Posts Tagged ‘Vertigo’

Charles Mowbray & Jeremy

Saturday, October 24th, 2009

Contributed by Ronald Byrd

In what is presumably a few years in the future, 32-year-old Charles Mowbray, heartbroken when Jeremy, his boyfriend of six years, leaves him, undergoes “a series of injections and some electrotherapy” to change his sexual orientation. A week after the procedure which “chemically altered the gene that predisposed [him] to homosexuality,” Charles (or “Chuck,” as he renames himself), starts pursuing women and hits it off with Lisa Killing, who accompanies him back to his apartment. However, Lisa leaves when Jeremy returns asking forgiveness; despite the procedure, Charles cannot deny his love for Jeremy, and the two are reconciled.
charlesmowbray
Heartthrobs was a four-issue DC/Vertigo anthology of various stories relating to sex and relationships, many of them rather macabre or pessimistic; Charles’s story (“Genes and a T-Shirt” from #1) was one of the most straightforward and romantic.

Hazel & Foxglove

Friday, October 2nd, 2009

Contributed by Ronald Byrd

Shortly after moving to New York to become a chef, Hazel McNamara was introduced to Donna (Foxglove) Cavanagh by Hazel’s brother, Johnny, who met Donna in a writer’s workshop. Hazel fell in love at first sight (“It was utterly like, Hi, whoever you are, I want to be with you for ever.”) with Donna, who was in a depression over the death of Judy, her abusive ex-girlfriend. Some time after this, Donna, wanting to set her old life with Judy behind her, changes her name to Foxglove, and she and Hazel become lovers. Little else is known about their past save that Hazel is originally from Vermont and that Foxglove came out to her “psycho mom” when she was sixteen; Foxglove is apparently a Pagan, since she has stated that she worships a Goddess.

Comic book readers first meet the pair when they are drawn into a mystic drama surrounding a woman named Barbie, who lives in their apartment building and whose spirit is drawn into a magical dreamland. Although they accompany another fellow tenant, the centuries-old sorceress Thessaly, into Barbie’s dream, where the situation is ultimately resolved by the mystic entity known as the Sandman, Hazel and Foxglove play no real role in the unfolding conflict, instead experiencing a more personal crisis when Foxglove learns that Hazel is pregnant from a one-night stand with a male co-worker; Foxglove is furious but does not reject Hazel for the infidelity. When a mystic storm destroys their apartment building (killing Barbie’s best friend, transvestite Wanda (nee Alvin) Mann, who was guarding Barbara’s mortal body) in the adventure’s aftermath, the couple move in with Hazel’s mother, and (as seen in Death: The High Cost of Living) Foxglove begins a singing career that results in a record contract shortly after Hazel gives birth to a son, Alvie (evidently named after their deceased friend). The three move to Los Angeles, where Fox’s rising success, during which she is advised not to come out to her audience but has several flings with other women, creates a rift between her and Hazel, but the two are reconciled and reaffirm their love after an encounter with the Sandman’s sibling, Death (in Death: The Time of Your Life). Foxglove is outed by her French paramour Veronique talking to Damsels Magazine, and her career briefly peaks, but she withdraws from the music world. Her disappearance is so notable that The World Weekly News later reports her doing gigs with Buddy Holly, which Foxglove claims makes her “more a legend. Or a dream” than a celebrity. She relocates to suburbia with her spouse and their child, where they are at last report living happily ever after.

Hazel and Foxglove first appear in Sandman #32 (A Game of You arc) and reprinted in Sandman: A Game of You tpb. Created by Neil Gaiman.

© and ® of DC Comics. Used without permission.

Donatella

Monday, September 28th, 2009
Art by David Lapham

Art by David Lapham

First seen in issue #1 of David Lapham’s Young Liars, Donatella, also known as Don Diego, Don, and Donnie, appears to be a transgendered person and one of a group of friends that inhabit part of the Manhattan club scene. Not enough information has been by Donatella to ascertain the character’s sexuality, though Danny, one of the other characters refers in some internal monologue to Donatella as a guy. Donatella presents herself visually throughout the story as a woman. Another character, Sadie, mentions that Donnie sometimes gives men oral sex when rent money is short. We also learn through Danny that Donatella’s dream is to open a café where “some of the waiters are girls and some aren’t, but you can’t tell which is which.” Donatella is beaten up and called a “faggot punk” when a drug deal goes bad in one of the club’s restrooms.

In later issues the stories moved from Manhattan to various locations. Lapham sparingly revisited the character as both Donatella and Don, who’s been convinced he leads a perfectly normal and boring life as a therapist, just as the other residents of the “Brown Bag” dominated town (a reference to Wal-Mart) are similarly convinced that their lives are numbingly typical.  My understanding of the confusing plot, which is undoubtedly compounded by cancellation, is limited, making an attempt for real clarification of the character’s significance moot. Lapham never fully addressed the character’s orientation and gender identity.

