Posts Tagged ‘straight’

Grace

Saturday, October 24th, 2009

graceStefano  Raffaele’s Fragile is set in a post apocalyptic world in which 95% of the world’s population have been turned into zombies due to a mutated virus. The remaining humans have formed various safe havens. Alan Olden is a young man who lives in one of these walled communes, but everything changes when he dies from a work accident and flees the town after the zombie process begins. While on the run from living humans and the vigilante zombie Disinfestors he finds and falls in love with the undead Lynn, whose existence will soon end as decomposition ramps up.

The pair are in the desert when they’re ambushed by a small band of Disinfestors. It looks like their end is near when a large SUV appears from nowhere and barrels through the Disinfestors. The pair jump in the vehicle and find a tall, thin blonde woman, who introduces herself as Grace, behind the wheel. Grace cautions them to hold on to the paintings stowed in the back as they make their reckless escape. She confides the paintings are originals, having taken them from museums in order to preserve them.

It takes only a couple minutes into their rescue to notice that Grace is alive. Grace admits she started to follow the pair after they left the small town where Alan found Lynn, but doesn’t confide why she would help zombies. The next morning Alan starts to have a chat with Grace only to be surprised that there’s stubble on her face. It dawns on Alan that he used to know Grace when they were younger. Only then Grace was Thomas, the neighbor boy next door who’d fallen in love with Alan and then disappeared after being humiliated. During a tense encounter with other zombies, Grace admits that she is still in love with Alan, and the tension mounts between the trio as both Grace and Lynn vie for Alan’s attention. Grace can’t understand why Alan is attracted to an undead zombie woman when she’s alive and beautiful and at the same time she never questions why she’s still drawn to a zombie Alan.

They make it to the town of Alberville where a small enclave of zombie scientists work on developing new strains of the virus to keep the undead alive longer (I’m not making this up!). Once inside the facility it becomes apparent to the top scientist that Grace carries a serum in her blood to reverse the zombie process.No reason or theory is ever given as to why or how this is possible. For some unknown reason, Grace radios Alan’s friend Marcus, who meets them in Alberville, and is somewhat shocked to learn that Grace was a boy, but he also admires her beauty.  Lynn and the top zombie scientist are taken hostage by a group of zombies to be used as a bargaining chip against her Army father who’s trying to keep New York City from being overrun by the undead. It becomes a chase via a commandeered transport plane to New York to rescue Lynn, partly facilitated by Grace as a means to show her love for Alan, though he continues to reject her. The plot’s logic dramatically recedes after they arrive amidst a zombie onslaught, though Grace is equally adept at gunning down zombies as the rest of them. Lynn and the scientist are rescued and he agrees to work with the human scientists to synthesize a serum from Grace’s blood. She may be humanity’s salvation, but Alan’s final choice to remain with Lynn as they both face termination is stinging, forcing her to find solace in Marcus’ arms.

Grace identifies herself as both transgender and a woman (“I’m not a man! I’m a woman! I’ve always been a woman!”) and wears very sexy feminine clothes and shoes. Some of her dialog reveals that two medical professionals that helped in her transition had become zombified, so it remains unclear at what point the character was in transitioning.

Fragile was originally serialized Metal Hurlant, #4, 7-8, 10-14 before being collected as a tpb. This trade is available used at Amazon.

© and ® Humanoids Publishing. Used without permission.

Deadman

Saturday, October 24th, 2009
Art by Neal Adams

Art by Neal Adams

Deadman is included in this list because of a revelation in a short story, “On the Stairs”, written by Neil Gaiman that appeared in Solo #8. Deadman is sitting on one of the steps of a high circular stairway conversing with a young woman who’s idly sat on the stairs most of the day. Brand tells her about how some of his experiences as a ghost have felt. In recounting these experiences, he mentions that there are other ghosts like him who briefly possess bodies. Brand says: “Back in the eighties, I romanced someone like me for a couple of months. Mostly I’d pick male bodies. Mostly she’d pick female.” From this disclosure it can be inferred that Deadman has possessed female bodies to derive some kind of romantic or sexual satisfaction, and possibly that the female spirit possessed a male form while at the same time Brand inhabited a man. Gaiman’s short story is the only indication in decades of the Deadman’s appearances that the character may have experimented sexually in his afterlife.

Deadman created by Arnold Drake and first appeared in Strange Adventures #205. Please consult Wikipedia and Toonopedia for further info on Deadman.

© and ® Comics. Used without permission.

Dumas

Friday, October 23rd, 2009

dumas1Contributed by Ronald Byrd

Born in the American South early in the twentieth century, Stephen Lee’s mutant ability manifested itself in childhood when his facial features collapsed into a putty-like form. In adulthood he learned to reshape his face into that of anyone else but was unable to reconstruct what his own adult face should have been. Taking the name Dumas after the author of “The Man in the Iron Mask,” he became a deadly US intelligence agent in the Far East and later a freelance assassin in Japan, developing a reputation as an operative who would never back off from an assignment once he had accepted it.

Early in his adult life Dumas’s power developed to the point that he could reshape his entire body and, feeling that he could never find a woman to love, he assumed female form himself to become Olivia Vancroft, a socialite of the late 1930swhom he came to regard as a separate individual with “her own life, her own soul,” leading him to wonder “who is real and who is the mask.” Many of his missions were carried out, as far as the rest of the world knew, on behalf of the interests of the beautiful and reclusive Vancroft, whose appearance he did not allow to age over the decades; in fact, as Vancroft “she” went through the motions of formally hiring Dumas through other parties. In both personalities, Dumas was fascinated by masks; as Dumas he pursued a passion for kabuki masks, and Olivia Vancroft owned a large collection of those worn by super-heroes and super-villains.

When Vancroft decided to acquire the mask of Mark Shaw, a.k.a. Manhunter, Dumas clashed with the heroic mercenary a few times before Manhunter learned his secret and was finally forced to kill him in battle. After his death, Dumas’s body was used to develop a serum to duplicate his powers, and a Japanese gangster took on the identity until he too was defeated by Manhunter.

Dumas had the ability to reshape his face and body into that of any person he can visualize; however, he was unable to disguise his heartbeat ratio or voiceprint, and his facial features ran like putty if he did not maintain concentration on a given appearance. Dumas was a master at hand-to-hand combat and the martial arts; he also used a variety of weapons, including guns, knives, and throwing darts, which he wielded with precision. His costume was insulated to protect him from electrical shock.

Dumas’ birth name is Stephen Powell Lee. Olivia Vancroft was first seen in Manhunter #1 and as Dumas in #2. Dumas’ operated out of Tokyo while Vancroft was located at Cliff House in southwest Wisconsin. Dumas’ bifurcated sexuality was revealed in Manhunter #4. It remains unclear if Dumas’ orientation is bisexual, transgendered, transsexual, straight, or possibly even “all of the above”.

© and ® DC Comics. Used without permission.