Posts Tagged ‘Star Trek’

Catira Katirus

Thursday, November 12th, 2009
Art by Terry Pallot

Art by Terry Pallot

Catira and Katirus are actually the same being, with the ability to shift between a male and female form. Catira is the female identity and Katirus is the male. They survive by absorbing the life energy of unsuspecting prey, whom they seduce with their powerful pheromones. They also lure victims to feed their “ancestor”, a cloud-like, space-dwelling lifeform that feeds off of the energy from a starship and its crew.

The Orsorians sent out a false distress signal, claiming that their engines were damaged, attracting the attention of the starship Voyager. Catira responded to the Voyager’s hail, assuming that a man would be in command. All of the men on the bridge were stunned, both by Catira’s beauty and by the fact that she was practically nude. Both Catira and Katirus wear no actual clothing, and simply have a glittering, translucent veil that barely covers their private parts. Once she discovered that Captain Janeway is a woman, she said that she had to defer to her “brother”. She slipped off-screen, and moments later Katirus appeared. Janeway was just as impressed by Katirus’ appearance, although Commander Chakotay was suspicious as well as a bit jealous of him. Janeway agreed to send Chief Engineer B’Elanna Torres to repair their engines, and invited the Orsorians to Voyager. Katirus accepted the invitation, but said that Catira would be unable to attend, although she would be with him “in spirit”.

At the reception about Voyager, all of the women were strongly drawn to and charmed by Katirus, except for former Borg, Seven of Nine. She seemed immune to his charms. Katirus continued his seduction of Janeway, and asked her to give him a private tour of Voyager. At some point during this tour, he managed to ambush Seven of Nine and put her into a coma with an energy discharge, without Janeway’s knowledge. When Chakotay tried to alert Janeway to this Seven’s assualt, she did not respond. Chakotay and an armed security team burst into Janeway’s quarters to find her and Katirus making out in her bedroom. Chakotay instructed Katirus to leave Voyager, since there was now an emergency that required the Captain’s attention. Once Katirus left, Chakotay observed that the Captain seemed very disoriented and lightheaded, and she wasn’t acting like herself.

Katirus returned to his ship, and went down to the engine room where B’Elanna was working. In order to prevent her from discovering that there was no real damage to the engines, he pulled her into a passionate kiss, infecting her with his pheromones, and leaving his confused and open to suggestion as well. He tricked her into returning to Voyager without her tricorder and its data.

This also left B’Elanna with a headache, so she went to sickbay for treatment. When the doctor examined her, he found the same energy residue in her that he found in Seven of Nine. The doctor alerts Janeway to this, suggesting that B’Elanna and Seven may have been attacked by the same person. However, B’Elanna reports that she was not attacked and was not “bothered” by anyone on the Orsorian ship. Janeway decides to beam over to give this news to Katirus in person. Chakotay tries to stop her, but is unable to.

Chakotay tries to contact Janeway, but she isn’t answering her commbadge, and the Orsorian ship is not answering hails. Certain that the captain is in danger, Chakotay sends security chief Tuvok over to the Orsorian ship to investigate. Once he arrives, he is ambushed by Catira, who uses her super-pheromones to seduce him as well. She has her robot guards take him to her quarters, where she continues to seduce him. Tuvok’s Vulcan discipline helps him to resist, but Catira overwhelms him, and literally rips his clothes off. As she forces herself on him, she begins to drain his energy through their intimate contact. Once Catira is done with Tuvok, Katirus re-emerges and goes back to his own quarters to seduce and drain Janeway. Then Katirus summons the Ancestor, to come and feed off the Voyager and its crew! Voyager manages to to delay the energy drain by firing phasers into the cloud, but are unable to escape, especially while Janeway and Tuvok are still prisoner. However, Ensign Kim detects an ID signal being sent from the Orsorian ship to the Ancestor, that he can duplicate. Once the Doctor reports that Seven of Nine has regained consciousness, Chakotay devises a plan to defeat the Orsorians, using the two crewmembers who are immune to their pheromones: Seven of Nine, and the holographic Doctor!