© Lapham Inc. Used without permission.

Abbé

Tuesday, May 12th, 2009
Art by Steve Yeowell

Art by Steve Yeowell

Abbé is one of the supporting characters in Grant Morrison’s “Sebastian O” mini series which is set in an alternate steapunk-ish England. The character is introduced mid way through issue #2. Text states he had been defrocked and convicted on a number of charges, including pederasty, brought against him during the trial that followed the Club de Paradis Artificiel raid. Abbé earned an early parole by becoming a model prisoner and leading hardened convicts to Christ’s teaching through his daily sermons.

After his release, Abbé retired to his home in the country where he tends his creation, the Mechanical Garden, comprised entirely of elaborate mechanical flowers and trees. Abbé dresses in an embellished toga, and gestures a bit theatrically. The painting above his fireplace is of Saint Sebastian’s torso pierced with arrows. Of course, he also “cares for” a number of underprivileged and pre-pubescent boys on his grand estate.

While on the run, Sebastian O turns to Abbé for information about Lord Lavender’s plans and how it relates to the Club de Paradis Artificiel. The club’s purpose was to create an artificial environment of “cosmetics, luxuries, apollonian artworks.” Abbé replies that Lavender has taken the club’s creed to its extreme. What he doesn’t tell Sebastian is his role in this
business. Lavender had threatened both Abbé and George Harkness into helping him. Abbé’s expertise in creating the Mechanical Garden was crucial to Lavender’s attempts to utilize magic lantern technology for his self-serving purposes.

Their meeting is cut short when the remaining two Roaring Boys dispatched by Lavender to capture O arrive at Abbé’s estate. Off panel, one of the villains cuts out Abbé’s gums and as he lies dying in his world of artifice he asks O to hear his confession. O politely declines, and Abbé utters the words “magic lantern” as a final clue to Lavender’s schemes.

Morrison’s “Abbé” may be a reference to late 19th century artist and writer Aubrey Beardsley, whose initials are A B (pronounced like Abbé in French). Or the reference may be to the hero alternately named Abbé Aubrey, Chevalier Tannhäuser to Abbé Fanfreluche in Beardsley’s unfinished erotic book also alternately titled “Venus and Tannhäuser” and “Under the Hill.”

Abbé’s appears first on issue #1′s cover and is confirmed gay in the second issue.

Read the related bios for Sebastian O and George Harkness.

© and ® Grant Morrison and Steve Yeowell. Used without permission.

George Harkness & Phoebe

Tuesday, May 12th, 2009

George and Phoebe appeared as supporting characters in Grant Morrison’s “Sebastian O” mini series from 1993. They are members of a steampunk England’s social elite, a world where computers and modern technology are part of Victorian England. George is a woman who dresses in dapper, upper crust male attire and sports a pipe. Phoebe wears appropriate women’s dress: a billowing, pink hoop skirt and matching jacket, and uses a pink umbrella to shade her delicate skin from the sun. George is a writer, having written at least one novel titled “Daughters of Amberley” which was transcribed by Phoebe in her role as George’s “amanuensis.”

The pair are first met in the Sebastian O story when the title character runs from the Abbe’s estate with the police on his heels. George is hunting birds and Phoebe is simply Victorian eye candy when Sebastian comes across them in the woods near George’s estate.

Art by Steve Yeowell

Art by Steve Yeowell

As a tribad (lesbian), George was implicated in the scandal following the police raid on the Club de Paradis Artificiel. She might have suffered similar fates as Sebastian and Arthur Truro, who were imprisoned, had she not given in to Theo Lavender’s threats and ultimatums. Lavender coerced George in to creating a mathematical model of human group interactions, something she’d done in plotting her “Amberley” novel, for Theo to use as a basis for his plan with magic lantern technology.

George and Phoebe greet the police holding hands when they arrive in their search for Sebastian. George admits to knowing the escaped convict, and tricks the officers not to search the residence by admitting they suffer from the “contagion” of tribadism, and expressing concern that the men might transmit it to their wives and loved ones. Thus, they buy Sebastian the
time to confront Lavender and to put an end to his schemes. This is the last we see of the pair.

George and Phoebe may have been an allusion on Morrison’s part to the Ladies of Llangollen.

Additional note – Amanuensis comes from Latin, from the phrase (servus) a manu, “slave with handwriting duties,” from a, ab, “by” plus manu, from manus, “hand.”

Read the related bios for Sebastian O and Abbe.

© and ® Grant Morrison and Steve Yeowell. Used without permission.

