Posts Tagged ‘Vertigo’

Lord Fanny

Wednesday, November 18th, 2009
Art by Phil Jimenez

Art by Phil Jimenez

Adelinda Morales and her husband Eugenio, and her mother, Dona Isola de Rios had moved to Rio de Janeiro from their native Mexico. Isola was the most feared bruja (witch) in the slums of Rio. Her power had been passed down to her from her mother just as she had passed hers on to Adelinda.

Isola was shocked when Adelinda gave birth to a boy, and demanded she become pregnant again in the hopes of having a girl to initiate as a bruja. The second pregnancy abruptly ended with a miscarriage, and forcing Isola to improvise. She’s convinced the answer is to raise Hilde as a girl. Adelinda seems agreeable but Eugenio voices his objection: “You can’t turn my boy into a sissy!” Isola shuts him up with a threat. Of course the first part of her plan is contingent on Hilde’s willingness to be raised as a girl. She tempts him with a frilly dress, and he accepts.

A drunk during Mardi Gras stabbed Adelina to death. Hilde was only seven and Isola and Aunt Marta (a woman who had slept with Hilde’s father) raised her. They taught Hilde magical plants and sorcerous arts, and told her stories of the gods and spirits that ruled the land in Pre-Columbian times.

Isola decided it was time to return to Mexico and the City of the Gods, Teotihuacan, when Hilde reached puberty and started to show an interest in boys. The time has come to initiate Hilde into brujeria. Hilde drinks hallucinogenic tea to start her vision quest, and to find her totem. Isola cuts Hilde’s thigh to simulate menstruation in order to attract the spirits. Reality becomes meaningless to Hilde in her altered state. A large butterfly alights on her forehead, becoming her totem.

The next step is an encounter with Tezcatlipoca, the Smoking Mirror, father of all witches. He comes to her in the form of a gaunt, headless figure with two wooden doors for his chest within which he keeps his heart. Hilde’s test is to snatch his heart in order to be granted a wish. Hilde succeeds and asks for both safe passage and return to Mictlan, the Dead Lands, to learn the secrets of magic from the Skeleton God.

In Mictlan Hilde earns the knowledge of magic. The Lord of the Dead insists she stay with him. Hilde objects, saying that Tezcatlipoca had promised her safe passage. Hilde offers to tell a joke in exchange for her freedom. She leaves the God’s throne room and enters the Garden of Life and Death. By gashing her tongue with sacred thorns Hilde learns the secret language of shamans. Finally, the goddess Izpapalotl commands her to leave or be killed. Hilde returns to her body and finds her grandmother and Aunt Marta waiting for her. As they’re driving away from the temple, Isola says she has a special gift for Hilde. It’s her first lipstick.

When Lord Fanny turned 18 she joined The Invisibles, a group of radical anarchists whose goals were to save humanity from being enslaved to the extra dimensional Archons and snap the world out of its mass hallucination commonly referred to as
reality.

Lord Fanny created by Grant Morrison. Fanny is an example of the shamanic traditions that were valid and accepted expressions of some Native peoples throughout the Americas which were seen as evil and satanic by European and white American conquerors. Native men and women who had same sex attractions were seen as powerful and special. They often assumed clothing and gender roles of their opposite sex, and were often highly sought after as spouses. While Fanny may have been raised as a female, I believe the character is a little too complicated to label simply as transgendered and could also be considered gay, though no contemporary label will be totally accurate since modern notions of accepted sexual identities are too constrictive.

Lord Fanny first appears and is outed in The Invisibles #2, vol 1.

© and ® DC/ Vertigo Comics. Used without permission.

Marisol Del Rios

Wednesday, November 11th, 2009
Art by Michael Kaluta

Art by Michael Kaluta

Marisol is the red-haired woman that Madame Xanadu takes as her lover during the late 15th century in Spain just after the beginning of the dark days of the Spanish Inquisition. Her parents have died and seems to be without other relatives when Xanadu arrives in Spain. She was a quality seamstress, a trait she shared with her mother, and sewed vestments for the church. Please read the Xanadu entry for more information.

