade had finally fufilled the HIVE contract to deliver the Titans into their hands. Adeline and Joseph surveyed Slade’s activities, and approached Nightwing, offering to help rescue the captured Titans. At this time, Joseph first adopted the name Jericho, and fashioned a costume for himself. Nightwing and Jericho sucessfully freed the kidnapped Titans and brought Slade Wilson to justice. Adeline was quite pleased with herself; It appears she wanted Joseph to become a member of this team of young adults.

It took awhile before the Titans fully trusted Joseph and offered him membership to the team. Joseph was, after all, the Terminator’s son. And the Titans had just been betrayed by Terra. Changeling in particular was still hurting from this and convinced himself that Joseph was duplicituous as well. It didn’t take too long for Jericho’s true colors to show through: he was a loyal friend and team-mate. Joseph was a caring and sensitive individual; he reached out to anyone in need. He found a sad quality in Raven and reached out to her many times. Unfortunately, this would ultimately end in tragedy. Raven felt Trigon’s presense grow within her.

Trying to help, Joseph entered Raven’s soul, and was immediately thrown into a state of shock. This, however, brought him to the attention of Trigon. Raven’s dark side took over and Trigon returned. The elders of Azareth gathered their strength and souls together; this force proved powerful enough to enter and overcome Trigon. Unknown to the Titans, however, the souls of Azareth (now tainted by Trigon) needed a vessel to survive. They sought Raven, but she was protected by her soul self. The souls of Azareth were aware of Jericho, and his powers made it easier for the souls to enter him. The souls of Azareth resided in Jericho, but were still quite weak. They would lay dormant, and build up strength as time passed.

In the meantime, Jericho continued to be a valuable asset to the team and a trusted friend to all. Notably, he helped a lost soul, a crystal spinner known as Kole; he provided emotional support for Dick and Kory through Koriand’r's marriage of state to Karras; and he always sought to help the troubled Raven.

Time passed. Slowly, the souls of Azareth regained their strength and merged with Jericho. The souls now needed powerful vessels for each of them to survive. Now possesssed by this force, Jericho sought to acquire superhuman beings as vessels for the souls of Azareth. Jericho also acquired new abilities to help in his mission: a savage and poweful soul self that took the form of a lion and a healing ability that repaired his throat and enabled him to speak. Jericho found a unique opportunity: He invaded and took over the Wildebeast Society (which was a petty group of villians made up of former HIVE operatives). Using them as a front, he abducted current and former Titans to act as vessels for the souls of Azareth. The remaining Titans Nightwing and Troia (along with new allies Arella, Phantasm, Pantha, Red Star and Deathstroke) found the Wildebeast lair and came into conflict with Jericho. During the soul transfer process, Jericho resurfaced briefly, begging his father to kill him; He was beyond help and killing him might destroy the twisted souls of Azareth. To spare his son any more pain and save the remaining Titans, Slade Wilson was forced to drive a sword through Jericho, killing him instantly.

Jericho died a hero, trying to selflessly save others. He showed that he was a compassionate and caring man, even with his last breath. His memory is cherished by his Titans friends. They would remember him as he was: A sensitive soul with a heart of gold. But now he’s returned and isn’t the same sensitive guy he once was. Could it’ve been he was teased one too many times about the mutton chops?

Though Jericho was clearly straight in the New Titans series, it had been commented in a few places that his creator, George Perez, may have initially intended for him to be gay. We e-mailed George to ask him once and for all to clear up the matter for us. This is what George had to say: “While Marv and I did discuss the possibility of Joseph Wilson being gay, Marv decided that it was too much of a stereotype to have the sensitive, artistic, and wide-eyed character with arguably effeminate features be also homosexual. While I think that may or may not have been a righteous concern, we did establish the character as heterosexual throughout the series.”

Well, it’s true he fit many of the stereotypes of a gay person – and it may have been too obvious to make him gay. He probably ended up more interesting as a heterosexual character, while having those traits. Still, it would have been nice to see a gay character in the Titans, regardless – though knowing his ultimate fate (crazed and killed by his father and later evil), maybe not.