Sebastian O

Tuesday, May 12th, 2009

 

Art by Steve Yeowell

Art by Steve Yeowell

 

Set in a steampunk version of Britain where modern day technology exists in Victorian times, Morrison’s Sebastian O is an analog or inspiration of real world Oscar Wilde. Like Wilde, Sebastian has been imprisoned for his debauched morality resulting from a raid on Club de Paradis Artificiel. A judge deemed O immoral based on a small book of poems and essays he’d written based on the theme of Uranian love (see below note). While others had been arrested during the raid, only O and a young man named Arnold Truro were sent to prison. O was put into solitary confinement from which he escapes by resorting to a gruesome means.

Lord Lavender, whose first name is Theo, was involved in the scandal following the club raid. He emerged from the scandal with his reputation intact. In fact, he rose to a place of power as Queen Victoria’s chief scientific advisor while he threatened others or had them maimed or murdered. Upon learning of O’s escape, Lavender and his nephew Piers plot his capture.

Meanwhile, as befits a self-styled dandy, Sebastian has returned home to clean up. A small contingent of police push their way into O’s home determined to apprehend the man. The house as designed by architect Lord Carhaix has hidden rooms and other devices that engage the police until O is dressed and ready to confront the police. After shooting the sergeant, O escapes into the sewer system. Lord Lavender decides to use extreme measures and sends a young servant boy to enlist the services of the ruthless Roaring Boys to capture O.

O dispatches the first of the three Roaring Boys with a bullet in the head while travelling through the sewers. As expected by Lord Lavender, O makes his way to the estate of Abbé , another Club regular, who became a model prisoner, offering the Lord’s guidance to other prisoners. Abbé offers O hospitality and champagne, but O wants to know how Lavender was able to buy Abbé’s silence during the Club scandal affair. Before O can learn anything from Abbé, the two remaining Roaring Boys burst into the mansion intent on capturing the dandy. O survives the encounter with cunning and luck while Abbé is not so fortunate. He barely is able to utter the words “magic lantern” as a clue to Lavender’s plans when O realizes the police have spotted him from one of their flying gun ships.

On the run, O has the good luck to run into George and Phoebe on an impromptu hunt. George is a woman who dresses in Victorian male drag, and Phoebe wears a grand hoop skirt. In George’s study, O recounts the story of the club raid, his suspicion the charges were trumped up by Lavender for unknown reasons, and of Arnold Truro’s fate in prison. George shares that she and Abbé were blackmailed into silence and cooperation with Lavender. George reveals his plan involved the use of magic lantern technology (virtual reality), but for what purposes she does not know.

Still on the hunt for O, a half dozen police arrive at George’s estate. The two women hand in hand greet the officers. In a small gambit, George admits to knowing who Sebastian is, but cautions the officers about entering with the confession the she and Phoebe “suffer” from tribadism (see below note), and it cannot be guaranteed the “disease” will not be carried back to their wives and loved ones.

The penultimate scene finds O jumping onto the roof of a train car as the train enters a tunnel. Sebastian enters Lavender’s private compartment while the interior lights are momentarily out, and deftly dispatches nephew Piers with a quick slash to the throat. Sebastian informs Lavender he wants a full pardon. Pushing a few buttons on his Victorian-era computer, Theo states the pardon is granted. In that statement, however, a greater truth is revealed: Queen Victoria has been dead some months and it is he that rules England through the use of computer generated imagery of the deceased monarch. A fight ensues when Lavender thrusts a blade tipped cane at O. The altercation continues on to the train car roof. The matter of Lavender’s treachery is settled when Sebastian fires a bullet into the man, loosening his grip, and sending him to his death on the pavement far below.

Sebastian eludes the bumbling police a final time, and upon returning home, is confronted with the last of the Roaring Boys. Thankfully, O dispatches this last threat in very little time before settling back into the debauched routines of his old life.

Additional notes – “Urning” is a term coined in the 19th century by Karl Heinrich Ulrichs, considered to be the first modern theorist of homosexuality. “Tribadism” is a precursor to the word lesbianism. Tribad corresponds to lesbian.

Read the related bios for George Harkness and Abbe.

© and ® Grant Morrison and Steve Yeowell. Used without permission.

Bobby Shepherd

Saturday, May 2nd, 2009

bobbyshepherdThe lead character in Vinyl Underground a bit of a 21st century occult version of the Mod Squad, is Morrison Shepherd, who believes himself to be the son of Bobby Shepherd, UK football sensation.The elder Shepherd is referred to only in flashbacks or photos, and the circumstances leading up to his marriage to a minor British actress (who remains unnamed in the series) is not elaborated. What is known is that Shepherd died in a car accident to which the media tried to find mob links.

Tommy McCardle was a friend of Morrison’s parents.He’s widely known to have been an enforcer for the Mitchells, the last of the true London gangsters. Throughout the series he tries to pry information about his mother from McCardle. Morrison goes to visit McCardle in the hospital as he recovers from an incident. He’s figured out that McCardle is really his biological father. What surprises Morrison is when McCardle tells him his father was gay and that his mother willingly married to become Shepherd’s cover(issue #12). Perhaps more of Shepherd’s story would’ve been dealt with if the series hadn’t been cancelled.