Madame Xanadu

Tuesday, November 10th, 2009

This bio narrowly focuses on developments in the five part “Exodus Noir” story in Madame Xanadu #11 – 15. The year is 1940 and Madame Xanadu has settled into her Greenwich Village abode strongly associated with the character’s ambience. Socialite Catherine Shepherd is distraught over the inability of police and private invesitgators to solve her father’s grisly death which has been attributed as a rare example of spontaneous human combustion. After hearing many rumors and vague account, she turns to Madame Xanadu for help. Xanadu empathizes with the woman’s anguish and agrees to help, starting with a visit to the man’s deluxe apartment suite where a faint odor recalls bittersweet and horrific memories of her experiences of life in Spain just after the start of the Inquisition.

Ferdinand and Isabella, the Spanish crown who financed Columbus’ journey to the New World, have conquered the final territories of Moors and reunited the land under Christendom. With Muslims expelled, the Vatican has decreed that all Jews remaining in Spain must convert to Christianity, leave Spain and forfeit their belongings and wealth, or stay and face the Inquisition’s wrath. The Inquisition, along with the lesser known Portuguese one, was also designed to cleanse the nation of sodomites and tribads (gay men and women) on threat of death by public immolation.

When we first see Xanadu in Spain it is with a redhaired woman named Marisol as they’re witnessing an auto de fé, the part of public procession of the condemned among the townspeople, partially intended to instil fear. Xanadu reacts with horror while Marisol has little reaction to it. They part to do errands, their hands lingering a moment longer. After Marisol has an unsettling encounter with Torquemada himself, she rushes back home where the two women kiss. Unknown by the pair, two boys witness the embrace while spying on them, ensuring they come under the Inquisition’s wary eye. On several occasions Marisol also refers to Xanadu as “novia”, Spanish for girlfriend.

Art by Michael Kaluta

Art by Michael Kaluta

Xanadu acts as midwife to a neighbor woman in delivery, giving her some potion and untwisting the baby’s umbilical cord to ensure a healthy, live child. Her feat comes to the attention of a priest who’s also been called to pray over the woman, and he relates the incident in terms of witchcraft to Torquemada, naming Marisol as a witness.

Later When Marisol drops off finished work at the rectory a priest insists on taking her to Torquemada. The priest inquires about the dark haired woman “who seems familiar with the arts normally reserved for doctors”, doctors traditionally being men while midwives were becoming largely suspect of witchcraft. Marisol can only agree when he insists she be taken to receive the host and confess her sins or attract undue attention to them both and risk the nature of their relationship being discovered.

Xanadu returns with a basket of fish only to find Marisol distressed when she politely explains she can’t partake in the sacrement because she isn’t Catholic. Xanadu’s comment that “[their] love is as natural as a bird in flight, as the rains in the fields…” doesn’t calm her. She cavalierly dismisses Marisol’s concern over arousing Inquisition suspicion toward them and leaves her lover to forage rare ingredients to make tinctures, perhaps even the one which keeps her youthful. Alone, Marisol is accosted and taken into custody. A zealous Torguemada confronts Marisol, beaten and bloodied, demanding to know where her “sister in sin” is. She accuses Torquemada of secretly being Jewish, enraging the man, and in turn she is locked away in a dank prison to wait to be put to “The Question”, surely a euphemism for torture.

In the final chapter, Xanadu returns from her foraging. Seeing something is amiss and Marisol nowhere to be seen, she approaches another neighbor who tells her to stay away, calling her a “whore of Satan” and informing her that her “ruddy bed bitch” is getting “what she deserves!” A hasty consultation of her forsworn Tarot deck confirms danger and a horrific scene awaits Xanadu upon entering the town. Marisol is standing atop a pyre, held captive by black hooded executioners while a crowd of townspeople stand silently as witnesses. As she’s bound to the stake Marisol sees her lover and shouts out “Novia! Yo te amo, novia…” Xanadu is unable to save Marisol’s life; one executioner snaps her neck, calling it a gesture of pity. Xanadu recoils in shock, confessing her love which catches the attention of a priest standing nearby and calls out for guards to seize her. Thankfully Xanadu has enough wits about her to blind the priest with some enchantment so that she can escape in the confusion. Wagner ends the story of Marisol and Xanadu here by simply writing she flees Spain never to look back.