Jericho is able to enter another’s body and control their motor functions by makign eye contact with an indivdual (except their speech). If the person is unconscious when Jericho enters, he can also speak through them, but retains any speech patterns the person may have (such as an impediment, lisp or accent). Jericho prefered solving things through non-violent means, but he is an above average fighter, having been trained by his mother, Adeline Kane.

[This bio doesn't include events and info since the character was resurrected.]

© and ® DC Comics. All rights reserved.

Closet Space

Saturday, July 3rd, 2010

By Ronald Byrd

Art by Leonard Kirk

Closet Space is (real name Dominique Melancon) one of the Space Girls, a French band who use their music to promote female empowerment, what they call their “Chick-a-Boom” philosophy. As part of their stage personas, each member exemplifies a different trait; Deep Space is “smart,” Empty Space is “airheaded,” Open Space is “amorous,” and the leather-clad Closet Space is “tough.”

During an American tour, shortly after the unseen Dead Space quits, the Space Girls perform outside the town of Leesburg, where they persuade local hero Supergirl to join them. The concert is interrupted when the Female Furies of Apokolips arrive, searching for the refugee Twilight, and the Space Girls become involved when Twilight recognizes Deep Space as the reincarnation of her sister. In the aftermath, Twilight escapes with Deep Space, leaving the Space Girls to recover from the encounter.

Closet Space mentions that she has a girlfriend named Jane, indicating that she is a lesbian, which puts her name and persona into a somewhat stereotypical perspective.

Closet Space first appears in Supergirl #27 (the volume by Peter David) and is confirmed lesbian in #28.

© and ® DC Comics.All rights reserved.

Tony Mantegna

Monday, June 28th, 2010

Tony Mantegna is one of six strangers brought together by a mysterious, hooded figure that is known only as Mockingbird. Each of these people has experienced a loss or setback of some type. Mantegna had won a Pulitzer for an exposé he wrote on corruption in a mine workers union. While researching, he was caught in a suspicious, accidental dynamite blast that resulted in a loss of hearing. Mockingbird wants this new Secret Six (the original group from the late 60s comic have retired) to be his mission operatives. In exchange, he offers each of them some device that compensates or eliminates their losses. Tony receives a sophisticated (certainly outmoded by contemporary standards) headset. The Secret Six had only a couple of missions before the story ended and Action changed its format back to a monthly 32-paged comic from the weekly anthology experiment.

The story of Mantegna’s mine workers union piece is recounted in Action #624. Harry Shandler, a union foreman, was alleged to divert union money into his personal bank account. Mantegna contacted Shandler, and an interview was arranged for his magazine employer. A new photographer, Tom Pearson, was sent along with him. Quoting the story: “But I was working with a new photographer, Tom Pearson—helluva nice guy, but there were…certain tensions. And I guess I just wasn’t on my game.” The two were given access to explore a mineshaft alone. They stumbled across a live charge, and Tom pushed Tony away from it just as it exploded. They were rescued. The story gives no indication of Tom’s injuries, but Tony later awoke in hospital and discovered his sense of hearing had been lost. The closing scene of this chapter is set in a Los Angeles cemetery. Tony is talking aloud at a grave. He talks about leaving town for good and moving to San Francisco.

“…You know…the way we always talked about doing some day. I’m sorry we didn’t get around to it while you were still here. I won’t be able to visit as often. But I’ll still bring flowers. And I’ll never stop loving you, you know that.”

Tony places the potted flowers on the grave. An older woman approaches him from behind to ask if he knows where a particular section of the cemetery is located. Tony can’t hear her though because he’s not wearing the electronic device Mockingbird gave to him. A caretaker informs her that he can’t hear her (“He’s stone cold deaf.”). She asks the caretaker if he knows him and he replies, “Not really. I just see him a lot. He comes out here once a month on this date, every month…to put flowers on his lover’s grave.” The final panel is a close up of the head stone with the name “Thomas John Pearson” engraved on it.
Art by Frank Springer
The Secret Six and Mockingbird referred to here have no connection to the villainous Secret Six seen most recently in current DC comics.

Mantegna first appeared in Action #601 and confirmed gay in Action #624 (Dated 11/1988). Created by Martin Pasko and Dan Spiegle.

© and ® DC Comics. All rights reserved.

Thanks to Angie for bringing this character to my attention!