© Si Spencer and Simon Gane. ® DC Comics. Used without permission.

John Constantine

Tuesday, April 28th, 2009

Please note this entry focuses on a very specific part of Constantine, and does not deal with the fictional character’s entire history. Refer to Wikipedia’s Constantine entry for a much more detailed account.

hellblazer51page5bThe great love of Constantine was a woman named Kit Ryan, but her prominence in his heart doesn’t preclude others in his life. The first indication of Constantine’s bisexuality was casually mentioned in a single panel of the character’s internal monologue in Hellblazer #51 in a single-issue story written by John Smith and drawn by Sean Phillips.

After a serious incident in which Kit fears for her life, Kit decided to leave Constantine, saying she’s moving to Belfast (issue #67). Constantine goes on a drunken bender, getting into a fight on the street with three young men. Long time friend Chas stops John and takes him back to his flat. John proceeds to provoke a fight with his friend. The behavior escalates till John finds himself drunk in a cemetery at midnight.

John continues to spiral out of control until he ends up as a drunk living on the street. It isn’t clear how much long this has been his current state though test in issue #68 indicates the month is December. Two antagonists are introduced: one man that is referred to as either “my lord” or “king of the vampires” and a younger looking man named Darius. They’ve taken a man, stripped him and tied him up at the top of one of the towers on Tower Bridge. Constantine is the topic of conversation. Darius suggests forgetting him so as not to “spoil a perfect evening” but the hint is ignored till a third vampire named Mary arrives and their feast starts. Darius erotically licks the man’s blood dripping from his lord’s bare chest and stomach. Once finished here the trio makes plans to split up to find more victims and later meet an hour before dawn.

Constantine meets a young man named Davey also living on the streets, and begrudgingly befriends him. Davey confides his story of leaving Sheffield for London after college and becoming a rent boy when there wasn’t any work to be found. They continue talking and drinking into the night. The story takes a dramatic turn when the King of Vampires happens to chance across a sleeping Constantine. Davey is likewise sleeping; his head nestled on John’s shoulder. (Issue #68)

Davey wakes up feeling sick, rousing Constantine as well. They go for a walk and Davey complains of his neck hurting. The king of vampires looks on from a distance as Constantine pulls off the man’s coat, revealing a blood soaked shirt. The king snaps his fingers and blood from Davey’s carotid artery spurts out, causing him to lose consciousness and die. Meanwhile, Darius and Mary have returned to their spot on Tower Bridge. Darius is concerned for their missing lord, referring to him as lover, king, and friend. Cut back to Constantine’s predicament of either certain death or transformation into a vampire. Either way it looks like the end when the king bites Constantine. Ingesting Constantine’s blood causes the king to react violently, much to his horror and Constantine’s amusement when John realizes being tainted with demon blood has saved him. The sun rises and seals the vampire’s death. Below ground Darius and Mary react empathetically to the death. Darius leaves Mary to find his dead lover and join him in death. Constantine returns to where Davey died only to find a pair of police officers standing over his body. John’s enraged by their epitaphs and lunges at them, only to be beaten and kicked. (Issue #69) While this story doesn’t contribute directly to Constantine’s bisexuality, it does show his compassion for another person who may not be heterosexual, as some of Davey’s dialog implies.

johnconstantine2It isn’t until Brian Azzarello and Marcelo Frusin’s five-part story in issues #170 – 174 (“Ashes and Dust”) that Constantine’s bisexuality is a topic again.

FBI Agent Frank Turro arrives in Los Angeles to investigate a mysterious death that occurred in an exclusive S & M sex club. Turro is a recurring character that Azzarello introduced to the series in his initial story arc that told of Constantine’s incarceration in a U.S. federal prison.

The corpse in question is John Constantine. Turro persuades LAPD Detective Havlik to bring in the club’s members for questioning. The story of what happened that night slowly begins to take shape from several eyewitness accounts.

In between scenes at the LAPD is a closely connected story involving wealthy industrialist Stanley Manor, or S.W. as he prefers to be called, whose parents died when he was a child. S.W. sees Constantine mysteriously appear in a mirror and summons Father Sean to his estate so he can confess, or so he claims while waxing both pompously and philosophically.

Back at the police station, more puzzle pieces fall into place for Turro. A smug club employee named Graham mentions hating Constantine for his attitude and alludes to whipping a male club member that night but refuses to name the man. Joey, a transsexual, tells of being sexually teased by Constantine. Joey also relates a fuller account than Graham. A flashback shows Graham severely beating a man. Another man is seen taking the whip from Graham’s hand. The figure emerges from shadows; it’s Constantine. He approaches the shackled man whose face is shown clearly for the first time: it’s S.W. John leans in to kiss him and a conversation follows. A different witness refers to the pair as boyfriends. Another club patron is “physically persuaded” to give up the other man’s name to Turro, giving the FBI agent a solid lead.