While Wagner tells a fictional story, the Inquisitions that he places the lovers in were a historical series of events in which contemporary gays and lesbians (or sodomites and tribads) were persecuted, tortured, publicaly humiliated, and murdered at the behest of the Catholic Church, whose hands were considered bloodless for having put the Spanish Crown in charge of meting punishments.

As revealed in the beginning of Matt Wagner’s initial story arcXanadu is first known long ago as Nimue Inwudum, a name she stopped going by after being deceived by Merlin. Readers have seen Xanadu in a romantic relationship with magician John Zatara, father of Zatanna, who very much wanted to marry her. His proposal was turned down because Xanadu had seen the future love of Zatara’s life in a vision.

After her short lived series ended, Xanadu became a supporting character during part of the second volume of The Spectre. It remains to be seen if or how Wagner will acknowledge or incorporate any elements of her appearances there in his stories or the more recent events that occurred in Days of Vengeance in which an out of control Spectre blinded Xanadu struck out against magic and its users.

Xanadu’s first appearance was in Doorway To Nightmare #1, her first short lived comic. Matt Wagner reveals Xanadu having loved Marison in Madame Xanadu #11. Read Madame Xanadu’s Wikipedia entry for more information.

The “Exodus Noir” trade is available for pre-order at Amazon.

Please read Nobody Expects the Spanish Inquisition.

© and ® Dc/ Vertigo Comics. Used without permission. Created by David Michelinie and Val Mayerik.

Kathy and Lennie

Sunday, October 25th, 2009
Art by Chris Bachalo or Jan Duursema

Art by Chris Bachalo or Jan Duursema

Kathy George came from a fairly well off Southern family, but decided to move north and become free spirited. She fell in love with Roger, an African American, perhaps out of defiance to her family’s attitudes. She convinces Roger to meet her parents. Shortly before Kathy and Roger arrive at her parents’, Troy Grenzer breaks into the house and brutally murders her parents. Grenzer is caught in the aftermath by Kathy and goes after her. Roger comes to her aid, attacking Grenzer. When the police arrive, they decide that Roger is the murderer and fatally shoot him.

Time passes with Kathy in a state of depression. She’s outside the prison on the day of Grenzer’s execution. At the same moment of his execution Shade crosses over from the Area of Madness, possesses Grenzer’s body, teleports in front of Kathy, and orders her to drive off. Thus starts their great American road trip to search for the Madness Stream that’s been affecting people.

Kathy winds up alone scared and without money in New York, and has no luck searching for friends she knew from before. Her last hope is to find Ray. Like all her other friends, Ray has moved on. Lennie (Lenora Shapiro), the new tenant is intrigued by Kathy and takes her in. They share a little adventure in which Lennie holds up a cabdriver. Shade makes his way back through the Madness Stream to Kathy, and for lack of anything else to do, Lennie gets involved in their bizarre,
“hallucinogenic” road trip.

Later, Kathy and Lenny visit relatives of Kathy’s who live on a Montana farm. Alone in the barn, they have a long conversation and kiss. Neither is quite sure what to make of it, especially Kathy who has been in love with Shade. The story in issue #26 is told from Kathy and Lennie’s points of view as they lay naked in bed talking with each other. Peter Milligan, the series’ writer, comes up with the most surprising way for Shade to find out this bit of news. Kathy and Lennie’s relationship continues for a while. Jealous, Shade asks Kathy if she and Lennie are still having sex, and then tries to turn the table on them by kissing Lennie. Soon afterwards, Kathy gets pregnant by Shade. During her pregnancy Kathy realized she’s not in love with Shade, and they become friends. In a case of being in the wrong place at the wrong time, Kathy is shot while shopping. She lives long enough to deliver her baby.