Seven and the Doctor beam over to the Orsorian ship to rescue Tuvok and the Captain. Katirus’ biochemical attack is no longer able to affect Seven, since her body has now adapted to it. Then the Doctor injects Catira with antigens from Seven of Nine’s body, which attack their pheromones. The injection has a shocking effect, and the bodies of Katirus and Catira merge and distort into a disgusting, twisted lump of flesh.

With the away team back on board, Kim activates the ID signal, confusing the Ancestor into releasing Voyager. Voyager takes off as fast as they can, and the Ancestor begins loosing energy. It goes after the nearest available energy source: the Orsorian ship. However, the Orsorian ship does not have enough energy on its own to sustain the Ancestor, and the Ancestor collapses in on itself, taking the Orsorians with it.

In his analysis, the Doctor suspects that the “ancestor” probably spawned an entire race of Orsorians, but considers it highly unlikely that any of them are still alive. He believes that Catira/Katirus killed off all the others in order to secure their position in the food chain with the Ancestor.

Catira/Katirus is seen in Star Trek Voyager #14 and 15.

© and ® Paramount Pictures. Used without permission.

Governor Ra’ch B’ullhy

Friday, October 2nd, 2009
Art by Pete Pachoumis

Art by Pete Pachoumis

Contributed by Michael McDermott

The Damiani species is rather unique, in that they have developed three genders. For the sake of translation, they are identified as “he”, “she” and “it”, although there is no direct match to the type of male and female that humans are used to. Due to this triple-gendered society, romantic couplings are in groups of three. For centuries, anything else was considered perverted, although attitudes have softened since they joined the Federation.

Ra’ch B’ullhy was not only elected to be the new planetary governor of Damiano, but she was also to be the first Damiani to serve on the Federation Council. Unfortunately, during the week between the election and the inauguration someone leaked to the press that Ra’ch is involved with only one romantic partner! While most of the population couldn’t care less, some extreme moralist factions demanded a new election, and even made threats on Ra’ch’s life, should she actually accept the position. Ra’ch refused to back down, and the inauguration went ahead as schedule. There were multiple assassination attempts however, including a bomb hidden under the stage, a sniper at the inauguration, sabotage to her sonic shower, and even one of her personal body guards tried to shoot her.

However, between the efforts of the Damiano police force, and the starship Enterprise security crew, all these attempts were thwarted, and the head of the moralist faction was eventually arrested for not only attempting to kill the governor, but unleashing a weapon against the Enterprise crew as well.

While the character itself is not a lesbian, the writer chose to create a society in which its attitudes regarding relationships and sex is very obviously analagous to the lives of LGBT people in a world predominately straight.

The character appeared in the Star Trek: The Next Generation – Perchance to Dream mini series published by Wildstorm (2000).

© and ® of Paramount Pictures. Used without permission.

Star Trek

Monday, May 11th, 2009

Reviewed by Danielle Ni Dhighe

This part-prequel, part-reboot of “Star Trek: The Original Series” has moments to rival the best of “Trek“, but unfortunately it also has moments that rival it at its worst, although the film as a whole is somewhere in-between those two extremes. Not a complete success, but not a complete failure, either.

Seeking revenge on an elderly Ambassador Spock (Leonard  Nimoy), Romulans commanded by the obsessed Nero (Eric Bana) are thrown back in time and decide to wreak their vengeance in the past, and theirmission intersects with the lives of young Cadet James T. Kirk (Chris Pine) and young Commander Spock (Zachary Quinto) at Starfleet Academy and aboard the newly launched USS Enterprise commanded by Captain Christopher Pike (Bruce Greenwood).

Director J.J. Abrams (“Mission: Impossible III“, and co-creator of television’s “Lost” and “Fringe“) delivers spectacular visuals and action scenes, making for the most viscerally exciting “Star Trek” film of them all, but “Trek” at its best was a morality play in space, yes, a ham-fisted one at times, but still at its core it was about more than just exciting action. This film is a fun roller coaster ride with a hollow center, and even a scene of genocide plays out as a visual effects spectacle with little emotional weight.Abrams gets so much right here that it’s disappointing when he also gets so much wrong.