Meanwhile, S.W. recounts to Father Sean a couple of important incidents with John. One of these occasions includes another kiss between the two men, though this time shown in silhouetted profile. S. W. relates that in this particular incident Constantine revealed his power to him. Intrigued, Stanley, as John calls him, allows himself to be shackled. John implicitly uses his magical ability to combine with Stanley’s pain as he flagellates his lover to conjure the ghosts of his dead parents. Their spirits express great disappointment in how their son has turned out as an adult. Stanley has done some horrible things, as Azzarello tells us through the character’s monologue and actions. Stanley’s love for John turns to hate when the Englishman walks away and out of his life, leaving him shackled and at the mercy of his spectral parents’ scorn.

Part five recounts the events in the sex club from S.W.’s point of view. It reveals a grand plan for revenge against Constantine in which S.W. used himself as bait to lure his former boyfriend. Azzarello also tells readers how Constantine burnt to death, but I’m not going to divulge everything here. Back in the story’s present, all hell is breaking loose on S.W.’s estate as events head to a close. A pyschologically and emotionally distraught S.W. chooses to elude impending arrest by Turro and shoots himself. Shortly thereafter, Constantine mysteriously appears to survey the aftermath and subsequently vanishes before Detective Havlik and her officers arrive at the scene.

Constantine was created by Alan Moore and first seen in Swamp Thing #37. He was revealed to be bisexual in #51.  Constantine is based primarily London, but some stories have taken place in other locations. Mostly a loner, Constantine on occasion has been associated with The Trenchcoat Brigade, The Newcastle Crew, The Order of St Oran, and Mucous Membrane.

According to the character’s Wikipedia entry, Constantine has a variety of abilities that include but are not limited to: divination, necromancy, demonic summoning, and making illusions.

© and ® DC/ Vertigo. Used without permission.

Wanda Mann

Monday, March 23rd, 2009
Art by Shawn McManus

Art by Shawn McManus

By Ronald Byrd

Birth name: Alvin Robert Caleb Mann
Base of operations: New York City
First Appearance: Sandman #32
Outed: Sandman #32

Born in Kansas, Alvin Mann recognizes his sexuality [as an adult she shares with her friend Barbie a dream about making out with Weirdzo Lila] and transgendered identity as a teenager. Fleeing the wrath of a fundamentalist family, Alvin moves to New York and re-creates himself as Wanda; frightened of surgery Wanda never undergoes a sex-change operation, but she does grow her hair long, undergoes electrolysis, and take hormones. Wanda’s appearance and dress are so convincing that some believe her to have been born a woman.

When her best friend, a woman named Barbie, is drawn into the mystic dream world of her childhood by an entity called the Cuckoo, others in the apartment building they share, including Wanda, are victimized by nightmares of their own (see bracketed comments below). Seeking vengeance, one of the tenants, the centuries-old sorceress Thessaly, conducts a lunar ritual that allows her and two other tenants, the lesbian couple Hazel and Foxglove, to enter Barbie’s dream and rescue her. Because of the nature of the spell,  Wanda, who still retains a penis, cannot accompany them (as the disembodied face of the Cuckoo’s agent, George, explains to her: “It’s chromosomes as much as uh anything”), and she remains behind to guard Barbie’s physical body.

Art by Bryan Talbot

Art by Bryan Talbot

Barbie and the others return to the real world safely, but not before Wanda and a derelict named Maisie Hill are killed when a mystic storm, created as a side-effect of Thessaly’s spell, destroys the apartment building. When Wanda’s body is returnedto Kansas, her family has her buried in a suit, with hair cut like a man’s, under a tombstone with her birth name, effectively erasing the new identity she created for herself; after the funeral, however, Barbie leaves a Hyperman comic book featuring the Weirdzos (i.e. Bizarros from “Superman”) with whom Wanda identified on her coffin and writes the name “Wanda” in lipstick [in Wanda's favorite shade] on the tombstone to commemorate the name and identity that her friend wanted. Later, in a dream, Barbie sees a beautiful, more feminine Wanda happy in the company of the entity Death.

Earlier events of Wanda’s life are recounted in two stories—”Escape Artist” by Caitlin R. Kiernan and “An Extra Smidgen of Eternity” by Robert Rodi—in the prose anthology “The Sandman:  Book of Dreams,” edited by Neil Gaiman and Ed Kramer.

[There is a revealing dream involving Wanda in issue #33. Wanda dreams of being in a department store and a female salesclerk offering her all the dresses she would like. Google eyed boys from her high school class pop up and disappear, to be replaced by Weirdzo Lila #1 who addresses her as "Alvin." Wanda states, "My name isn't Alvin. It's Wanda. I'm a woman." Lila exclaims her approval and insists on telling Weirdzo #1. The dream becomes nightmarish when weirdzo #1 insists "Us must operate immediately to make you imperfect." Wanda is stripped of her identity, shown naked as a biological male, shouting her fear of surgery while being strapped to a gurney against her will as Weirdzo holds a jaggedy saw in his hands. The dream ends with Weirdzo saying, "So what you am? A man or woman? Whatever you am, we make it better."]