Being part human and part Metan, Kathy’s baby George isn’t normal. His metabolism is much faster than a human’s and he grows up and dies within a short time. Shade uses his power to safekeep George’s soul until he can transfer it into another body. As irony would have it, the child’s new body belongs to Lilly, Lennie’s estranged daughter.

Milligan wraps up the series by having Shade go back in time. History is rewritten so that Troy Grenzer never murdered Kathy’s parents and her fiance Roger was never killed by police. Lenny was back in New York, Kathy was living in a Montana farmhouse and Shade had gone to be with her.

Kathy first appears in Shade #1, vol 2 and Lennie in #8. Kathy may have been bisexual. In any case. they’re outed in #20.

© and ® Vertigo Comics. Used without permission. Created by Peter Milligan.

Enigma

Saturday, October 24th, 2009
Art by Duncan Fegredo

Art by Duncan Fegredo

Contributed by Bill Reid

We meet Michael Smith, a compulsive, late-20’s, heterosexual phone repairman living a highly-structured life in Pacific City, California. We’re told he knows he’ll be having sex with his girlfriend tonight because it’s Tuesday, and they always and only have sex on Tuesday.Other characters include Titus Bird, the queer writer of the superhero comic book series “The Enigma,” which stopped after three issues when the publisher folded.

Characters from the series start appearing in Pacific City, over 25 years after the series ended. The title character of “The Enigma” was a major part of young Michael’s life, “a man in a mask and a cloak who was his mysterious friend. . . glimpsed in the unlit alleyways of his childhood,” (Michael’s father was killed in an earthquake, and he was abandoned by his mother around age 9).

Shortly after the series abruptly ended, an infant is born who is an extraordinary leap forward in human evolution. He causes his father’s face to be disfigured. His horrified mother throws the baby down an almost-dry well and shoots the father’s head off with a shotgun. The baby is able to survive on his own and lives in the well for 25 years. After he is discovered, he wanders the Southwest, eventually finding the ruins of Michael’s childhood home and, of course, copies of “The Enigma.” He adopts the identify of The Enigma, and causes other people to adopt the identities of the villains from the books he found.

Michael tracks down Titus in Texas and rescues him from a group of crazed fans, The Enigmatics, who consider Titus to be “some kinda guru.” Neither can understand how or why these characters are suddenly appearing, but they are sure that Michael is somehow directly linked to the events. They decide do some investigating.

enigma2In a bar they stop at on their way back to California, Titus makes a pass at Michael, who in turn floors Titus with a punch. Titus apologizes, and Michael is shocked that Titus assumed he was queer. Michael’s violent reaction to Titus’ offer of sex is later revealed to be because he is starting to realize that perhaps he is indeed sexually attracted to men and was “scared of the truth.” He succumbs to this desire when he finally meets The Enigma, who is an essentially emotionless being of incredible powers and unfamiliar with the concepts of right and wrong.

In the final issue we learn that The Enigma caused Michael to become homosexual because he needed to experience emotions, to learn to “be a little more . . . human. To feel a little love and compassion. . .” because he knows he needs this to defeat his most powerful enemy, his mother, who had gone insane after she discovered what a freak he was. The Enigma had sought out Michael specifically because he could tell how much the comic books had meant to young Michael when he found them. The Enigma offers to change Michael back to the way he was, (a heterosexual), but Michael declines the offer. The series ends just as Michael, Titus, and The Enigma go off to meet The Enigma’s mother, who had recently been transformed into a monstrosity.

Like the Sebastian O mini series by Grant Morrison, The Enigma was originally part of Disney’s planned line of mature comics that never appeared. Karen Berger picked up the two series and used them in Vertigo’s launch. The Engima tpb can still be found on Amazon.

Smith and The Enigman first appear in Enigma #1, Titus in Enigma #3. Titus is outed in #3, Michael and The Enigma in #6.