Writing team Roberto Orci & Alex Kurtzman (“Mission: Impossible III“,”Transformers” , and co-creators of “Fringe“) deliver an uneven screenplay. At its best, it delivers a fresh but still familiar take on a venerable franchise, spot on younger versions of iconic characters, and a few moments of joyous perfection, while at its worst it veers into the camp humor territory of “Star Trek V: The Final Frontier“, easily the worst film in the franchise, while giving us a one dimensional villain and plot holes galore. They marry a lazy time travel plot (one of the most overused “Trek” plot device, seen in two previous films and numerous episodes of each television incarnation) to a Romulan bent on destroying the Federation thatrecalls the plot of “Star Trek: Nemesis“, a film so poorly received that Paramount decided the only possible solution was to reboot the franchise. And while some of the changes to canon make sense because of the timeline being modified, others make no sense even in that context.

This is hands down the best looking “Star Trek” film thanks to the contributions of cinematographer Dan Mindel (“Enemy of the State“,”Mission: Impossible III“), production designer Scott Chambliss (“Mission: Impossible III“, television’s “Alias“), and costume designer Michael Kaplan (“Fight Club“, “I Am Legend“). The design of “Star Trek: The Original Series” reflected a 1960s view of the future, while this film brings a slick 21st century view to the table while still paying homage to the classic design principles. Visual effects supervisors Roger Guyett (“Star Wars: Episode III – Revenge of the Sith“, “Mission: Impossible III“) and Russell Earl provide seamless, eye-popping effects at every opportunity. Composer Michael Giacchino (“Mission: Impossible III“, “Speed Racer“) delivers a rousing score that also makes good use of Alexander Courage’s classic theme music.

The true strength of the film is its cast, which manages to recapture the magic of their predecessors while also making the roles undeniably their own. Chris Pine’s James Dean-esque performance as Kirk, full of swagger and bravado masking emotional wounds, dominates the film as the character should, while Zachary Quinto is ideally cast as a younger Spock still struggling with an emotional side inherited from his human mother. Pine wisely eschews imitating William Shatner’s mannerisms except in one scene when he comes close in an obvious homage to the original Captain Kirk, but Quinto is able to capture Leonard Nimoy’s mannerisms without making it seem like imitation or, worse, parody. The third member of the classic “Trek”trinity of characters, Dr. McCoy, is excellently played by Karl Urban, who seems to be channeling the spirit of DeForest Kelley and threatens to steal every scene he’s in. Nimoy shines once again as the older Spock, bringing genuine emotional resonance to his scenes. His Spock is one at peace with himself and his half-human heritage.

Zoe Saldana as Uhura, Simon Pegg as Scotty, John Cho as Sulu, and Anton Yelchin as Chekov all provide fresh interpretations of their classic characters, although Scotty and Chekov are played for laughs too often for my liking (but the blame goes to the writers and not the actors). One area in which this film improves on the original series is that other Starfleet commanders are portrayed as competent and heroic officers in their own right, in this case Bruce Greenwood as Captain Pike and Faran Tahir as Captain Robau of the USS Kelvin. As one dimensional as Nero is written, the performance from Eric Bana isn’t any better. He’s more Shinzon from “Star Trek: Nemesis” than he is Khan from “Star Trek II: The Wrath of Khan“, and this film deserved a better antagonist than that.

The rest of the cast is solid, including Ben Cross and Winona Ryder as Spock’s parents Sarek and Amanda, Chris Hemsworth and Jennifer Morrison as Kirk’s parents George (another heroic Starfleet officer) and Winona, Rachel Nichols as a Starfleet cadet from Orion, Jimmy Bennett playing Kirk as a rebellious child, Jacob Kogan playing Spock as a child, and Greg Ellis as Chief Engineer Olson. Deep Roy plays Keenser, a strange little alien living in a remote Starfleet outpost and who seems to be the “Star Trek” equivalent of an Ewok. I’m not even sure why that character was included.