[Maisie shows Wanda compassion and understanding after rescuing her. She recounts her grandson Billy who "was a cute little thing. He'd sashay around sweet as anythin'. He was savin' up fer the operation" and "just because someone's different don't make 'em bad." Gaiman touches on violence toward to trans-people when Maisie says Billy was found in a motel with his head crushed in.]

Created by Neil Gaiman. © by ® DC/ Vertigo Comics. Used without permission.

Allison Mann

Wednesday, March 11th, 2009

Art by Goran Sudzuka (Y The Last Man #47) and Pia Guerra (Y The Last Man #46)
Art by Goran Sudzuka (Y The Last Man #47) and Pia Guerra (Y The Last Man #46)
Dr. Allison Mann is a geneticist. When first seen in issue #1 she is in a hospital and on the verge of delivering a baby. Resident Michael Gilman, one of Mann’s former students, is on call when Mann comes in. She confides with her former student that she is pregnant with a child cloned from her own cells. After brief concerns about the legality of cloning, Gilman agrees to deliver the child, but he notices something isn’t right just before a plague strikes that wipes out all the males (with a very few mysterious exceptions). The presumption is Mann’s baby has died from the plague.

Yorick Brown, presumably the last human male, made his way from New York to Washington DC in search of his mother, a US Representative. She and other women in Congress and the President believe Dr. Mann may be able to help humanity with her cloning experience. The President agrees to let Yorick find Dr. Mann but only by putting a woman referred to only as Agent 355 in charge of protecting him. Yorick and Agent 355 find Mann’s Boston lab (issue #5). Mann tries to attack 355, thinking she’s being robbed. 355 explains her reasons but Mann at first declines to participate in more cloning, spilling her story about the cloned baby. Meeting Yorick, and Ampersand, the male capuchin helper monkey, changes her mind. Unfortunately, her lab is destroyed while they’re briefly away, setting them on a cross-country journey to reach her contingency site lab in California.

On the first leg of the trip Mann talks a little about herself and we learn her parents met at a conference in Taiwan. Mann’s ethnicity is Chinese and Japanese and she changed her family name to “Mann” as an insult to her father. 355 sustains a concussions during a surprise ambush and is nursed back to health by Mann in a hospital in the small town of Marrisville, Ohio, now populated with convicts from a nearby prison. Mann is at 355’s bedside when she starts talking deliriously, saying “I want you…” Mann’s reply (“I’m not sure what to say. I mean, obviously you’re a very—” is the first clue that Mann is a lesbian. Too bad for Mann that Yorick is really who 355 wants. (Issue #8)

On a short break after continuing their trek, Dr. Mann tries to bring up 355’s comment about Yorick with her, but 355 shoots the idea down, sayin she’s only trying to keep him out of trouble. Later the three of them are talking. Dr. Mann mentions the tests she’ll want to run on Yorick when they reach her alternate lab, and she refers to her “daughter’s embryonic cells.” Something isn’t quite right, as Yorick replies, “I thought the clone you gave birth to was a male.” Mann glosses over the slip, and it’s forgotten as an emergency arises.

That emergency involves a Russian agent, Natalya, who, once matters settle, reveals that a Soyuz escape pod will leave the Space Station to return to Earth, bringing with it one woman and two men. Her goal is to find the level four bio-hazard hot suite hidden in Kansas, where she intends to take the men. The normal Russian landing facilities are no longer available as a consequence of a nuclear accident. Yorick makes an off hand comment to Mann about possibly making a love connection with one of the male astronauts, to which Mann replies, “I find that highly unlikely.” (Issue #13) Tragedy strikes when the two men are killed in an accident upon landing.

Mann and Yorick have a conversation in which Mann says one of 355’s fellow agents reminds her of an ex. Yorick is confused by the comparison he makes with the female agent and Mann’s presumed ex-boyfriend, but Mann corrects his misunderstanding. (Issue #18).

In issue #21 Mann again talks about her cloned daughter. Yorick and 355 fail to get her to talk more about the gender confusion of the baby though Mann reveals the truth to 355 in issue #22. Dr. Mann was pregnant with a clone of herself, which died because of complications unrelated to the plague. In the following issue, Mann also confesses to 355 that she has a crush on the agent.