Enigma © and ® 1993 by Peter Milligan and Duncan Fegredo.Published by DC Comics. Used without permission.

Jayesh & Karl

Saturday, October 24th, 2009
Art by Chris Weston

Art by Chris Weston

Jayesh is a young man working in his father’s small grocery store in Hamburg, Germany. They’re immigrants, perhaps from India since the name “Jayesh” seems to be on Indian origin. Jayesh is first seen returning to the family store where his father his alarmed by a skinhead that’s walked in off the street. Jayesh grabs a bat to scare off the stranger, and is surprised to see a young, blond man named Karl. He’s looking for antiseptic ointments for cuts he received on his arm.

Jayesh finds Karl attractive and finds the courage to ask Karl out for a drink later that night. Karl accepts but warns him to come to the back door at his job. Karl’s friends are racists and it wouldn’t do for them to be seen together. Jayesh is quite happy.

Unfortunately, his happiness is very short lived. Later that night Karl with his friends in tow surprises Jayesh. They surround and threaten him, calling him “queer” and “bhaji boy.” Suddenly Jayesh is being kicked and beaten on the dirty alley. One of the men hands a broken bottle to Karl and tells the others to pull down Jayesh’s pants. Karl is instructed to shove the bottle into Jayesh’s exposed buttocks. He does so, but seems to be in shock judging from his blank state at the
bloody glass.

Karl himself is first seen earlier in the story in a scene in which he’s getting a tattoo. The design is a “Deutsher Sieg,” a raised fist with the phrase above and below it. Karl has a low pain threshold and stops before the design is completed. So, there were no mysterious cuts on Karl’s arm. He simply wasn’t telling the truth to Jayesh.

The two men are seen again much later in the series. They’re living together and Karl is taking care of Jayesh, who is suffering the after effects of the beating. For some reason Karl believes Jayesh is unaware of his culpability in the beating. In reality, Jayesh does know Karl’s role, but will not bring up the issue because in the end he has Karl’s love and devotion.

Jayesh and Karl first appear in Lucifer #2 and not seen again until #62 when their story concludes.

© and ® Vertigo Comics. Used without permission. Created by Mike Carey.

Charles Mowbray & Jeremy

Saturday, October 24th, 2009

Contributed by Ronald Byrd

In what is presumably a few years in the future, 32-year-old Charles Mowbray, heartbroken when Jeremy, his boyfriend of six years, leaves him, undergoes “a series of injections and some electrotherapy” to change his sexual orientation. A week after the procedure which “chemically altered the gene that predisposed [him] to homosexuality,” Charles (or “Chuck,” as he renames himself), starts pursuing women and hits it off with Lisa Killing, who accompanies him back to his apartment. However, Lisa leaves when Jeremy returns asking forgiveness; despite the procedure, Charles cannot deny his love for Jeremy, and the two are reconciled.
charlesmowbray
Heartthrobs was a four-issue DC/Vertigo anthology of various stories relating to sex and relationships, many of them rather macabre or pessimistic; Charles’s story (“Genes and a T-Shirt” from #1) was one of the most straightforward and romantic.

Hazel & Foxglove

Friday, October 2nd, 2009

hazelContributed by Ronald Byrd

Shortly after moving to New York to become a chef, Hazel McNamara was introduced to Donna (Foxglove) Cavanagh by Hazel’s brother, Johnny, who met Donna in a writer’s workshop. Hazel fell in love at first sight (“It was utterly like, Hi, whoever you are, I want to be with you for ever.”) with Donna, who was in a depression over the death of Judy, her abusive ex-girlfriend. Some time after this, Donna, wanting to set her old life with Judy behind her, changes her name to Foxglove, and she and Hazel become lovers. Little else is known about their past save that Hazel is originally from Vermont and that Foxglove came out to her “psycho mom” when she was sixteen; Foxglove is apparently a Pagan, since she has stated that she worships a Goddess.