There are several notable cameos, including the late Professor Randy Pausch as a USS Kelvin crewmember, screenwriter Akiva Goldsman (“Batman & Robin“, “The Da Vinci Code“) as a member of the Vulcan Council, Tyler Perry as Admiral Barnett, Paul McGillion as a Starfleet Academy barracks officer, and voice cameos by Greg Grunberg as Kirk’s step-father and the late Majel Barrett as the voice of Starfleet’s computers.

Star Trek” is very much a mixed bag, with moments of excellence and moments of less than excellence, but a strong cast and some genuinely exciting action scenes make it watchable. “Star Trek II: The Wrath of Khan“‘s reputation as the best of the films remains safe. When all is said and done, this new film ranks somewhere in the middle of the eleven films made to date. It’s entertaining enough, but it simply doesn’t live up to the potential it had to boldly go where no one had gone before.

3 out of 5 stars

Danielle Ni Dhighe is one of the bloggers at Geek Girls Rule where this review first appeared. It appears here courtesy of the reviewer.

Yoshi Mishima

Saturday, April 25th, 2009

yoshi2Contributed by Mike McDermott

Cadet Yoshi Mishima and Cadet Matt Decker have been best friends for years, long before either of them entered the Academy. They hope to be assigned to the same training squad, but when they accidentally disrupted a Starfleet sting operation by trying to play heroes, Admiral Brand decided to split them up. Mishima became field leader of Nebula Squadron. Meanwhile, Matt was paired with the Ferengi cadet, Nog, in Omega Squadron. Yoshi became extremely jealous of Nog’s friendship with Matt, and was rather hostile to him on occassion.

When Omega Squadron was sentenced to death for violating a Federation quarantine, Yoshi organized public protests, gathering support from staff and students, demanding that Omega Squad be released. Superindenent Pradesh ignored the protests, and actually filed a reprimand in his permanent record. When it became clear that Pradesh was not going to listen to reason, Yoshi risked his career and his freedom by organizing a jail break and helping Omega Squad to escape. To prevent Yoshi from being implicated in their escape, Omega member Pava, knocked Yoshi out and left him behind.

Weeks later, after Omega Squad cleared their names and the charges were dropped, one of the squad was revealed to be a Romulan spy. She captured the entire squad and faked their deaths in order to escape. Yoshi and Nog were the only ones who did not give up on the Omega Squad, and they launched their own unauthorized rescue mission. Along the way, the two of them managed to resolve their differences and become friends. Yoshi and Nog were successful in rescuing Omega Squad, and picked up an alien woman, Halakith, who returned with them to enter Starfleet Academy.

Things were fine until Halakith learned that Yoshi has a boyfriend. Homosexuality is offensive to her culture, since they are a dying species and non-reproductive romance would not help their gene pool. She became quite insulting and refused to even share a room with Yoshi. Yoshi was outraged by her behaviour and tried to have her application to Starfleet denied on the basis that her prejudice had no place in an organization based on peaceful co-existance. Yoshi’s request was denied, and Halakith was not only admitted to the Academy, but was assigned to Yoshi’s squad. Matt tried to help the two of them find some common ground, and in the end, they agreed to look beyond thier differences and work together.

yoshi1That was Yoshi’s final appearance in the series, since it was cancelled two issues later. It was never established exactly who Yoshi’s boyfriend was, but there were a few hints, most notably in issue #12 that Yoshi was romantically attracted to Matt. Matt’s sexuality was never established at any point during the series, so it is possible that he and Yoshi were lovers, but there is nothing to confirm that. Also, the gatefold covers that contained plot summaries and character bios said that Yoshi was Matt’s roommate at the Academy. This was never actually confirmed on panel.

Yoshi Mishima was the first ever openly homosexual human in the Star Trek Universe. He was portayed as a smart, brave, caring young man who was a capable leader, a skilled officer, and an effective fighter. I was sorry to see that the book was cancelled so soon after Yoshi was “outed”; I would have loved to have seen the character further developed.

© and ® Paramount Pictures. Used without permission.