The trio finally arrives at Mann’s alternate lab in San Francisco (issue #27) and Yorick mysteriously falls sick shortly after his ring is stolen in a fight with members of the Setauket Ring. Mann convinces 355 to find the ring while she watches over Yorick and continues her research on him. A delirious Yorick gets Mann to tell him her family name is Matsumori (issue #28). Mann discovers the reason for Yorick’s illness is a sever case of food poisoning and serendipitously discovers the reason for Yorick’s survival is connected with antigens produced by his monkey Ampersand (issues #30 and 31).

A sword-bearing woman clad in black that works for someone referred to only as “Dr. M” steals ampersand. With the key to survival lying with Ampersand, the trio learn by happenstance that the thief and Ampersand are likely on a ship bound for Yokogata, a small port city in Japan where Allison’s mother lives. They secure passage on another ship bound across the Pacific. Mann and 355 are alone in a cabin and the situation quickly turns intimate between them, especially when 355 asks Mann if she can wear her glasses (issue #32). It leads to kissing, making out, and when the scene picks up again in the next issue, Yorick thoughtlessly walks in to the cabin to find Mann and 355 having sex. The incident becomes complicated by 355 wanting to forget about it, Yorick being upset over it with clues pointing to more 355 than to Mann, and finally by the appearance of Rose Copen, a spy for the Australian Navy who’s stabbed by a crew member and to whom Mann offers medical help.

After a horrible fight at sea, Mann, Yorick, 355, and Rose end up on the Australian submarine that stationed Rose. With her crewmates shunning her, Rose tries to have a conversation with Mann while she tends to the wounded, and confesses that she too is a lesbian (issue #35). Their nascent friendship continues in issue #37 during some rare free time after the submarine puts in at Sydney. Allison misinterprets “mate” when Rose says she has a “Japanese girl for a mate.” Allison and Rose share a touchingly romantic time flying a kite at a beach at one in the morning (issue #38) which leads to the two having sex. Unfortunately for Allison, Yorick, and 355, Rose is still working as a spy for her Australian captain, and getting close to Allison was the quickest method of achieving her mission (issue #39).

The quartet arrives in Yokogata and the device tracking Ampersand begins to work again, indicating that the monkey is in Tokyo. The four split up with 355 and Yorick traveling to Tokyo while Mann and Rose making the short trip to her mother’s lab/ home in the countryside. Before splitting up, Yorick asks 355, “Is it just me, or are those two…?” and 355 replies, “Fucking? Yes.”

Near her childhood home Allison impetuously decides to kiss Rose. The chapter ends showing the lab in blazes (issue #43). They check the remnants of the building after the fire has burnt out, but find no trace of Mann’s mother. The pair returns to town in the hopes that Mann’s mother has gone to a secret location housing a greenhouse/ lab that Allison discovered as a teenager. Mistaking the voices for intruders, Mrs. Matsumori stabs Rose in the stomach with a sword (issue #44).

Mrs. Matsumori makes up for her mistake by operating on Rose, but she also mentions something about Yorick that understandably shocks Mann since she believes her mother doesn’t know anything about him. During the operation, her mother reveals her friendship with Margaret Valentine, the woman who became US President after the plague. Yorick came to Valentine’s attention when he traveled to Washington to meet his mother, a Representative, after the plague. Matsumori reveals that she strongly urged Valentine and Mrs. Brown to send Yorick and the monkey to her daughter’s lab in Boston. Rose regains enough consciousness to mumble a “death bed” confession about being a spy for her naval captain (issue #45).

If that isn’t distressing enough, Toyota, the ninja who stole Ampersand, arrives at the lab with sword in hand threatening Mann’s life if her mother doesn’t help her find Ampersand, who escaped his cage. While Toyota is momentarily distracted, Mann grabs the sword her mother stabbed Rose with and in a change from her normally passive behavior, decides to fight her. Mann inadvertently comes out to her mother when Toyota taunts her with “Have you ever seen a sword fight before, Doc?” and Mann replies, “I’m an Ivy League lesbian, bitch! You honestly think I’ve never fenced before?” Even so, Mann gets stabbed in the arm, and Toyota kidnaps her mother, heading for her employer in Hong Kong, a woman both mother and daughter detest for being Mr. Matsumori’s mistress.

Vaughn concentrates on telling Mann’s personal story in issue #47. It begins with her early childhood and the incident in which she accidentally witnesses something amiss between her father and his assistant, Dr, Ming, who is really her father’s mistress. After learning about her husband’s mistress, Mrs. Matsumori decides to leave Yokogata. Ayuko (Allison’s birth name is Ayuko Matsumori) assumes they’ll move to live with her grandmother. Instead, the mother and daughter move to Los Angeles. Flash forward a number of years and Allison is college age. She’s rebelled against parental values and adopted a punkish look and attitude though she hasn’t abandoned her interest and knack for science because she tutors chemistry.

When Allison is first seen as a young adult in this story she’s standing outside of Mann’s Chinese Theater and a friend runs into her on the street. Karla’s roommate, a woman named Mercedes, is with her, and Mercedes takes an interest in Allison, inviting her to see Dangerous Liasons. The next scene is of Allison and Mercedes having sex in Allison’s cheap Yugo, parked on a hill overlooking the city lit up at night.