Comic book readers first meet the pair when they are drawn into a mystic drama surrounding a woman named Barbie, who lives in their apartment building and whose spirit is drawn into a magical dreamland. Although they accompany another fellow tenant, the centuries-old sorceress Thessaly, into Barbie’s dream, where the situation is ultimately resolved by the mystic entity known as the Sandman, Hazel and Foxglove play no real role in the unfolding conflict, instead experiencing a more personal crisis when Foxglove learns that Hazel is pregnant from a one-night stand with a male co-worker; Foxglove is furious but does not reject Hazel for the infidelity. When a mystic storm destroys their apartment building (killing Barbie’s best friend, transvestite Wanda (nee Alvin) Mann, who was guarding Barbara’s mortal body) in the adventure’s aftermath, the couple move in with Hazel’s mother, and (as seen in Death: The High Cost of Living) Foxglove begins a singing career that results in a record contract shortly after Hazel gives birth to a son, Alvie (evidently named after their deceased friend). The three move to Los Angeles, where Fox’s rising success, during which she is advised not to come out to her audience but has several flings with other women, creates a rift between her and Hazel, but the two are reconciled and reaffirm their love after an encounter with the Sandman’s sibling, Death (in Death: The Time of Your Life). Foxglove is outed by her French paramour Veronique talking to Damsels Magazine, and her career briefly peaks, but she withdraws from the music world. Her disappearance is so notable that The World Weekly News later reports her doing gigs with Buddy Holly, which Foxglove claims makes her “more a legend. Or a dream” than a celebrity. She relocates to suburbia with her spouse and their child, where they are at last report living happily ever after.

Hazel and Foxglove first appear in Sandman #32 (A Game of You arc) and reprinted in Sandman: A Game of You tpb. Created by Neil Gaiman.

© and ® of DC Comics. Used without permission.

Donatella

Monday, September 28th, 2009
Art by David Lapham

Art by David Lapham

First seen in issue #1 of David Lapham’s Young Liars, Donatella, also known as Don Diego, Don, and Donnie, appears to be a transgendered person and one of a group of friends that inhabit part of the Manhattan club scene. Not enough information has been by Donatella to ascertain the character’s sexuality, though Danny, one of the other characters refers in some internal monologue to Donatella as a guy. Donatella presents herself visually throughout the story as a woman. Another character, Sadie, mentions that Donnie sometimes gives men oral sex when rent money is short. We also learn through Danny that Donatella’s dream is to open a café where “some of the waiters are girls and some aren’t, but you can’t tell which is which.” Donatella is beaten up and called a “faggot punk” when a drug deal goes bad in one of the club’s restrooms.

In later issues the stories moved from Manhattan to various locations. Lapham sparingly revisited the character as both Donatella and Don, who’s been convinced he leads a perfectly normal and boring life as a therapist, just as the other residents of the “Brown Bag” dominated town (a reference to Wal-Mart) are similarly convinced that their lives are numbingly typical.  My understanding of the confusing plot, which is undoubtedly compounded by cancellation, is limited, making an attempt for real clarification of the character’s significance moot. Lapham never fully addressed the character’s orientation and gender identity.

© Lapham Inc. Used without permission.

New Stuck Rubber Baby

Tuesday, August 18th, 2009

Pamela Mullin, writing on Vertigo’s Graphic Content blog, noted that the comics imprint will reissue a new volume of early gay comics pioneer Howard Cruse’s Stuck Rubber Baby graphic novel. The new edition will contain an introduction by Alison Bechdel, creator of Dykes to Watch Out For and Fun Home. Mullin gives only 2010 as a publication date.

Set during the civil rights movements in the 1960s, Stuck Rubber Baby is the story of a young man who comes to terms with his homosexuality while he fights for civil rights for African Americans. A new edition of this book seems poignant in the aftermath of Proposition 8′s passage and the confusion and high emotions felt by some in the LGBT community that it had become a lightning rod for prejudice at worst and let down at best.

Found via Robot 6.