Allison has an angry encounter with her father in his lab, and comes out as a lesbian to him, partly out of spite. A comment from Allison implies that her parents have reconciled, but that her father is looking for an excuse to start his affair with Dr. Ming again. Her father tries to offer some cautionary advice about relationships, but she interprets it to mean she’s being disowned, and rather than explain himself, he returns to his project.

His words come true, as all first relationships don’t stand the test of time. Three weeks before graduation Mercedes is in Allison’s room, breaking up with her. Flash forward again. Allison’s traded her punkish dress and demeanor for more standard clothing. She’s also teaching biotechnology at Harvard when a young man named Sunil comes to talk about cloning with her. She tries to keep her distance from the student until he mentions rumors about Dr. Matsumori, not realizing he’s talking about her father (she’s known as Allison Mann now). The story skips ahead again and shows Sunil giving an ultrasound test to a very pregnant Allison. This scene would take place not long before we’re first introduced to Mann in the series’ first issue. This issue closes by showing Mann hemorrhaging, blood soaking her legs, and Mann talking to herself about her “miscarriage” possibly having long term complications.

She tries to keep this incident a secret from the others, but knows she’ll need help. That help will have to come from Dr. Ming, her father’s mistress, and being at the Bioethics Institute in Hong Kong also makes her the closest bio-geneticist. It’s also where her mother was taken to when Toyota ended their fight in Yokogata. They’ve arrived at a safe house in China by issue #49. Mann and 355 are out shopping for food when 355 brings up questions about events in Yokogata and Mann reveals that Rose admitted to being a spy while delirious during her operation. 355 rushes back to the safe house to check on Yorick, angry that Mann didn’t mention that Rose is a spy. Unseen by 355, Mann has a minor complication on the street, and returns on her own. Later that night Rose, believing she’s alone, contacts her Australian commander, and informally resigns from her mission and post. But Mann has been standing in the doorway and overheard everything. It leads to a heart to heart talk that is cut short by another episode of Allison hemorrhaging. Before passing out, she implores Rose to take her to Ming at the Bioethics Institute. (Issue #49)

Rose has to persuade 355 that she hasn’t hurt Mann in order to get her help from Ming. After stealing an ambulance and wild ride through Hong Kong streets, the four arrive at the Institute and are ambushed by Toyota. Allison awakes some time later to be greeted by her mother. Mrs. Matsumori tries to clear up her daughter’s confusion, informing her that she performed a hysterectomy in order to save her life. As if the surgery isn’t enough of a shock for Mann, Mrs. Matsumori reveals that Dr. Ming had also suffered the same complications (a fibroid-like tumor) from giving birth to a genetic clone. Unfortunately, Ming’s age (50) had additional adverse effects and she died afterwards. Even more of a shock for Mann and Yorick is the seemingly inexplicable presence of her father, the doctor whom Toyota the ninja referred to as “Dr. M.” The two Drs. M worked together to clone a child, but the biggest surprise is that the genetic material for the child was taken from Mann herself years ago by her father, and that there is not one young Ayuko, but seven.

Dr. M reveals his secret and complicated attempts fueled by a perverse sense of pride to prevent Mann’s successful cloning, including injecting a capuchin monkey with a chemical compound he discovered that adversely affected the genomes of clones. Instead of arriving at Mann’s lab, the capuchin ended up in Yorick’s hands to be trained as a helper for a disabled person, ironically keeping him alive. Dr. M also relates his theory of a morphogenetic field connecting all life on earth as the conductor for the “plague,” which in his opinion was really an evolutionary response to his successful human cloning. (Issue #51)

After a lifetime of disappointment resulting in bitterness, Dr. M decides there is no place in the world for he and Yorick. He plans to inject Yorick first with a poison and then himself. For the second time Mann comes to defend a compatriot, and in the resulting scuffle her father is accidentally injected with the poison. Jump ahead a little in time after her father’s death. Mann and 355 are having a heart to heart talk. Mann tries to get 355 to admit she’s in love with Yorick. Instead she says “I love you” in pig Latin to Allison and hugs her. The final scene reveals that the unlikely quartet, actually now a quintet, is splitting up. Allison and her mother are staying in Hong Kong and will go to work trying to clone Yorick. Rose will be the surrogate mother. Before Yorick and 355 leave to continue the search for Yorick’s girlfriend, Mann and Yorick share a touching scene in which he tries to get Mann to smile after all their years and adventures together. Instead, she starts to cry, offers him cautionary advice about not getting his heart broken, and hugs him closely.

Allison’s story ends here in issue #52 pending any developments in the final issue of the series.

Created by Brian k. Vaughn. © and ® DC/ Vertigo. Used without permission.